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In this dramatic journey through religious and artistic history, R. A. Scotti traces the defining event of a glorious epoch: the building of St. Peter's Basilica. Begun by the ferociously ambitious Pope Julius II in 1506, the endeavor would span two tumultuous centuries, challenge the greatest Renaissance masters—Michelangelo, Raphael, and Bramante—and enrage Martin Luther. By the time it was completed, Shakespeare had written all of his plays, the Mayflower had reached Plymouth—and Rome had risen with its astounding basilica to become Europe's holy metropolis. A dazzling portrait of human achievement and excess, Basilica is a triumph of historical writing.
The story of St Peter's begins in the 1st century CE with the Hippodrome of Nero, one of two places where the Apostle Peter may have been crucified. 250 years later Constantine the Great marked the supposed site of Peter's tomb in an ancient cemetery with a great basilica. That in turn was replaced over a hundred-year period by a series of competitive renaissance and baroque Popes using the greatest artists of their day, all seeking to leave their mark on St Peter's. Here Keith Miller offers a rewarding account of a world-famous building: who built it; what it looks like and why; and how it affects the tourist or pilgrim. An intricate history, telling biography and the study of great art and architecture all play their part in a book that is a brilliant debut.
Old St Peter's Basilica in Rome stood for over eleven centuries until it was demolished to make room for today's church on the same Vatican site. Its last eyewitness, Maffeo Vegio, explained to the Roman hierarchy how revival of the papacy, whose prestige after the exile to Avignon had been diminished, was inseparable from a renewed awareness of the primacy of Peter's Church. To make his case, Vegio wrote a history founded on credible written and visual evidence. The text guides us through the building's true story in its material reality, undistorted by medieval guides. This was its living memory and a visualization of the continuity of Roman history into modern times. This volume makes available the first complete English translation of Vegio's text. Accompanied by full-color digital reconstructions of the Basilica as it appeared in Vegio's day.
Think you really know Church History? Think Again The Catholic Church is the longest-standing and the most universal of all institutions. The contributions made by Catholic men and women over the past 2000 years are most impressive, from a properly functioning calendar to the inventions of many things that we all take for granted today. In 101 Surprising Facts About Church History, Fr. Meconi, SJ walks readers through the most amazing achievements of Christ's Body on earth. From economic and mercantile developments to scientific and astronomical advances, from the cataloging of zoological and botanical species to the cherishing of beautiful music and fine arts, Fr. Meconi shows you why the Catholic Church stands as the greatest promoter of human culture and knowledge. Did you know: -A Catholic priest held the first insights into the "BigBang" theory well before anyone else? -The first prototype of today's moving robots wasfound in a medieval monastery? -Many types of food and drink have their originswithin the Church, including cappuccino, sparklingwine, and pretzels -The Holy Bible was the first work of the GutenbergPress -The Church has patron saints for all sorts of things, including headaches, ugliness, fireworks, hangoversand television Fr. Meconi's 101 Surprising Facts About Church History takes you through 2,000 years of amazing achievements and contributions by the Church and her many sons and daughters. Beautifully illustrated and chronologically arranged, this work is a reliable guide through centuries of Church figures, facts, and fun.
"As he entered his seventies, the great Italian Renaissance artist Michelangelo despaired that his productive years were past. Anguished by the death of friends and discouraged by the loss of commissions to younger artists, this supreme painter and sculptor began carving his own tomb. It was at this unlikely moment that fate intervened to task Michelangelo with the most ambitious and daunting project of his long creative life. 'Michelangelo, God's Architect' is the first book to tell the full story of Michelangelo's final two decades, when the peerless artist refashioned himself into the master architect of St. Peter's Basilica and other major buildings. When the Pope handed Michelangelo control of the St. Peter's project in 1546, it was a study in architectural mismanagement, plagued by flawed design and faulty engineering. Assessing the situation with his uncompromising eye and razor-sharp intellect, Michelangelo overcame the furious resistance of Church officials to persuade the Pope that it was time to start over. In this richly illustrated book, leading Michelangelo expert William Wallace sheds new light on this least familiar part of Michelangelo's biography, revealing a creative genius who was also a skilled engineer and enterprising businessman. The challenge of building St. Peter's deepened Michelangelo's faith, Wallace shows. Fighting the intrigues of Church politics and his own declining health, Michelangelo became convinced that he was destined to build the largest and most magnificent church ever conceived. And he was determined to live long enough that no other architect could alter his design."--Provided by publisher.
The Chair of Saint Peter surveys the history of the papal office from the first century to the current papacy of Pope John Paul II. At the approach of the third millennium, the office of the papacy remains a vital sign of unity in the Catholic church and a link with the earliest church. But the papal office in its current form is the product of a long and conflicted history of evolution. The Chair of Saint Peter is an essential resource for future discussions about the shape of the church to come.