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Baptist Churches of South Carolina and list of Baptists.
This collection of essays by different authors is presented as a tribute to Walter B. "Buddy" Shurden, (distinctively Baptist) church historian, teacher, preacher, author, Baptist apologist extraordinaire. The rationale of this celebration of the lifework and influence of Walter Shurden is well stated, for example, in editor Marc Jolley's preface: "[D]uring some of the initial forays of our most-recent and ongoing Fundamentalist-Moderate controversy, there were days when I thought about changing denominations. Shurden's works were instrumental in my remaining a Baptist, not because I could see how Baptists had always had controversies and survived--although that is true--but because he helped me understand that the reason I had been Baptist and would remain so was due to our Baptist distinctives, our freedoms. For so much more, but especially for that understanding, I am forever grateful." Many students, Baptists in the pews, some at the pulpit or lectern, even some who are not "distinctively Baptist" could testify in like terms regarding the ongoing work and influence of Walter B. Shurden. The essays in this collection of course address some of the primary concerns of Walter Shurden, augmenting that already significant lifework.
The most comprehensive state project of its kind, the Dictionary provides information on some 4,000 notable North Carolinians whose accomplishments and occasional misdeeds span four centuries. Much of the bibliographic information found in the six volumes has been compiled for the first time. All of the persons included are deceased. They are native North Carolinians, no matter where they made the contributions for which they are noted, or non-natives whose contributions were made in North Carolina.
This account of the settlement of one segment of the North Carolina frontier -- the land between the Yadkin and Catawba rivers -- examines the process by which the piedmont South was populated. Through its ingenious use of hundreds of sources and documents, Robert Ramsey traces the movement of the original settlers and their families from the time they stepped onto American shores to their final settlement in the northwest Carolina territory. He considers the economic, religious, social, and geographical influences that led the settlers to Rowan County and describes how this frontier community was organized and supervised.
This book explores the role of Jesse Mercer within these debates as he promoted the first form of the Georgia Baptist Convention. His Calvinistic theology governed his actions and life. He emphasized missions, theological training for pastors, and cooperation between churches in fulfilling the Great Commission.
This is a history of the people called Baptists. Its purpose is to set forth once again a story which has been told in various forms many times, but which requires retelling and fresh interpretation for twentieth-century readers. This book is not intended to give an account of all the bodies which resemble the Baptists. It begins with a brief summary of the views held by the people called Baptists. It then provides a brief survey of those spiritual ancestors from whom the Baptists are immediately descended. While British and European Baptists have not been neglected, the main story concerns American Baptists, particularly those who are white, both Northern and Southern. - Preface.
Sacred Harp music or shape-note singing is as old as America itself. The term sacred harp refers to the human voice. Brought to this continent by the settlers of Jamestown, this style of singing is also known as “fasola.” In Legacy of the Sacred Harp, author Chloe Webb follows the history of this musical form back four hundred years, and in the process uncovers the harrowing legacy of her Dumas family line. The journey begins in contemporary Texas with an overlooked but historically rich family heirloom, a tattered 1869 edition of The Sacred Harp songbook. Traveling across the South and sifting through undiscovered family history, Webb sets out on a personal quest to reconnect with her ancestors who composed, sang, and lived by the words of Sacred Harp music. Her research irreversibly transforms her rose-colored view of her heritage and brings endearing characters to life as the reality of the effects of slavery on Southern plantation life, the thriving tobacco industry, and the Civil War are revisited through the lens of the Dumas family. Most notably, Webb’s original research unearths the person of Ralph Freeman, freed slave and pastor of a pre-Civil War white Southern church. Wringing history from boxes of keepsakes, lively interviews, dusty archival libraries, and church records, Webb keeps Sacred Harp lyrics ringing in readers’ ears, allowing the poetry to illuminate the lessons and trials of the past. The choral shape-note music of the Sacred Harp whispers to us of the past, of the religious persecution that brought this music to our shores, and how the voices of contemporary Sacred Harp singers still ring out the unchanged lyrics across the South, the music pulling the past into our present.