Download Free History Of Early Chestnut Hill Book in PDF and EPUB Free Download. You can read online History Of Early Chestnut Hill and write the review.

"In Suburb in the City, David Contosta tells the story of how Chestnut Hill, Pennsylvania, once a small milling and farming town, evolved to become both a suburban enclave for wealthy Philadelphians and a part of the city itself." "In 1854, the railroad connected Philadelphia and Chestnut Hill and the village was annexed by the city. Attuned to the romantic currents of the age, the wealthy men and women who moved to Chestnut Hill believed that the village's semi-rural surroundings might uplift them physically, spiritually, emotionally, and morally. At the same time, they wanted to continue to enjoy the best that the city had to offer while escaping from its more unpleasant aspects: dirt, crime, disease, and other shortcomings. They thus cultivated a dual identity with both suburb and city." "Ironically, this led to a sense of division as prosperous suburbanites held themselves aloof from the resident shopkeepers and domestic servants who provided so many of their creature comforts. Being a suburb in the city also meant that Chestnut Hill could not control its political destiny, as communities outside the municipal limits could. In response, residents developed a number of civic organizations that became a sort of quasi government." "Contosta's study of Chestnut Hill thus illuminates the divided and often ambivalent feelings that Americans hold about their great cities. He includes anecdotes gleaned from dozens of interviews with men and women of many backgrounds - lawyers, nuns, debutantes, grocers, craftsmen, and former servants - who tell of their lives in Chestnut Hill. More than one hundred photographs, many never before published, further enliven this analysis of suburban America."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
"Examines 40 properties in detail with over 300 archival and contemporary photographs, drawings, and floor plans." -- Dust jacket.
Philadelphia is thick with American firsts. Some—including the first zoo, first hospital, first public library, first university, first computer—are well known. Others are not and are here to be appreciated: Girl Scout cookies were originally baked by a commercial bakery here and “American Bandstand” was born in a West Philadelphia TV studio. This Used to Be Philadelphia goes deep inside the buildings, monuments, and familiar sights of the city to uncover its rich history, layer by layer. This book will introduce you to the city’s first residents, the Lenni Lenape, the tireless workers who made this “the Workshop of the World,” and the current residents who love all of these stories as told through the spaces they have filled. Learn how buildings from the 1876 World’s Fair, the first to be held in the U.S., are used today. Appreciate the city’s creative adaptive reuse projects, including a former technical school turned office space with a rooftop bar and the railroad headquarters that’s now artists’ studios. Take a colorful tour of the city’s bygone days with local sisters Natalie and Tricia Pompilio. You’ll never look at an old building in Philadelphia the same way again.
* 2022 Young Lions Fiction Award, Winner. * A BookBrowse "20 Best Books of 2022" * VCU Cabell First Novelist Award, Longlist. * An ABA "Indie Next List" pick for November 2021. * "A Best Book of 2021" —New York Public Library, Cosmopolitan, Independent Book Review * "October 2021 Must-Reads" —Debutiful, The Chicago Review of Books, The Millions In 1913, a Russian ballet incited a riot in Paris at the new Théâtre de Champs-Elysées. “Only a Russian could do that," says Aleksandr Ivanovich. “Only a Russian could make the whole world go mad.” A century later, in November 2013, thousands of Ukrainian citizens gathered at Independence Square in Kyiv to protest then-President Yanukovych’s failure to sign a referendum with the European Union, opting instead to forge a closer alliance with President Vladimir Putin and Russia. The peaceful protests turned violent when military police shot live ammunition into the crowd, killing over a hundred civilians. I Will Die in a Foreign Land follows four individuals over the course of a volatile Ukrainian winter, as their lives are forever changed by the Euromaidan protests. Katya is an Ukrainian-American doctor stationed at a makeshift medical clinic in St. Michael’s Monastery; Misha is an engineer originally from Pripyat, who has lived in Kyiv since his wife’s death; Slava is a fiery young activist whose past hardships steel her determination in the face of persecution; and Aleksandr Ivanovich, a former KGB agent, who climbs atop a burned-out police bus at Independence Square and plays the piano. As Katya, Misha, Slava, and Aleksandr’s lives become intertwined, they each seek their own solace during an especially tumultuous and violent period. The story is also told by a chorus of voices that incorporates folklore and narrates a turbulent Slavic history. While unfolding an especially moving story of quiet beauty and love in a time of terror, I Will Die in a Foreign Land is an ambitious, intimate, and haunting portrait of human perseverance and empathy. "Kalani Pickhart's timely debut novel, I Will Die In a Foreign Land, is about the 2014 Ukrainian revolution which provided a pretense for Russia to annex Crimea. The story follows the experiences of several characters whose lives intersect as the country's political situation deteriorates. There's a Ukrainian-American doctor, an old KGB spy, a former mine worker, and others, and these episodes are interspersed with folk songs, news reports and historical notes. The effect—kaleidoscopic but never confusing—provides an intimate sense of a country convulsing, mourning, and somehow surviving." —CBS News, "The Book Report: Recommendations from Washington Post critic Ron Charles" (Watch the full video on CBS News, February 6, 2022).
"In prose as strong and quietly beautiful as the American chestnut itself, Susan Freinkel profiles the silent catastrophe of a near-extinction and the impassioned struggle to bring a species back from the brink. Freinkel is a rare hybrid: equally fluid and in command as a science writer and a chronicler of historical events, and graced with the poise and skill to seamlessly graft these talents together. A perfect book."—Mary Roach, author of Stiff and Spook "A spellbinding, heart wrenching, and uplifting account of the American chestnut that asks the vastly important question: Have we learned enough, and do we care enough, to begin healing some of the wounds we've inflicted on the natural world?"—Scott Weidensaul, author of Return to Wild America and Mountains of the Heart "This is a beautifully written account of the passing of one of the botanical wonders of the North American landscape, the American chestnut tree, which was nearly extirpated by a plague that entered the ecosystem and swept these great trees away. Freinkel, a gifted writer whose research is impeccable and whose reporting is topnotch, tells of the impassioned work of scientists over the past century and up to today, trying to bring the American chestnut back from the brink of extinction. Only a person in love with trees could have written this lovely book."—Richard Preston, author of The Hot Zone and The Wild Trees "Graceful, provocative, and inspiring. Thoreau would be proud."—Alan Burdick, author of Out of Eden, a 2005 National Book Award finalist "In this beautifully written volume, Susan Freinkel ably describes the marriage of science and passion that is being brought to bear to save this majestic American tree from extinction. The people whose ancestors lived among chestnut trees and their places come alive for the reader, as does the appearance and spread of the blight and the heroes who are struggling with it today. The book concludes with a tantalizing vision of chestnuts in the forests again—a thought of making the world right where it has gone wrong."—Peter H. Raven, Director of the Missouri Botanical Garden
When Americans think of investment and finance, they think of Wall Street—though this was not always the case. During the dawn of the Republic, Philadelphia was the center of American finance. The first stock exchange in the nation was founded there in 1790, and around it the bustling thoroughfare known as Chestnut Street was home to the nation's most powerful financial institutions. The First Wall Street recounts the fascinating history of Chestnut Street and its forgotten role in the birth of American finance. According to Robert E. Wright, Philadelphia, known for its cultivation of liberty and freedom, blossomed into a financial epicenter during the nation's colonial period. The continent's most prodigious minds and talented financiers flocked to Philly in droves, and by the eve of the Revolution, the Quaker City was the most financially sophisticated region in North America. The First Wall Street reveals how the city played a leading role in the financing of the American Revolution and emerged from that titanic struggle with not just the wealth it forged in the crucible of war, but an invaluable amount of human capital as well. This capital helped make Philadelphia home to the Bank of the United States, the U.S. Mint, an active securities exchange, and several banks and insurance companies—all clustered in or around Chestnut Street. But as the decades passed, financial institutions were lured to New York, and by the late 1820s only the powerful Second Bank of the United States upheld Philadelphia's financial stature. But when Andrew Jackson vetoed its charter, he sealed the fate of Chestnut Street forever—and of Wall Street too. Finely nuanced and elegantly written, The First Wall Street will appeal to anyone interested in the history of the United States and the origins of its unrivaled economy.
This book arose from a need to understand one of late nineteenth century Boston’s most prominent buildings, the Chestnut Hill High Service Pumping Station, now the Metropolitan Waterworks Museum. It considers how such a municipally designed, high-style, Richardsonian Romanesque, yet also industrial, building came into existence. Arthur H. Vinal and Edmund March Wheelwright, its two architects working a decade apart, in 1884-88 and 1898-99 respectively, left a seamlessly unified building. They were never partners nor colleagues. But almost sequentially, in 1884-88 and 1891-95 respectively, each was given charge of the same large municipal architectural office. Each also began his professional career, again almost in sequence, with same important firm, Peabody & Sterns, after which each left Boston for a few years before returning. Wheelwright and Vinal came from different backgrounds and arguably had differing sensibilities. Vinal’s generally preferred style as City Architect was Richardsonian Romanesque — a mode Wheelwright never employed, except when extending Vinal’s Chestnut Hill Pumping Station. Remarkably, the written record suggests these two architects had no other connections, despite having both practiced, throughout their careers, in the guild-like world of Boston’s late-nineteenth to early-twentieth century architectural profession. They only had in common the Chestnut Hill High Service Pumping Station and the distinction of having been, for approximately four highly productive years each, Boston’s City Architect. There has been no previous study of either architect’s work. In Vinal’s case, except for his time as City Architect, his career and life left a scant written record. Almost none of his work was published. It is primarily known to us through municipal records, advertisements for constructor bids, and occasional references in newspaper articles. Other than his term as City Architect, which produced the major portion of the Chestnut Hill Pumping Station and a remarkable number of municipal buildings in a short time, his career was little different from those of many other successful, now largely forgotten, architects who contributed to the fabric of an expanding metropolitan Boston during its so called Golden Age from the Civil War through the First World War. Most of what he produced was conservative, well constructed row housing plus some multi-story buildings containing the then still novel “French flats.” In contrast, Wheelwright’s work was published. He was active and well respected at the highest levels of the profession, locally and nationally. Far more is known of his life and practice. Even in the relatively conservative milieu of metropolitan Boston, his work could not generally be called dramatic, although there were exceptions. Rather than simply representing an aesthetic exercise, his architecture was also informed by his predisposition to political and social reform. Perhaps as a result, while not unknown, he has not received the attention he deserves. The present study for the most part tells its stories visually. It is heavily illustrated. In addition to Vinal and Wheelwright, a third actor is touched upon, that is the City Architect’s Office, with its patronage and professional practice, and its evolution over the two decades — having been initially created as a good government reform in 1874 and finally abolished with, Wheelwright's support, for similar reasons in 1895. Without it, neither architect could have designed and built the prodigious number of buildings credited to them during their tenures. Lastly, this volume includes an attempt to produce catalogs raisonné of Vinal’s and Wheelwright’s known bodies of work — which, in each case, research for this study has significantly expanded.