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This book is to coincide with the National Gallery's exhibiton of the same name. With chapters from leading Irish historians, including Roy Foster, Tom Dunne and Raoisain Kennedy, 'Creating History' delivers fascinating assessments that situate the Easter Rising and Ireland's claim to independence through the historical significance and aesthetic value of Ireland's major artistic works.
Often imitated but never equalled, the Old Ireland in Colour books are beloved by Irish readers at home and abroad, and in this, the third book of the series, the authors have uncovered yet more photographic gems and breathed new life into them in glorious colour. All of Irish life is here – from evictions in Connemara to the mosgt elegant drawing rooms in Dublin. Famous faces from politics and the arts appear alongside humble labourers and farmers and impish children from all kinjds of backgrounds light up this book’s glorious pages. With endless surprising details to pore over in every picture, and captivating and illuminating text, Old Ireland in Colour 3 is a winning addition to this spectacular series of bestsellng books.
Excerpt from Historical Portraits of Irish Chieftains and Anglo-Norman Knights But let Mr. Hallam select a Goth, who may be thought, fairly, to represent the nation, or tribe, .and let him tell us all he knows of his personal history, with all the old traditional gossip he can pick up respecting him, and the reader will thank him for the portrait. Attila the Hun, with his large head, imperious will, and dragon-like love of beautiful women, makes an interesting portrait, in the hands of Gibbon, the Historian; but Mr. Hallam's taste, or power, did not lie in this department. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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A history of Ireland in 100 words has been shortlisted for 'best Irish-published book of the year' at the An Post Irish Book Awards 2019. November 2019. Did you know that Cú Chulainn was conceived with a thirst-quenching drink? That 'cluas', the modern Irish word for 'ear', also means the handle of a cup? That the Old Irish word for 'ring' may have inspired Tolkien's 'nazg'? How and why does the word for noble (saor) come to mean cheap? Why does a word that once meant law (cáin) now mean tax? And why are turkeys in Irish French birds? From murder to beekeeping and everything between, discover how the Irish ate, drank, dressed, loved and lied. This book tells a history of Ireland by looking at the development of 100 medieval Irish words drawn from the Royal Irish Academy's Dictionary of the Irish Language. Words tell stories and encapsulate histories and this book captures aspects of Ireland's changing history by examining the changing meaning of 100 key words. The book is aimed at a general readership and no prior knowledge of the Irish language is required to delve into the fascinating insights it provides. The book is divided into themes, including writing and literature; food and feasting; technology and science; mind and body. Readers can explore words relating to particular concepts, dipping in and out where they please.
For centuries, the Lord Lieutenant of Ireland, or viceroy, was the representative of the British monarch in Ireland. For almost every viceroy who served at Dublin Castle there was also a vicereine; a wife who served with him. Once prominent in Irish life, the vicereines and their legacies are now almost entirely overlooked. This book sets out to recapture their lost stories by exploring the portraits and personal objects they left behind. Opulently dressed and elegantly posed, the women who gaze out from these paintings were often as dynamic, bold and influential as their husbands during their time at the apex of Irish society. They were activists, artists and aid workers; international campaigns to prevent famine in Ireland, the design of interiors, the popularisation of Irish fabrics at the royal courts of Europe and the development of hospitals were just some of their now overlooked achievements. Featuring critical essays by leading experts, analytical readings of key artworks and objects, and stunning colour portraits of the protagonists themselves, Vicereines of Ireland uncovers the considerable contributions these women behind the throne made to the social and cultural life o