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This book is a compilation of the author's letters to other naturalists – Thomas Pennant and Daines Barrington. Some of the letters were never posted, and were written for the book. White's Natural History was at once well received by contemporary critics and the public, and continued to be admired by a diverse range of nineteenth and twentieth century literary figures. His work has been seen as an early contribution to ecology and in particular to phenology. The book has been enjoyed for its charm and apparent simplicity, and the way that it creates a vision of pre-industrial England.
When the pioneering naturalist Gilbert White (1720-93) wrote The Natural History of Selborne (1789), he created one of the greatest and most influential natural history works of all time, his detailed observations about birds and animals providing the cornerstones of modern ecology. In this award-winning biography, Richard Mabey tells the wonderful story of the clergyman - England's first ecologist - whose inspirational naturalist's handbook has become an English classic.
More than two centuries have passed since Gilbert While was laid to rest in his unassuming grave in Selborne churchyard but published in 1789, still makes delightful reading today. His regular correspondence, beginning in 1767, with two distinguished naturalists, Thomas Pennant and the Honourable Daines Barrington, forms the basis of The Natural History of Selborne. of its description, which have earned it the distinction of being the only work on natural history to have received equal acclaim as a masterpiece of English literature.
The natural world as seen through the eyes of British artists including Eric Ravilious, Clare Leighton, and John Piper Since its publication in 1789, Gilbert White's Natural History and Antiquities of Selborne has inspired generations of artists, writers and naturalists. From Thomas Bewick to Eric Ravilious and Clare Leighton, many artists' depictions of animals, birds and wildlife have illustrated White's celebrated book, together providing a microcosm of natural history illustration from the eighteenth century until today. In Drawn to Nature, Simon Martin has gathered joyful and beautiful images of the extraordinary array of wildlife described by White, providing an insight into the continuing appeal and relevance of the Natural History. This fascinating account takes us from some of the earliest published depictions of birds and animals, to pioneering nature photography, the revival of wood-engraving in the 1920s and 30s, and responses to White's message about the natural world by contemporary illustrators such as Angie Lewin and Emily Sutton. The book also includes an introduction to the life of Gilbert White by Sir David Attenborough, an essay by Virginia Woolf, poems by modern and contemporary poets, and a jacket design by Mark Hearld.
"Lady Selborne was a comparatively small place, situated in an area on the slopes of the gentle Magaliesberg mountains, to the west of the city centre of Pretoria. By 1942, the multiracial Lady Selborne was home to about 22 000 people, the majority of whom were Northern Sotho, but also including Nguni, Shangaan, coloured, Indian, white and Chinese people. It was to become the largest Group Areas Act dispossession project in Pretoria" -- back cover.
Timothy, a tortoise who lived in the garden of eighteenth-century curate Gilbert White, speaks out on his life in the garden, his nine-day adventure outside the gate, his observations of the curious habits and habitations of humans, and the natural world around him. 30,000 first printing.