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An illustrated history of Charlotte and Mechlenburg County. North Carolina, paired with histories of the local companies.
Following up on her 2004 work, "Families of Cabarrus County, North Carolina," Kathleen Marler has now assembled an alphabetically arranged collection of abstracts of early inhabitants of Mecklenburg County, the parent county of Cabarrus. The principal sources for her new book are Mecklenburg County Deed Volumes 1-3 (July 1778 through September 1786), Mecklenburg wills, the 1790 U.S. Census for Mecklenburg County, and several other primary and secondary sources.
The bustling metropolis of Charlotte is constantly growing and changing. Yet there are spirits from the past that refuse to give way to modern growth, or to be forgotten. The ghost of a Confederate officer, complete with his wooden leg, still appears at historic Cedar Grove. A longdead fireman continues to hang around his old station, and even changes clothes there. At the venerable Manor Theater, the spirit of a former manager often materializes late at night; he sometimes helps with the sweeping. A deceased bootlegger still tries to produce alcohol for his customers. And one small Charlotte house is so haunted that a former resident describes the interior as liquid black, which absorbs even light. Despite the Queen City's long and rich history, until now there has been no published collection of ghost stories from the region. These 19 tales gathered by Stephanie Burt Williams, and enhanced by her superb photographs, were worth the wait.
About a third of Mr. Gold's account deals with the general history of the county, with the balance devoted to the Civil War. The author provides an overview of the various troop movements throughout the county during the war, such as those under the command of Confederate General Jubal Early. The bulk of the volume examines the roles of Clarke County natives in the conflict.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.