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Monumental epic poem tells the heroic story of Aeneas, a Trojan who escaped the burning ruins of Troy to found Lavinium, the parent city of Rome, in the west.
In the course of re-establishing the value and importance of Books VII-XII of Virgil's Aeneid, this study also explores in some detail his use of Homer's Iliad.
Excerpt from A History of Epic Poetry (Post-Virgilian) The following pages are meant to exhibit the different national renderings of a variety of poetry that perhaps more than any other has given status to the literature possessing a great specimen of it, and supremacy to the poet of that specimen. I have restricted my formal examination of poems to those of the post - Virgilian period. So much excellent criticism has been made on Homer and Virgil that it seemed presumption on my part, as well as a needless increase of the bulk of the book, to adventure a full statement of the epical position of these two princely poets. It is clear, however, that no history of epic poetry could be called satisfactory that did not contain some reference to these poets - that did not, indeed, to a definite if limited extent, take into account and appraise their work. I have therefore in the Introduction devoted some pages to a consideration of certain aspects of the epical quality of their respective poems. Other pre-Virgilian epics than those of Homer claim, and have received, a certain amount of attention. A study like mine, to reach true conclusions, needs observation not only of the great masters of epic, but also of humbler poets whose good intentions have not been reinforced by potent inspiration. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This volume offers a strikingly innovative account of Propertius' relationship with Virgil, positing a keen rivalry between two of the greatest poets of Latin literature, contemporaries within the circle of Maecenas. It begins by examining all of the references to Greek mythology in Propertius' first book; these passages emerge as strongly intertextual in nature, providing a way for the poet to situate himself with respect to his predecessors, both Greek and Roman. More specifically, myth is also the medium of a sustained polemic with Virgil's Eclogues, published only a few years earlier. Virgil's response can be traced in the Georgics, and subsequently, in his second and third books, Propertius continued to use mythology and its relationship to contemporary events as a vehicle for literary polemic. This volume argues that their competition can be seen as exemplifying a revised model for how the poets within Maecenas' circle interacted and engaged with each other's work - a model based on rivalry rather than ideological adhesion or subversion - while also painting a revealing picture of how Virgil was viewed by a contemporary in the days before his death had canonized his work as an instant classic. In particular, its novel interpretation offers us a new understanding of Propertius, one of the foundational figures in Western love poetry, and how his frequent references to other poets, especially Gallus and Ennius, take on new meanings when interpreted as responses to Virgil's changing career.
The historical importance of Claudian as writer of panegyric and propaganda for the court of Honorius is well established but his poetry has been comparatively neglected: only recently has his work been the subject of modern literary criticism. Taking as its starting point Claudian's claim to be the heir to Virgil, this book examines his poetry as part of the Roman epic tradition. Discussing first what we understand by epic and its relevance for late antiquity, Catherine Ware argues that, like Virgil and later Roman epic poets, Claudian analyses his contemporary world in terms of classical epic. Engaging intertextually with his literary predecessors, Claudian updates concepts such as furor and concordia, redefining Romanitas to exclude the increasingly hostile east, depicting enemies of the west as new Giants and showing how the government of Honorius and his chief minister, Stilicho, have brought about a true golden age for the west.
Virgil became a school author in his own lifetime and the centre of the Western canon for the next 1800 years, exerting a major influence on European literature, art, and politics. This Companion is designed as an indispensable guide for anyone seeking a fuller understanding of an author critical to so many disciplines. It consists of essays by seventeen scholars from Britain, the USA, Ireland and Italy which offer a range of different perspectives both traditional and innovative on Virgil's works, and a renewed sense of why Virgil matters today. The Companion is divided into four main sections, focussing on reception, genre, context, and form. This ground-breaking book not only provides a wealth of material for an informed reading but also offers sophisticated insights which point to the shape of Virgilian scholarship and criticism to come.
In this classic study, Brooks Otis presents Virgil as a radically different poet from any of his Greek or Roman predecessors. Virgil molded the ancient epic tradition to his own Roman contemporary aims and succeeded in making mythical and legendary figures meaningful to a sophisticated, unmythical age. Otis begins and ends his study with the Aeneid and includes chapters on the Bucolics and the Georgics. A new foreword by Ward W. Briggs, Jr., places Otis’s groundbreaking achievement in the context of past and present Virgilian scholarship.
The 'Waltharius', a medieval Latin epic poem of over 1400 lines, richly retells the story of a vigorous Germanic saga in the language and style of classical and Christian Latin poetry. Walter, its hero, is a pagan warrior ready to mock his enemies and mercilessly decapitate them, but also a pious Christian who refrains from premarital sex and stops to pray and ask for God's mercy in the middle of a battle. The poem varies remarkably in tone, providing both fervent moral commentary and bitter black comedy. The growing scholarship on the poem outside of Germany, where it has always been popular, no doubt results from its weird allure and eclectic nature. It has something for everyone. This new edition uses a fresh review of manuscripts - especially the recently discovered fragments at the University of Illinois at Urbana-Champaign - in order to provide a text and apparatus that will aid the reader in understanding the poem's tangled manuscript history. 0The notes are rather fuller than those of previous English-language editions, providing useful context to understand the complicated relationships among the Germanic, classical Latin, and Christian Latin traditions as well as tracking various themes and stylistic features that the poet employs.