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Arkansas’s rich folk tradition is shown by the variety of its manifestations: a 250-year-old ballad, an archaic method of hewing railroad crossties with a broadax, the use of poultices and toddies to treat the common cold, and swamps of evil repute are all parts of the tradition that constitutes Arkansas folklore. In fact, as the essays selected by W.K. McNeil and William M. Clements show, these few examples only begin to tell the story. Starting with a working description of folklore as “cultural material that is traditional and unofficial” and characterized by a pattern of oral transmission, variation, formulaic structures, and usually uncertain origin, the authors survey in detail a wide array of folk objects, activities, beliefs, and customs. Among the rich offerings in this sourcebook are a discussion of the history of folklore research in Arkansas, an examination of some of the traditional songs and music still being preformed, a thoughtful exploration of the serious side of “tall tales” and “windies,” an investigation of folk architecture in Arkansas and what it reveals about our cultural origins, a study of many traditional foods and there preparation methods, an analysis of superstitions and beliefs, and a description of festivals and celebrations that are observed to this day. Complemented by biographies of reference works and audio and video recordings of the state’s folk materials, An Arkansas Folklore Sourcebook is the first complete guide to the study of one state’s “unofficial culture.”
Winner of the Missouri History Book Award, from the State Historical Society of Missouri Winner of the Arkansiana Award, from the Arkansas Library Association Geologic forces raised the Ozarks. Myth enshrouds these hills. Human beings shaped them and were shaped by them. The Ozarks reflect the epic tableau of the American people—the native Osage and would-be colonial conquerors, the determined settlers and on-the-make speculators, the endless labors of hardscrabble farmers and capitalism of visionary entrepreneurs. The Old Ozarks is the first volume of a monumental three-part history of the region and its inhabitants. Brooks Blevins begins in deep prehistory, charting how these highlands of granite, dolomite, and limestone came to exist. From there he turns to the political and economic motivations behind the eagerness of many peoples to possess the Ozarks. Blevins places these early proto-Ozarkers within the context of larger American history and the economic, social, and political forces that drove it forward. But he also tells the varied and colorful human stories that fill the region's storied past—and contribute to the powerful myths and misunderstandings that even today distort our views of the Ozarks' places and people. A sweeping history in the grand tradition, A History of the Ozarks, Volume 1: The Old Ozarks is essential reading for anyone who cares about the highland heart of America.
On January 15, 1923, a crowd of more than a thousand angry men assembled in Harrison, Arkansas, near the headquarters of the M&NA Railroad, which ran through the heart of the Ozark Mountains. The mob was prepared to use any measure necessary to end the strike of railroad employees that had dragged on for nearly two years, endangering livelihoods and businesses in an area with few other means of transportation. Supported by local officials, the mob terrorized strikers and sympathizers—many were stripped and beaten, and one man was lynched, hanged from the railroad bridge south of town. Over the next several days, similar riots broke out in other towns along the M&NA line, including Leslie and Heber Springs. This violence effectively brought to a close one of the longest rail strikes in American history—the only one, in fact, ended by a mob uprising. In Mob Rule in the Ozarks, Kenneth C. Barnes documents how the M&NA Railroad strike reflected some of the major economic concerns that preoccupied the United States in the wake of World War I, and created a rupture within communities of the Ozarks that would take years to heal. The conflict also foreshadowed, for both the region and the country, the pendulum’s swing back to moneyed interests, away from Progressive Era gains for labor. Poignantly for Barnes, who sees parallels between this historic struggle and present-day political tensions, the strike revealed the fragile line between civil order and mob rule.
This book compiles black and white photographs of 49 one-room (and occasionally two-room) schoolhouses in Arkansas. The book aims to share the vision of these special buildings that were so important in shaping the educational system, communities, and lives. An introduction describes the pinhole cameras that were used and how the different effects achieved in the photographs were a direct result of the the design and characteristics of the pinhole camera. There is one photograph of each school, with its name and a short description on the facing page. Descriptions include architectural features, present condition and use, and available history. The afterword comments on the special characteristics of one-room schools and their unique place in American history, and includes testimony from a former student of a one-room school and from a teacher who started her teaching career of over 30 years in a one-room school. Appendix lists the schools; their approximate locations; the type of camera, film, and filter used; and exposure times.
Elsie Rumley was born 14 January 1901 in Wiley's Cove Township, Rumley, Searcy County, Arkansas. Her parents were Henry Newton Rumley (1859-1939) and Sarah Margaret Geary (1866-1937). She married Harvey Louis Hardin 25 April 1915. Ancestors, descendants and relatives lived in Arkansas, Tennessee, Oklahoma, California and elsewhere.
Before there was a death care industry where professional funeral directors offered embalming and other services, residents of the Arkansas Ozarks—and, for that matter, people throughout the South—buried their own dead. Every part of the complicated, labor-intensive process was handled within the deceased's community. This process included preparation of the body for burial, making a wooden coffin, digging the grave, and overseeing the burial ceremony, as well as observing a wide variety of customs and superstitions. These traditions, especially in rural communities, remained the norm up through the end of World War II, after which a variety of factors, primarily the loss of manpower and the rise of the funeral industry, brought about the end of most customs. Gone to the Grave, a meticulous autopsy of this now vanished way of life and death, documents mourning and practical rituals through interviews, diaries and reminiscences, obituaries, and a wide variety of other sources. Abby Burnett covers attempts to stave off death; passings that, for various reasons, could not be mourned according to tradition; factors contributing to high maternal and infant mortality; and the ways in which loss was expressed though obituaries and epitaphs. A concluding chapter examines early undertaking practices and the many angles funeral industry professionals worked to convince the public of the need for their services.
Like its companion book, this second volume of Arkansas Backstories will amaze even the most serious students of the state with surprising insights. How many people are aware that a world-class yodeler from Zinc ran against John F. Kennedy in 1960 for the top spot on the national Democratic ticket, or that an African-American born in Little Rock campaigned for the Presidency nearly 70 years before Congressman Shirley Chisholm made her historic run? Or that bands of blood-thirsty pirates once lurked in the bayous and backwaters of eastern Arkansas, preying on unsuspecting Mississippi River travelers? Likewise, how many readers will recognize the fact that an English botanist who spent months investigating Arkansas's flora in the early nineteenth century has been described as the worst explorer in history? That Fort Smith hosted the world's first international UFO conference? Or that the Nielsen rating system has a direct connection to the state as does Tony Bennett's signature song, "I Left My Heart in San Francisco"? Such tidbits are among the unexpected elements that make the Natural State so tantalizing. Written in an informal, conversational style and nicely illustrated, Arkansas Backstories Volume Two will be a wonderful addition to the libraries of Arkansans, expats, and anyone else interested in one of America's most fascinating states.