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A pathbreaking, monumental work on the origins and development of music in Russia
In its scope and command of primary sources and its generosity of scholarly inquiry, Nikolai Findeizen's monumental work, published in 1928 and 1929 in Soviet Russia, places the origins and development of music in Russia within the context of Russia's cultural and social history. Volume 2 of Findeizen's landmark study surveys music in court life during the reigns of Elizabeth I and Catherine II, music in Russian domestic and public life in the second half of the 18th century, and the variety and vitality of Russian music at the end of the 18th century.
In its scope and command of primary sources and its generosity of scholarly inquiry, Nikolai Findeizen's monumental work, published in 1928 and 1929 in Soviet Russia, places the origins and development of music in Russia within the context of Russia's cultural and social history. Volume 2 of Findeizen's landmark study surveys music in court life during the reigns of Elizabeth I and Catherine II, music in Russian domestic and public life in the second half of the 18th century, and the variety and vitality of Russian music at the end of the 18th century.
A pathbreaking, monumental work on the origins and development of music in Russia
A pathbreaking, monumental work on the origins and development of music in Russia.
Volume 1 details the development of musical culture in pre-Christian and Kievan Rus' and in Novgorod the Great; the activities of Russia's first folk musicians, the skomorokhi; the varieties and evolution of musical instruments, especially old Russian folk instruments; music in fifteenth- and sixteenth-century Moscow; music in the monastery and in court life in the seventeenth century; and music and theater in the age of Peter the Great.