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With the centennial of the First World War rapidly approaching, historian and bibliographer James T. Controvich offers in The United States in World War I: A Bibliographic Guide the most comprehensive, up-to-date reference bibliography yet published. Organized by subject, this bibliography includes the full range of sources: vintage publications of the time, books, pamphlets, periodical titles, theses, dissertations, and archival sources held by federal and state organizations, as well as those in public and private hands, including historical societies and museums. As Controvich’s bibliographic accounting makes clear, there were many facets of World War I that remain virtually unknown to this day. Throughout, Controvich’s bibliography tracks the primary sources that tell each of these stories—and many others besides—during this tense period in American history. Each entry lists the author, title, place of publication, publisher, date of publication, and page count as well as descriptive information concerning illustrations, plates, ports, maps, diagrams, and plans. The armed forces section carries additional information on rosters, awards, citations, and killed and wounded in action lists. The United States in World War I: A Bibliographic Guide is an ideal research tool for students and scholars of World War I and American history.
Americans today harbor no strong or consistent collective memory of the First World War. Ask why the country fought or what they accomplished, and "democracy" is the most likely if vague response. The circulation of confusing or lofty rationales for intervention began as soon as President Woodrow Wilson secured a war declaration in April 1917. Yet amid those shifting justifications, Love and Death in the Great War argues, was a more durable and resonant one: Americans would fight for home and family. Officials in the military and government, grasping this crucial reality, invested the war with personal meaning, as did popular culture. "Make your mother proud of you/And the Old Red White and Blue" went George Cohan's famous tune "Over There." Federal officials and their allies in public culture, in short, told the war story as a love story. Intervention came at a moment when arbiters of traditional home and family were regarded as under pressure from all sides: industrial work, women's employment, immigration, urban vice, woman suffrage, and the imagined threat of black sexual aggression. Alleged German crimes in France and Belgium seemed to further imperil women and children. War promised to restore convention, stabilize gender roles, and sharpen male character. Love and Death in the Great War tracks such ideas of redemptive war across public and private spaces, policy and implementation, home and front, popular culture and personal correspondence. In beautifully rendered prose, Andrew J. Huebner merges untold stories of ordinary men and women with a history of wartime culture. Studying the radiating impact of war alongside the management of public opinion, he recovers the conflict's emotional dimensions--its everyday rhythms, heartbreaking losses, soaring possibilities, and broken promises.
The authoritative, dramatic, and previously untold story of the bloodiest battle in American history: the epic fight for the Meuse-Argonne in World War I On September 26, 1918, more than one million American soldiers prepared to assault the German-held Meuse-Argonne region of France. Their commander, General John J. Pershing, believed in the superiority of American "guts" over barbed wire, machine guns, massed artillery, and poison gas. In thirty-six hours, he said, the Doughboys would crack the German defenses and open the road to Berlin. Six weeks later, after savage fighting across swamps, forests, towns, and rugged hills, the battle finally ended with the signing of the armistice that concluded the First World War. The Meuse-Argonne had fallen, at the cost of more than 120,000 American casualties, including 26,000 dead. In the bloodiest battle the country had ever seen, an entire generation of young Americans had been transformed forever. To Conquer Hell is gripping in its accounts of combat, studded with portraits of remarkable soldiers like Pershing, Harry Truman, George Patton, and Alvin York, and authoritative in presenting the big picture. It is military history of the first rank and, incredibly, the first in-depth account of this fascinating and important battle.