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Minois concludes with comments on the most recent turn in this long and complex history--the emotional debate over euthanasia, assisted suicide, and the right to die.
Seven contributors examine how the best thinkers and artists of each historical epoch in the West have treated old age. Full of surprising and fascinating facts, this is an uplifting companion for those who, like it or not, are beginning to understand the inevitability of their own aging process.
History of Old Age is the first major study of the ways in which old age has been perceived in western culture throughout history. Georges Minois paints a vast fresco, starting with the first old man to relate his own story—an Egyptian scribe some 4500 years ago—and ending with the deaths of Elizabeth I and Henry IV in the sixteenth century. Tracing the changing conceptions of the nature, value, and burden of the old, Minois argues that western history during this period is marked by great fluctuation in the social and political role of the aged. Minois shows how, in ancient Greece, the cult of youth and beauty on the one hand, and the reverence for the figure of the Homeric sage, on the other, created an ambivalent attitude toward the aged. This ambiguity appears again in the contrast between the active role that older citizens played in Roman politics and their depiction in satirical literature of the period. Christian literature in the Middle Ages also played a large part in defining society's perception of the old, both in the image of the revered holy sage and in the total condemnation of the aged sinner. Drawing on literary texts throughout, Minois considers the interrelation of literary, religious, medical, and political factors in determining the social fate of the elderly and their relationship to society. This book will be of great interest to social and cultural historians, as well as to general readers interested in the subject of the aged in society today.
"Noting that privileges granted to the aged generally took the form of exemptions from duties rather than positive benefits, Tim Parkin argues that the elderly were granted no privileged status or guaranteed social role. At the same time, they were permitted - and expected - to continue to participate actively in society for as long as they were able."--BOOK JACKET.
Here is an absorbing and startlingly original illustrated study of one of the great - and most neglected - themes in all history: the ways in which society has perceived old people throughout the ages. From increased life expectancy and 'grey gap years' to dwindling pensions, the pros and cons of aging is a constant theme, yet much of the debate continues to be based on assumptions and misconceptions about the past. Is it true, for instance, that people were considered 'old' at fifty? How far have our ideas about the average life-span in previous centuries been distorted by infant mortality? Were the old respected and cared for? Did sexuality survive into old age? Here, for the first time, a group of leading historians address these and allied questions, writing vividly about a topic of great contemporary resonance that has for too long been surrounded by taboo. The visual evidence is a vital part of the story, and here the book is equally original. Drawing upon the rich legacy of art through two millennia, with works by a wide range of artists including Whistler, Rembrandt, Rego and Freud, this enthralling human story presents a picture that is sometimes compassionate, sometimes horrifying, but overall unexpectedly reassuring.
Originally published in 1978. Drawing on a wide range of sources from social, intellectual, and political history, Old Age in the New Land analyzes the changing fates and fortunes of America's elderly in the course of its history. By providing a historical perspective on society's conceptions of aging—and its effects on human lives—Achenbaum's work offers valuable insights for historians, sociologists, gerontologists, and others interested in the "graying" of America.
At the end of the twentieth century more people are living into their seventies, eighties, nineties, and beyond, a process expected to continue well into the next millennium, This life spancould only have been dreamed of in earlier centuries; now many can expect to survive to old age in reasonably good health and remain active and independent to the end, in contrast to the high death rate, ill health, and destitution which affected all generations in the past. Yes this change is generally greeted not with triumph but with alarm. It is assumed that the longer people live, the longer they are ill and dependent, thus burdening a shrinking younger generation with the cost of pensions and health care. It is also widely believed that 'the past' saw few survivors into old age and thse could be supported by their families without involoving the tax payer. In this first survey of old age throughout English history, these assumptions are challenged. Vivid pictures are givenof the ways in which very large numbers of older people lived oftern vigorous and independent lives over many centuries. The book argues that old people have always been highly visible in English communities, and concludes that as people live longer, due to the benefits of the rise in living standards, far from being burdens they can be valuable contributors to their families and to society.
After an extensive introduction that takes stock of the relevant research literature on Old Age in the Middle Ages and the early modern age, the contributors discuss the phenomenon of old age in many different fields of late antique, medieval, and early modern literature, history, and art history. Both Beowulf and the Hildebrandslied, both Wolfram von Eschenbach's Parzival and Titurel, both the figure of Merlin and the trans-European tradition of Perceval/Peredur/Parzival, then the figure of the vetula in a variety of medieval French, English, and Spanish texts, and of the Old Man in The Stricker's Daniel, both the treatment of old age in Langland's Piers the Plowman and in Jean Gerson's sermons are dealt with. Other aspects involve late-antique epistolary literature, early modern French farce in light of Disability Studies, the social role of old, impotent men in sixteenth- and seventeenth-century Netherlandish paintings, and the scientific discourse of old age and health since the 1500s. The discourse of Old Age proves to have been of central importance throughout the ages, so the critical examination of the issues involved sheds intriguing light on the cultural history from late antiquity to the seventeenth century.
Why did the United States lag behind Germany, Britain, and Sweden in adopting a national plan for the elderly? When the Social Security Act was finally enacted in 1935, why did it depend on a class-based double standard? Why is old age welfare in the United States still less comprehensive than its European counterparts? In this sophisticated analytical chronicle of one hundred years of American welfare history, Jill Quadagno explores the curious birth of old age assistance in the United States. Grounded in historical research and informed by social science theory, the study reveals how public assistance grew from colonial-era poor laws, locally financed and administered, into a massive federal bureaucracy.
This study draws a comprehensive picture of medieval old age in western Europe, combining primary sources and secondary litrature to produce a broad cultural history.