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An updated edition of this comprehensive narrative history, first published in 1989, incorporating a new chapter on the latest developments in Russian literature and additional bibliographical information. The individual chapters are by well-known specialists, and provide chronological coverage from the medieval period on, giving particular attention to the nineteenth and twentieth centuries, and including extensive discussion of works written outside the Soviet Union. The book is accessible to students and non-specialists, as well as to scholars of literature, and provides a wealth of information.
One fall evening in 1880, Russian painter Ilya Repin welcomed an unexpected visitor to his home: Lev Tolstoy. The renowned realists talked for hours, and Tolstoy turned his critical eye to the sketches in Repin's studio. Tolstoy's criticisms would later prompt Repin to reflect on the question of creative expression and conclude that the path to artistic truth is relative, dependent on the mode and medium of representation. In this original study, Molly Brunson traces many such paths that converged to form the tradition of nineteenth-century Russian realism, a tradition that spanned almost half a century—from the youthful projects of the Natural School and the critical realism of the age of reform to the mature masterpieces of Tolstoy, Fyodor Dostoevsky, and the paintings of the Wanderers, Repin chief among them. By examining the classics of the tradition, Brunson explores the emergence of multiple realisms from the gaps, disruptions, and doubts that accompany the self-conscious project of representing reality. These manifestations of realism are united not by how they look or what they describe, but by their shared awareness of the fraught yet critical task of representation. By tracing the engagement of literature and painting with aesthetic debates on the sister arts, Brunson argues for a conceptualization of realism that transcends artistic media. Russian Realisms integrates the lesser-known tradition of Russian painting with the familiar masterpieces of Russia's great novelists, highlighting both the common ground in their struggles for artistic realism and their cultural autonomy and legitimacy. This erudite study will appeal to scholars interested in Russian literature and art, comparative literature, art history, and nineteenth-century realist movements.
Offers a rereading of the Russian realist novel and proposes a hybrid genre, grotesque realism, to describe changes during the post-Reform era.
The Historical Dictionary of Russian Literature contains a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 100 cross-referenced entries on significant people, themes, critical issues, and the most significant genres...
Few, if any, English-language critics have written as perceptively as Isaiah Berlin about Russian thought and culture. Russian Thinkers is his unique meditation on the impact that Russia's outstanding writers and philosophers had on its culture. In addition to Tolstoy's philosophy of history, which he addresses in his most famous essay, 'The Hedgehog and the Fox,' Berlin considers the social and political circumstances that produced such men as Herzen, Bakunin, Turgenev, Belinsky, and others of the Russian intelligentsia, who made up, as Berlin describes, 'the largest single Russian contribution to social change in the world.'
This book is a collection of Nineteen selected stories by the renowned Russian authors. The most of the 27 illustrations are the pictures of the Greek and Roman Goddesses worshiped before the influence of Christianity and monotheism. The authors and the stories are:The Queen Of Spades - By Alexsandr S. Pushkin; The Cloak - By Nikolay V. Gogol; The District Doctor - By Ivan S. Turgenev; The Christmas Tree And The Wedding - By Fiodor M. Dostoyevsky; God Sees The Truth, But Waits - By Leon. Tolstoy; How A Muzhik Fed Two Officials - By M.Y. Saltykov [N. Shchedrin]; Banquet Given By The Mayor, The Shades and A Phantasy - By Vladimir G. Korlenko; The Signal - By Vsevolod M. Garshin; The Darling, The Bet and Vanka - By Anton P. Chekhov; Hide And Seek - By Fiodor Sologub; Dethroned - By I.N. Potapenko; The Servant - By S.T. Semyonov; One Autumn Night - By Maxim Gorky; The Revolutionist - By Michaïl P. Artzybashev; The Outrage : A True Story - By Aleksandr I. Kuprin. Beat regards.Asino Calcio