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A thought-provoking look at the Angevin aristocracy's literary practices and historical record Coming upon the text of a document such as a charter or a letter inserted into the fabric of a medieval chronicle and quoted in full or at length, modern readers might well assume that the chronicler is simply doing what good historians have always done—that is, citing his source as evidence. Such documentary insertions are not ubiquitous in medieval historiography, however, and are in fact particularly characteristic of the history-writing produced by the Angevins in England and Northern France in the later twelfth century. In History and the Written Word, Henry Bainton puts these documentary gestures center stage in an attempt to understand what the chroniclers were doing historiographically, socially, and culturally when they transcribed a document into a work of history. Where earlier scholars who have looked at the phenomenon have explained this increased use of documents by considering the growing bureaucratic state and an increasing historiographical concern for documentary evidence, Bainton seeks to resituate these histories, together with their authors and users, within literate but sub-state networks of political power. Proposing a new category he designates "literate lordship" to describe the form of power with which documentary history-writing was especially concerned, he shows how important the vernacular was in recording the social lives of these literate lords and how they found it a particularly appropriate medium through which to record their roles in history. Drawing on the perspectives of modern and medieval narratology, medieval multilingualism, and cultural memory, History and the Written Word argues that members of an administrative elite demonstrated their mastery of the rules of literate political behavior by producing and consuming history-writing and its documents.
"The story of literature in sixteen acts, from Alexander the Great and the Iliad to ebooks and Harry Potter, this engaging book brings together remarkable people and surprising events to show how writing shaped cultures, religions, and the history of the world"--
The "Vows of the Peacock" - written in 1312 and dedicated to Thibaut de Bar, bishop of Liège - recounts how Alexander the Great comes to the aid of a family of aristocrats threatened by Indians. The poem remained popular throughout the fourteenth century and was soon followed by two sequels. Twenty-six illuminated manuscripts constitute part of a catalogue and concordance of all Peacock manuscripts. One of the most provocative, (PML, MS G24), has twenty-two miniatures which illustrate chivalry and courtly love, as epitomized in the text. An unusually high number of scurrilous marginalia, however, surround them. An interdisciplinary exploration of iconography, reception, image-text-marginalia dynamics, and context reveals their ultimate polysemy as scatological comedians and serious harbingers of sin.
This collection offers a holistic understanding of the impact of both crusading and settlement on the literary cultures of Latin Christendom.The period between the First Crusade and the collapse of the "crusader states" in the eastern Mediterranean was a crucial one for medieval historical writing. From the departure of the earliest crusading armies in 1096 to the Mamlūk conquest of the Latin states in the late thirteenth century, crusading activity, and the settlements it established and aimed to protect, generated a vast textual output, offering rich insights into the historiographical cultures of the Latin West and Latin East. However, modern scholarship on the crusades and the "crusader states" has tended to draw an artificial boundary between the two, even though medieval writers treated their histories as virtually indistinguishable. This volume places these spheres into dialogue with each other, looking at how individual crusading campaigns and the Frankish settlements in the eastern Mediterranean were depicted and remembered in the central Middle Ages. Its essays cover a geographical range that incorporates England, France, Germany, southern Italy and the Holy Land, and address such topics as gender, emotion, the natural world, crusading as an institution, origin myths, textual reception, forms of storytelling and historical genre. Bringing to the foreground neglected sources, methodologies, events and regions of textual production, the collection offers a holistic understanding of the impact of both crusading and settlement on the literary cultures of Latin Christendom.nean were depicted and remembered in the central Middle Ages. Its essays cover a geographical range that incorporates England, France, Germany, southern Italy and the Holy Land, and address such topics as gender, emotion, the natural world, crusading as an institution, origin myths, textual reception, forms of storytelling and historical genre. Bringing to the foreground neglected sources, methodologies, events and regions of textual production, the collection offers a holistic understanding of the impact of both crusading and settlement on the literary cultures of Latin Christendom.nean were depicted and remembered in the central Middle Ages. Its essays cover a geographical range that incorporates England, France, Germany, southern Italy and the Holy Land, and address such topics as gender, emotion, the natural world, crusading as an institution, origin myths, textual reception, forms of storytelling and historical genre. Bringing to the foreground neglected sources, methodologies, events and regions of textual production, the collection offers a holistic understanding of the impact of both crusading and settlement on the literary cultures of Latin Christendom.nean were depicted and remembered in the central Middle Ages. Its essays cover a geographical range that incorporates England, France, Germany, southern Italy and the Holy Land, and address such topics as gender, emotion, the natural world, crusading as an institution, origin myths, textual reception, forms of storytelling and historical genre. Bringing to the foreground neglected sources, methodologies, events and regions of textual production, the collection offers a holistic understanding of the impact of both crusading and settlement on the literary cultures of Latin Christendom.ual production, the collection offers a holistic understanding of the impact of both crusading and settlement on the literary cultures of Latin Christendom.
In this collection of articles written over forty years, Packer sets out his beliefs about the authority of Scripture and the principles that should be applied when interpreting it. Important topics such as the adequacy of human language, upholding the unity of Scripture, and challenges in Biblical interpretation are considered in the first two sections: "Gods Inerrant Word" and "Interpreting the Word." In the final section, "Preaching the Word," Packer turns his attention to pastoral leaders and the importance of correct and responsible expository preaching.
Norman history is covered by chapters on the detailed account of Pope Alexander III's deeds as abbot of Mont Saint-Michel that Robert of Torigni added to the monastic cartulary, on religious life in Rouen in the late 11th century, and on ducal involvement in dispute settlement.
Writing History for the King is at once a reassessment of the reign of Henry II of England (1133–1189) and an original contribution to our understanding of the rise of vernacular historiography in the high Middle Ages. Charity Urbanski focuses on two dynastic histories commissioned by Henry: Wace’s Roman de Rou (c. 1160–1174) and Benoît de Sainte-Maure’s Chronique des ducs de Normandie (c. 1174–1189). In both cases, Henry adopted the new genre of vernacular historical writing in Old French verse in an effort to disseminate a royalist version of the past that would help secure a grip on power for himself and his children. Wace was the first to be commissioned, but in 1174 the king abruptly fired him, turning the task over to Benoît de Sainte-Maure. Urbanski examines these histories as part of a single enterprise intended to cement the king’s authority by enhancing the prestige of Henry II’s dynasty. In a close reading of Wace’s Rou, she shows that it presented a less than flattering picture of Henry’s predecessors, in effect challenging his policies and casting a shadow over the legitimacy of his rule. Benoît de Sainte-Maure’s Chronique, in contrast, mounted a staunchly royalist defense of Anglo-Norman kingship. Urbanski reads both works in the context of Henry’s reign, arguing that as part of his drive to curb baronial power he sought a history that would memorialize his dynasty and solidify its claim to England and Normandy.
"This book focuses on how literate artisans began to write about their discoveries starting around 1400: in other words, it explores the origins of technical writing. Artisans and artists began to publish handbooks, guides, treatises, tip sheets, graphs and recipe books rather than simply pass along their knowledge in the workshop. And they tried to articulate what the new knowledge meant. The popularity of these texts coincided with the founding of a "new philosophy" that sought to investigate nature in a new way. Smith shows how this moment began in the unceasing trials of the craft workshop, and ended in the experimentation of the natural scientific laboratory. These epistemological developments have continued to the present day and still inform how we think about scientific knowledge"--
This volume focuses on the role of the computer and electronic technology in the discipline of history. It includes representative articles addressing H-Net, scholarly publication, on-line reviewing, enhanced lectures using the World Wide Web, and historical research.
Written by a team of global scholars, this is the first Handbook covering the rapidly growing field of historical orthography. Comprehensive yet accessible, it is essential reading for academic researchers and students in the field, and in related areas such as morphology, syntax, historical linguistics, linguistic typology and sociolinguistics.