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This study underlines the importance of the literary context and places it on par with structural literary analysis. It traces the sociopolitical changes in Malaysia from the days of British colonialism with its restrictive Malay educational policy and the role played by Malay teachers and journalists, to the present period.
Provides a detailed, narrative-based history of classical Malay Literature. It covers a wide range of Malay texts, including folk literature; the influence of the Indian epics and shadow theatre literature; Panji tales; the transition from Hindu to Muslim literary models; Muslim literature; framed tales; theological literature; historical literature; legal codes; and the dominant forms of poetry, the pantun and syair.
This is a detailed, narrative–based history of Classical Malay Literature. It covers a wide range of Malay texts, including folk literature; the influence of the Indian epics and shadow theatre; Panji tales; the transition from Hindu to Muslim literary models; Muslim literature; framed tales; theological literature; historical literature; legal codes; and the dominant forms of poetry, the pantun and syair. The author describes the background to each of these particular literary periods. He engages in depth with specific texts, their various manuscripts, and their contents. In so doing, he draws attention to the historical complexity of tradisional Malay society, its worldviews, and its place within the wider framework of human experience. Dr. Liaw’s History of Classical Malay Literature will be of benefit to beginning students of Malay Literature and to established scholars alike. It can also be read with benefit by those with a wider interest in Comparative Literature and in Southeast Asian culture in general.
Traditional literature, or 'the deed of the reed pen' as it was called by its creators, is not only the most valuable part of the cultural heritage of the Malay people, but also a shared legacy of Malaysia, Indonesia, Singapore and Brunei. Malay culture during its heyday saw the entire Universe as a piece of literature written by the Creator with the Sublime Pen on the Guarded Tablet. Literature was not just the creation of a scribe, but a scribe himself, imprinting words on the 'sheet of memory' and thus shaping human personality. This book, the first comprehensive survey of traditional Malay literature in English since 1939, embraces more than a millennium of Malay letters from the vague data of the seventh century up to the early beginnings of the modern literatures in the late nineteenth century. The long path trodden by traditional Malay literature is viewed in historical and theoretical perspectives as a development of integral system, caused by cultural and religious changes, primarily by gradual Islamization. This changing system considered in the entirety of its genres and works, is seen both externally and internally: from the point of view of modern scholarship and through the examination of indigenous concepts of literary creativity, poetics and aesthetics. The book not only repesents an original study based on a specific historico-theoretical approach, but it is also a complete reference-work and an indispensable manual for students.