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Illustrations: 400 b/w illustrations, 128 plates and 9 maps Description: This book is Ananda Coomaraswamy's classic study of Indian Art. As the major pioneering scholar in the field, Coomaraswamy possessed an extraordinary background in history, art-history, aesthetics, and Asian languages and philosophy, and this fascinating cultural study is one of his finest books, long regarded as one of the most significant contribution to the understanding of the Indian Art. Divided into six sections, each representing a chronological culture area, the book takes in material from the earliest Harappa archaeological finds up to Rajput and Sikh painting of the Mid-19th century and the early art and craft works at the beginning of this century. Most of the study deals with Indian Art, but Indonesia and the peripheries of Southeast Asia are covered where they reflect Indian influences. The concentration of the study is upon architecture and sculpture; however it also encompasses painting, jewellery, textiles, metalwork and other crafts. Background information on the history and geography of the area is provided for the reader along with philosophical, religious and social insights that are particularly valuable for the western reader. Dr. Coomaraswamy, Keeper of Indian and Muhammadan Art in the Boston Museum of Fine Arts was deeply sensitive to the beauty of the Indian art works. As a result, the illustrations he selected are unusually fine, comprising some of the most impressive examples of Indian art. Included among the illustrations are Indo-Sumerian seals, Maurya statues, Sunga reliefs, Kusana Buddha, Gupta and early medieval temples. Late medieval palaces, Rajput paintings, Ceylonese Buddhas, Burmese frescoes, Cambodian towers and assorted jewellery and metal, ivory and textile works. Beginning students of the orient or of art history could ask, for no finer Introduction to the history and aesthetics of Indian and Indonesian Art. The author's penetrating cultural insights make it an indispensable text for all who plan further study in the field.
To scholars in the field, the need for an up-to-date overview of the art of South Asia has been apparent for decades. Although many regional and dynastic genres of Indic art are fairly well understood, the broad, overall representation of India's centuries of splendor has been lacking. The Art of Ancient India is the result of the author's aim to provide such a synthesis. Noted expert Sherman E. Lee has commented: –Not since Coomaraswamyês History of Indian and Indonesian Art (1927) has there been a survey of such completeness.” Indeed, this work restudies and reevaluates every frontier of ancient Indic art _ from its prehistoric roots up to the period of Muslim rule, from the Himalayan north to the tropical south, and from the earliest extant writing through the most modern scholarship on the subject. This dynamic survey-generously complemented with 775 illustrations, including 48 in full color and numerous architectural ground plans, and detailed maps and fine drawings, and further enhanced by its guide to Sanskrit, copious notes, extensive bibliography, and glossary of South Asian art terms-is the most comprehensive and most fully illustrated study of South Asian art available. The works and monuments included in this volume have been selected not only for their artistic merit but also in order to both provide general coverage and include transitional works that furnish the key to an all encompassing view of the art. An outstanding portrayal of ancient Indiaês highest intellectual and technical achievements, this volume is written for many audiences: scholars, for whom it provides an up-to-date background against which to examine their own areas of study; teachers and students of college level, for whom it supplies a complete summary of and a resource for their own deeper investigations into Indic art; and curious readers, for whom it gives a broad-based introduction to this fascinating area of world art.
This is a synthesis and interpretation of Buddhism in Southeast Asia. No other book matches its depth and breadth or its balance of scholarly interpretation and readable personal portrayal.
Daniélou's powerful rebuttal to the conventional view of India's history, which calls for a massive reevaluation of the history of humanity • Explores historical occurrences from each major time period starting with the first appearance of man 30,000 years ago • Couples the clarity and perspective of an outsider with the unique and specific knowledge of an insider • By the internationally recognized Hindu scholar and translator of The Complete Kama Sutra (200,000 copies sold) Alain Daniélou approaches the history of India from a new perspective--as a sympathetic outsider, yet one who understands the deepest workings of the culture. Because the history of India covers such a long span of time, rather than try to create an exhaustive chronology of dates and events, Daniélou instead focuses on enduring institutions that remain constant despite the ephemeral historical events that occur. His selections, synthesis, and narration create a thoroughly engaging and readable journey through time, with a level of detail and comprehensiveness that is truly a marvel. Because of the continuity of its civilization, its unique social system, and the tremendous diversity of cultures, races, languages, and religions that exist in its vast territory, India is like a history museum. Its diverse groups maintained their separate identities and never fully supplanted the culture and knowledge of their predecessors. Even today one may encounter in India primitive Stone Age people whose technology has remained at what is considered prehistoric levels. Thus Daniélou's examination of India reveals not only the diversity and historical events and trends of that country, but also the history of all mankind. Through Daniélou's history of India we learn from whence we came, what we have discovered over the years in the fields of science, arts, technology, social structures, religions, and philosophical concepts, and what the future may hold for us.