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Reprint of the original, first published in 1883.
This classic history, first published in 1883, is the first English-language work to provide a comprehensive history of Burma, now Myanmar, based on Burmese sources. It incorporates the early history not only of Burma proper, but also those of the surrounding kingdoms of Pegu, Taungu, Tenasserim, and Arakan, comparing when possible differing accounts of events as described in those chronicles. Includes original extensive appendixes and large foldout map.
Accompanying CD-ROM contains Appendices.
"Contemporary Myanmar faces immense political challenges, and the role outsiders might play in dealing with them is highly contentious. Drawing on views expressed by local citizens, Burma redux argues for committed strategies of grassroots involvement that engage international aid agencies, global corporations and foreign states. The wide-ranging discussion positions Myanmar's history, contemporary politics and social circumstances within broader discussions of global justice, democratic transitions, the aid business, corporate social responsibility and international sanctions."--Publisher's description.
A stunning showcase of exceptional and rare works of Buddhist art, presented to the international community for the first time The practice of Buddhism in Myanmar (Burma) has resulted in the production of dazzling objects since the 5th century. This landmark publication presents the first overview of these magnificent works of art from major museums in Myanmar and collections in the United States, including sculptures, paintings, textiles, and religious implements created for temples and monasteries, or for personal devotion. Many of these pieces have never before been seen outside of Myanmar. Accompanied by brilliant color photography, essays by Sylvia Fraser-Lu, Donald M. Stadtner, and scholars from around the world synthesize the history of Myanmar from the ancient through colonial periods and discuss the critical links between religion, geography, governance, historiography, and artistic production. The authors examine the multiplicity of styles and techniques throughout the country, the ways Buddhist narratives have been conveyed through works of art, and the context in which the diverse objects were used. Certain to be the essential resource on the subject, Buddhist Art of Myanmar illuminates two millennia of rarely seen masterpieces.