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This book has inspired many scholars to study the numerous works on Alankara, to produce papers dealing with several aspects of Alankarasastra and to publish several important texts. The author has made substantial additions and changes in this edition and has included valuable new material.The book is divided into two parts. The first part contains an account of the important works on Alankarasastra, a brief analysis of their contents and the chronology of writers on Alankarasastra and other kindred matters. The second part comprises a review of subjects that fall under the purview of Alankarasastra. The author has attempted to show how from very small beginnings various theories of Poetics and Literary Criticism were evolved, to dilate upon the different aspects of an elaborate theory of Poetics and trace the history of literary theories in India.
Beginning in the sixth century C.E. and continuing for more than a thousand years, an extraordinary poetic practice was the trademark of a major literary movement in South Asia. Authors invented a special language to depict both the apparent and hidden sides of disguised or dual characters, and then used it to narrate India's major epics, the Ramayana and the Mahabharata, simultaneously. Originally produced in Sanskrit, these dual narratives eventually worked their way into regional languages, especially Telugu and Tamil, and other artistic media, such as sculpture. Scholars have long dismissed simultaneous narration as a mere curiosity, if not a sign of cultural decline in medieval India. Yet Yigal Bronner's Extreme Poetry effectively negates this position, proving that, far from being a meaningless pastime, this intricate, "bitextual" technique both transcended and reinvented Sanskrit literary expression. The poems of simultaneous narration teased and estranged existing convention and showcased the interrelations between the tradition's foundational texts. By focusing on these achievements and their reverberations through time, Bronner rewrites the history of Sanskrit literature and its aesthetic goals. He also expands on contemporary theories of intertextuality, which have been largely confined to Western texts and practices.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1963.
This book is both an introduction to Sanskrit and an investigation into the relationship between the nine basic affective states and the form they take in the absence of self-interest according to the theory of Indian aesthetics as developed in the Dhvanyaloka and the Abhinavabharati.
Historically, Kashmir was one of the most dynamic and influential centers of Sanskrit learning and literary production in South Asia. In Poetry as Prayer in the Sanskrit Hymns of Kashmir, Hamsa Stainton investigates the close connection between poetry and prayer in South Asia by studying the history of Sanskrit hymns of praise (stotras) in Kashmir. The book provides a broad introduction to the history and general features of the stotra genre, and it charts the course of these literary hymns in Kashmir from the eighth century to the present. In particular, it offers the first major study in any European language of the Stutikusumāñjali, an important work of religious literature dedicated to the god Śiva and one of the only extant witnesses to the trajectory of Sanskrit literary culture in fourteenth-century Kashmir. The book also contributes to the study of Śaivism by examining the ways in which Śaiva poets have integrated the traditions of Sanskrit literature and poetics, theology (especially non-dualism), and Śaiva worship and devotion. It substantiates the diverse configurations of Śaiva bhakti expressed and explored in these literary hymns and the challenges they present for standard interpretations of Hindu bhakti. More broadly, this study of stotras from Kashmir offers new perspectives on the history and vitality of prayer in South Asia and its complex relationships to poetry and poetics.
In this rich collection of Sanskrit verse, the late Daniel Ingalls provides English readers with a wide variety of poetry from the vast anthology of an eleventh-century Buddhist scholar. Although the style of poetry presented here originated in royal courts, Ingalls shows how it was adapted to all aspects of life, and came to address issues as diverse as love, sex, heroes, nature, and peace. More than thirty years after its original publication, Sanskrit Poetry continues to be the main resource for all interested in this multifaceted and elegant tradition.