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Japanese art, like so many expressions of Japanese culture, is fascinatingly rich in its contrasts and paradoxes. Since the country opened its doors to the outside world in the mid-nineteenth century. Japanese art and culture have enjoyed an immense popularity in the West. When in 1993 renowned scholar Penelope Mason wrote the the first edition of History of Japanese Art, it was the first such volume in thirty yearsto chart a detailed overview of the subject. It remains the only comprehensive survey of its kind in English. This second edition ties together more closely the development of all the media within a well-articulated historical and social context. New to the Second Edition Extended coverage of Japanese art beyond 1945 New discoveries both in archeology and scholarship New material on calligraphy, ceramics, lacquerware, metalware, and textiles An extended glossary A comprehensively updated bibliography 94 new illustrations
In this book the leading authority on Japanese art history sheds light on how Japan has nurtured distinctive aesthetics, prominent artists, and movements that have achieved global influence and popularity. The History of Art in Japan discusses works ranging from earthenware figurines in 13,000 BCE to manga, anime, and modern subcultures.
What is Japanese art? This book supplies an answer that gives a reader both a true picture and a fine understanding of Japanese art. Arranged thematically, the book includes chapters on nature and pleasure, landscape and beauty, all framed by themes of serenity and turmoil, the two poles of Japanese culture ancient and modern.
During America's Gilded Age (dates), the country was swept by a mania for all things Japanese. It spread from coast to coast, enticed everyone from robber barons to street vendors with its allure, and touched every aspect of life from patent medicines to wallpaper. Americans of the time found in Japanese art every design language: modernism or tradition, abstraction or realism, technical virtuosity or unfettered naturalism, craft or art, romance or functionalism. The art of Japan had a huge influence on American art and design. Title compares juxtapositions of American glass, silver and metal arts, ceramics, textiles, furniture, jewelry, advertising, and packaging with a spectrum of Japanese material ranging from expensive one-of-a-kind art crafts to mass-produced ephemera. Beginning in the Aesthetic movement, this book continues through the Arts & Crafts era and ends in Frank Lloyd Wright's vision, showing the reader how that model became transformed from Japanese to American in design and concept. Hannah Sigur is an art historian, writer, and editor with eight years' residence and study in East and Southeast Asia. She has a master's degree from the Institute of Fine Arts, New York University, and is completing a PhD in the arts of Japan. Her writings include co-authoring A Master Guide to the Art of Floral Design (Timber Press, 2002), which is listed in "The Best Books of 2002" by The Christian Science Monitor and is now in its second edition; and "The Golden Ideal: Chinese Landscape Themes in Japanese Art," in Lotus Leaves, A Master Guide to the Art of Floral Design (2001). She lives in Berkeley.
Traces the history of Japanese painting, calligraphy, architecture, sculpture, and other arts from the prehistoric period to modern times.
Presents 17 classic Japanese stories as told through 30 illustrated handscrolls ranging from the 13th to 19th centuries.
"Japanese art, like so many expressions of Japanese culture, is fascinatingly rich in its contrasts and paradoxes. Since the country opened its doors to the outside world in the mid-nineteenth century, Japanese art and culture have enjoyed an immense popularity in the West. When in 1993 renowned scholar Penelope Mason wrote the first edition of History of Japanese Art, it was the first such volume in thirty years to chart a detailed overview of the subject. It remains the only comprehensive survey of its kind in English. This second edition ties together more closely the development of all the media within a well-articulated historical and social context."--Page 4 of cover.
Arts of Japan is a classic and informative text that explores the rich cultural heritage and history of Japanese Art. This art history text examines the various influences that have shaped the course of Japanese art history in the fields of painting, sculpture, architecture, and handicrafts. Discussed with challenging insight are the impact of the various Indian and Chinese schools, the pervasive influence of Zen philosophy, and the many other artistic developments, giving the reader a well-rounded picture of the great significance and contribution of Japanese art. Special features of the book are sections on handicrafts and a chapter on prehistoric art. The book comes at a time when there is an awakened interest in Asian art throughout the world. In the past, due to linguistic barriers, political upheavals, and the limited number of specialists, misconceptions have been especially numerous in the field of Japanese art. The Arts of Japan admirably corrects these misinterpretations, consolidates the results of the most recent scholarship, and in one compact volume presents an up-to-date, authoritative survey of Japanese and throughout its long history and in all its colorful diversity.
Early years - Introduction of Buddhism - The zenith of court culture - The court and the Shogunante - Aesthetics of warrior rule - The gilded road to unification - Tokagawa control and the rise of the bourgeoisie - Eyes to the West: the Meiji restoration.