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"What is historiography?" asked the American historian Carl Becker in 1938. Professional historians continue to argue over the meaning of the term. This book challenges the view of historiography as an esoteric subject by presenting an accessible and concise overview of the history of historical writing from the Renaissance to the present. Historiography plays an integral role in aiding undergraduate students to better understand the nature and purpose of historical analysis more generally by examining the many conflicting ways that historians have defined and approached history. By demonstrating how these historians have differed in both their interpretations of specific historical events and their definitions of history itself, this book conveys to students the interpretive character of history as a discipline and the way that the historian's context and subjective perspective influence his or her understanding of the past.
Editor James M. Banner, Jr. has compiled a collection of 15 historiographical essays by respected scholars to provide an up-to-date overview of major topics in American History. Each essay offers a concise and insightful assessment of a central field such as religious history, women’s history, cultural history, military history, and the history of ethnicity and migration. Contributors include Sean Wilentz, Emily Rosenberg, Donald Worster, and David Hollinger, among others.
Modern Historiography is the essential introduction to the history of historical writing. It explains the broad philosophical background to the different historians and historical schools of the modern era, from James Boswell and Thomas Carlyle through to Lucien Febure and Eric Hobsbawm and surveys: the Enlightenment and Counter Enlightenment Romanticism the voice of Science and the process of secularization within Western intellectual thought the influence of, and broadening contact with, the New World the Annales school in France Postmodernism. Modern Historiography provides a clear and concise account of this modern period of historical writing.
In this pioneering work, Ernst Breisach presents an effective, well-organized, and concise account of the development of historiography in Western culture. Neither a handbook nor an encyclopedia, this up-to-date third edition narrates and interprets the development of historiography from its origins in Greek poetry to the present, with compelling sections on postmodernism, deconstructionism, African-American history, women’s history, microhistory, the Historikerstreit, cultural history, and more. The definitive look at the writing of history by a historian, Historiography provides key insights into some of the most important issues, debates and innovations in modern historiography. Praise for the first edition: “Breisach’s comprehensive coverage of the subject and his clear presentation of the issues and the complexity of an evolving discipline easily make his work the best of its kind.”—Lester D. Stephens, American Historical Review
The Companion to Historiography is an original analysis of the moods and trends in historical writing throughout its phases of development and explores the assumptions and procedures that have formed the creation of historical perspectives. Contributed by a distinguished panel of academics, each essay conveys in direct, jargon-free language a genuinely international, wide-angled view of the ideas, traditions and institutions that lie behind the contemporary urgency of world history.
In the ancient Greek-speaking world, writing about the past meant balancing the reporting of facts with shaping and guiding the political interests and behaviours of the present. Ancient Historiography on War and Empire shows the ways in which the literary genre of writing history developed to guide empires through their wars. Taking key events from the Achaemenid Persian, Athenian, Macedonian and Roman ‘empires’, the 17 essays collected here analyse the way events and the accounts of those events interact. Subjects include: how Greek historians assign nearly divine honours to the Persian King; the role of the tomb cult of Cyrus the Founder in historical narratives of conquest and empire from Herodotus to the Alexander historians; warfare and financial innovation in the age of Philip II and his son, Alexander the Great; the murders of Philip II, his last and seventh wife Kleopatra, and her guardian, Attalos; Alexander the Great’s combat use of eagle symbolism and divination; Plutarch’s juxtaposition of character in the Alexander-Caesar pairing as a commentary on political legitimacy and military prowess, and Roman Imperial historians using historical examples of good and bad rule to make meaningful challenges to current Roman authority. In some cases, the balance shifts more towards the ‘literary’ and in others more towards the ‘historical’, but what all of the essays have in common is both a critical attention to the genre and context of history-writing in the ancient world and its focus on war and empire.
As the story of the United States was recorded in pages written by white historians, early-nineteenth-century African American writers faced the task of piecing together a counterhistory: an approach to history that would present both the necessity of and
This book traces the development of historiography from the days of Herodotus to those of postmodernism. It covers the ancient, medieval and the modern aspects of the subject and offers easy comprehension, clear and precise guidance and immediate utility. The author provides a balanced view of competing ideas and leads the reader into the vast arena of the subject. Two thousand five hundred years of historiography, including Indian historiography and the poststructuralist critique of history, constitutes this clear, analytical work.
For centuries scholars have recognized the apologetic character of the Hellenistic Jewish historians, Josephos, and Luke-Acts; they have not, however, adequately addressed their possible relationships to each other and to their wider cultures. In this first full systematic effort to set these authors within the framework of Greco-Roman traditions, Professor Sterling has used genre criticism as a method for locating a distinct tradition of historical writing, apologetic historiography. Apologetic historiography is the story of a subgroup of people which deliberately Hellenizes the traditions of the group in an effort to provide a self-definition within the context of the larger world. It arose as a result of a dialectic relationship with Greek ethnography. This work traces the evolution of this tradition through three major eras of eastern Mediterranean history spanning six hundred years: the Persian, the Greek, and the Roman.
“No one looking for a well-informed introduction to . . the key views of history adopted by professional historians . . could find a better one than this.” ―Richard J. Evans, author of In Defence of History A broad perspective on historical thought and writing, with a new epilogue. In this book, now published in ten languages, a preeminent intellectual historian examines the profound changes in ideas about the nature of history and historiography. Georg G. Iggers traces the basic assumptions upon which historical research and writing have been based, and describes how the newly emerging social sciences transformed historiography following World War II. The discipline’s greatest challenge may have come in the last two decades, when postmodern ideas forced a reevaluation of the relationship of historians to their subject and questioned the very possibility of objective history. Iggers sees the contemporary discipline as a hybrid, moving away from a classical, macrohistorical approach toward microhistory, cultural history, and the history of everyday life. The new epilogue, by the author, examines the movement away from postmodernism towards new social science approaches that give greater attention to cultural factors and to the problems of globalization. “The book has all the virtues one associates with Georg Iggers—lucidity, detachment, balance, and the ability to reveal the relation between trends in historical writing and their political and cultural contexts.” —Peter Burke, Cambridge University