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Argues that, although the British won the Battle of Guilford Courthouse, the losses they sustained were significant enough to force a withdrawal from the state, and were an important factor in their final defeat at Yorktown, which ended the American Revolution.
Around the North Carolina village of Guilford Courthouse in the late winter of 1781, two weary armies clashed on a cold, wet afternoon. American forces under Nathanael Greene engaged Lord Cornwallis's British army in a bitter two-hour battle of the Revolutionary War. The frightful contest at Guilford was a severe conflict in which troops made repeated use of their flintlock muskets, steel bayonets and dragoon swords in hand-to-hand fighting that killed and wounded about eight hundred men. Historian John R. Maass recounts the bloody battle and the grueling campaign in the South that led up to it, a crucial event on the road to American independence.
A brilliant account of the proud and ferocious American fighters who stood up to the British forces in savage battles crucial in deciding both the fate of the Carolina colonies and the outcome of the war. "A tense, exciting historical account of a little known chapter of the Revolution, displaying history writing at its best."--Kirkus Reviews "His compelling narrative brings readers closer than ever before to the reality of Revolutionary warfare in the Carolinas."--Raleigh News & Observer "Buchanan makes the subject come alive like few others I have seen." --Dennis Conrad, Editor, The Nathanael Greene Papers "John Buchanan offers us a lively, accurate account of a critical period in the War of Independence in the South. Based on numerous printed primary and secondary sources, it deserves a large reading audience." --Don Higginbotham, Professor of History, University of North Carolina, Chapel Hill
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Music is omnipresent in human society, but its language can no longer be regarded as transcendent or universal. Like other art forms, music is produced and consumed within complex economic, cultural, and political frameworks in different places and at different historical moments. Taking an explicitly spatial approach, this unique interdisciplinary text explores the role played by music in the formation and articulation of geographical imaginations--local, regional, national, and global. Contributors show how music's facility to be recorded, stored, and broadcast; to be performed and received in private and public; and to rouse intense emotional responses for individuals and groups make it a key force in the definition of a place. Covering rich and varied terrain--from Victorian England, to 1960s Los Angeles, to the offices of Sony and Time-Warner and the landscapes of the American Depression--the volume addresses such topics as the evolution of musical genres, the globalization of music production and marketing, alternative and hybridized music scenes as sites of localized resistance, the nature of soundscapes, and issues of migration and national identity.