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"A brilliant book, which brings historical analysis of religion in American culture to a new level of insight and importance." —New York Times Book Review Catholicism and American Freedom is a groundbreaking historical account of the tensions (and occasional alliances) between Catholic and American understandings of a healthy society and the individual person, including dramatic conflicts over issues such as slavery, public education, economic reform, the movies, contraception, and abortion. Putting scandals in the Church and the media's response in a much larger context, this stimulating history is a model of nuanced scholarship and provocative reading.
For two centuries, Catholicism has played a profound and largely unexamined role in America's political and intellectual life. Emphasizing the community over the individual, Catholics have alternately challenged and supported American liberals on a variety of controversial issues, including slavery, public education, economic reform, the movies, contraception, the nuclear arms race and abortion. The story of Catholicism is also international, as Catholics and non-Catholics reacted to people, ideas and events abroad, from the 1848 revolutions to the rise of European fascism in the 1930s and the Second Vatican Council in the 1960s. This history of both Catholicism and anti-Catholicism puts the sexual-abuse scandal in the Church of the early 21st century and the media's response into a larger context.
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"Catholic chaplains shared fully in the lot of the common soldier in World War II - in Pacific island jungles, Europe's battered cities, North African deserts, and the oceans in between. And like the common soldier, they endured the same combat perils, exposure to the elements, internal conflicts, boredom, and intense longings for peace and home. They saved lives, provided comfort and hope, and renewed lost faith in a dark time. In this compelling account Father Donald Crosby provides an unforgettable portrait of faith under fire and grace at ground level, reminding us again that "there are no atheists in foxholes.""--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
In 1928, the newly organized Denver Artists Guild held its inaugural exhibition in downtown Denver. Little did the participants realize that their initial effort would survive the Great Depression and World War II—and then outlive all of the group’s fifty-two charter members. The guild’s founders worked in many media and pursued a variety of styles. In addition to the oils and watercolors one would expect were masterful pastels by Elsie Haddon Haynes, photographs by Laura Gilpin, sculpture by Gladys Caldwell Fisher and Arnold Rönnebeck, ceramics by Anne Van Briggle Ritter and Paul St. Gaudens, and collages by Pansy Stockton. Styles included realism, impressionism, regionalism, surrealism, and abstraction. Murals by Allen True, Vance Kirkland, John E. Thompson, Louise Ronnebeck, and others graced public and private buildings—secular and religious—in Colorado and throughout the United States. The guild’s artists didn’t just contribute to the fine and decorative arts of Colorado; they enhanced the national reputation of the state. Then, in 1948, the Denver Artists Guild became the stage for a great public debate pitting traditional against modern. The twenty-year-old guild split apart as modernists bolted to form their own group, the Fifteen Colorado Artists. It was a seminal moment: some of the guild’s artists became great modernists, while others remained great traditionalists. Enhanced by period photographs and reproductions of the founding members’ works, The Denver Artists Guild chronicles a vibrant yet overlooked chapter of Colorado’s cultural history. The book includes a walking tour of guild members’ paintings and sculptures viewable in Denver and elsewhere in Colorado, by Leah Naess and author Stan Cuba. In honor of the book’s release, the Byers-Evans House Gallery will showcase a collection of founding guild members’ works starting June 26, 2015. The exhibit, also titled The Denver Artists Guild: Its Founding Members, contains paintings from artists such as the famed Paschal Quackenbush, Louise Ronnebeck, Albert Byron Olson, Elisabeth Spalding, Waldo Love and Vance Kirkland. The show will be on display through September 26, 2015.
When Americans migrated west, they carried with them not only their hopes for better lives but their religious traditions as well. Yet the importance of religion in the forging of a western identity has seldom been examined. In this first historical overview of religion in the modern American West, Ferenc Szasz shows the important role that organized religion played in the shaping of the region from the late-nineteenth to late-twentieth century. He traces the major faiths over that time span, analyzes the distinctive response of western religious institutions to national events, and shows how western cities became homes to a variety of organized faiths that cast only faint shadows back east. While many historians have minimized the importance of religion for the region, Szasz maintains that it lies at the very heart of the western experience. From the 1890s to the 1920s, churches and synagogues created institutions such as schools and hospitals that shaped their local communities; during the Great Depression, the Latter-day Saints introduced their innovative social welfare system; and in later years, Pentecostal groups carried their traditions to the Pacific coast and Southern Baptists (among others) set out in earnest to evangelize the Far West. Beginning in the 1960s, the arrival of Asian faiths, the revitalization of evangelical Protestantism, the ferment of post-Vatican II Catholicism, the rediscovery of Native American spirituality, and the emergence of New Age sects combined to make western cities such as Los Angeles and San Francisco among the most religiously pluralistic in the world. Examining the careers of key figures in western religion, from Rabbi William Friedman to Reverend Robert H. Schuller, Szasz balances specific and general trends to weave the story of religion into a wider social and cultural context. Religion in the Modern American West calls attention to an often-overlooked facet of regional history and broadens our understanding of the American experience.