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Census records and name lists for New York are found mostly at the county level, which is why this work shows precisely which census records or census substitutes exist for each of New York's sixty-two counties and where they can be found. In addition to the numerous statewide official censuses taken by New York, this work contains references to census substitutes and name lists for time periods in which the state did not take an official census. It also shows the location of copies of federal census records and provides county boundary maps and numerous state census facsimiles and extraction forms.
Reprint of the original, first published in 1683.
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When the South bombarded Fort Sumter in April 1861, the Ellithorpe family in rural New York answered President Lincoln’s call to defend the Union. For the next four years, the two Ellithorpe brothers and two of their brothers-in-law fought in some of the Civil War’s most storied regiments, on nearly every major battlefield in the East. In this utterly unique Civil War history/biography, John A. Simpson reconstructs the intertwined lives and wars of four Union soldiers, from Bull Run to Gettysburg and beyond. When the Civil War broke out, Phillip Ellithorpe, Philander Ellithorpe, Asa Burleson, and Oliver Moore did not hesitate to volunteer to fight for the Union. Their service would encompass virtually every branch of the Northern army: infantry (including sharpshooters), cavalry (mounted and dismounted), and artillery as well as commissary, engineering, and ambulance duty. They would serve in six different regiments: the 13th Pennsylvania Reserves (the legendary Bucktails); the 27th New York Infantry (the Union Regiment); the 2nd New York Mounted Rifles; the 5th Vermont Infantry; the 1st New York Dragoons; and the 1st Minnesota, which gained immortality at Gettysburg. They would participate in the major battles of the war’s Eastern theater: First Bull Run, the Peninsula, Second Bull Run, Antietam, Fredericksburg, Chancellorsville, Gettysburg, and Grant’s Overland campaign through Petersburg. Phillip would die at Gettysburg, and the other three would return home and live under the shadow of the Civil War for the rest of their lives. All for the Union tells the dramatic story of these four soldiers, weaving their lives and wars into a tapestry of how one family navigated home front and battle front during the Civil War. Based on 180 family letters, voluminous primary and second sources, and visits to homes and battlefields from Allegany County, New York, to Richmond, Virginia, All for the Union is a remarkable contribution to Civil War history.
"[A] fascinating and indispensable book."—Christopher Knight, Los Angeles Times Best Books of 2018—The Guardian Gold Medal for Contribution to Publishing, 2018 California Book Awards Carleton Watkins (1829–1916) is widely considered the greatest American photographer of the nineteenth century and arguably the most influential artist of his era. He is best known for his pictures of Yosemite Valley and the nearby Mariposa Grove of giant sequoias. Watkins made his first trip to Yosemite Valley and Mariposa Grove in 1861 just as the Civil War was beginning. His photographs of Yosemite were exhibited in New York for the first time in 1862, as news of the Union’s disastrous defeat at Fredericksburg was landing in newspapers and while the Matthew Brady Studio’s horrific photographs of Antietam were on view. Watkins’s work tied the West to Northern cultural traditions and played a key role in pledging the once-wavering West to Union. Motivated by Watkins’s pictures, Congress would pass legislation, signed by Abraham Lincoln, that preserved Yosemite as the prototypical “national park,” the first such act of landscape preservation in the world. Carleton Watkins: Making the West American includes the first history of the birth of the national park concept since pioneering environmental historian Hans Huth’s landmark 1948 “Yosemite: The Story of an Idea.” Watkins’s photographs helped shape America’s idea of the West, and helped make the West a full participant in the nation. His pictures of California, Oregon, and Nevada, as well as modern-day Washington, Utah, and Arizona, not only introduced entire landscapes to America but were important to the development of American business, finance, agriculture, government policy, and science. Watkins’s clients, customers, and friends were a veritable “who’s who” of America’s Gilded Age, and his connections with notable figures such as Collis P. Huntington, John and Jessie Benton Frémont, Eadweard Muybridge, Frederick Billings, John Muir, Albert Bierstadt, and Asa Gray reveal how the Gilded Age helped make today’s America. Drawing on recent scholarship and fresh archival discoveries, Tyler Green reveals how an artist didn’t just reflect his time, but acted as an agent of influence. This telling of Watkins’s story will fascinate anyone interested in American history; the West; and how art and artists impacted the development of American ideas, industry, landscape, conservation, and politics.