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This fascinating new book explores the world of portraiture from a number of vantage points, and asks key questions about its nature. How has portraiture changed over the centuries? How have portraits represented their subjects, and how have they been interpreted? Issues of identity, modernity, and gender are considered within a cultural and historical context.Shearer West uncovers much intriguing detail about a genre that has often been seen as purely representational, featuring examples from African tribes to Renaissance princes, and from 'stars' such as David and Victoria Beckham to ordinary people. In the process, she shows us how to communicate with the past in an exciting new way.
A highly original history of American portraiture that places the experiences of enslaved people at its center This timely and eloquent book tells a new history of American art: how enslaved people mobilized portraiture for acts of defiance. Revisiting the origins of portrait painting in the United States, Jennifer Van Horn reveals how mythologies of whiteness and of nation building erased the aesthetic production of enslaved Americans of African descent and obscured the portrait's importance as a site of resistance. Moving from the wharves of colonial Rhode Island to antebellum Louisiana plantations to South Carolina townhouses during the Civil War, the book illuminates how enslaved people's relationships with portraits also shaped the trajectory of African American art post-emancipation. Van Horn asserts that Black creativity, subjecthood, viewership, and iconoclasm constituted instances of everyday rebellion against systemic oppression. Portraits of Resistance is not only a significant intervention in the fields of American art and history but also an important contribution to the reexamination of racial constructs on which American culture was built.
From its establishment in 1648 until its disbanding in 1793 after the French Revolution, the Académie Royale de Peinture et de Sculpture was the centre of the Parisian art world. Taking the reader behind the scenes of this elite bastion of French art theory, education, and practice, and drawing on both art-historical and anthropological frames of analysis, this engaging study uncovers the fascinating histories – official and unofficial – of that artistic community.
Unveiling the unconventional : Kehinde Wiley's portrait of Barack Obama / Taína Caragol -- "Radical empathy" : Amy Sherald's portrait of Michelle Obama / Dorothy Moss -- The Obama portraits, in art history and beyond / Richard J. Powell -- The Obama portraits and the National Portrait Gallery as a site of secular pilgrimage / Kim Sajet -- The presentation of the Obama portraits : a transcript of the unveiling ceremony.
Portrait painting is inherently difficult and requires a unique understanding of and sensitivity to the sitter. This practical book considers the historical context of portrait painting and its contemporary practice. Written by a professional portrait painter, it describes the intricacies of making a portrait not just for the technically minded but also for those who are interested in a painter's perspective on the role and importance of portraiture.Step-by-step demonstrations of portraits and self-portraits.Techniques that use colour to introduce subtleties and presence.Advice on catching a likeness and overcoming difficulties.Discussion about the significance of copying and photography.Insights into the artistic process of the portrait painter.Work of contemporary and distinguished painters.'What fascinates me most, much much more than anything else in painting, is the portrait, the modern portrait.' Vincent van Gogh. A practical guide that considers the historical context of portrait painting and its contemporary practice.Aimed at beginners and more experienced; untutored groups and individual artists of portrait painters.Gives step-by-step demonstrations of portraits and self-portraits.Covers use of colour to introduce subtleties and presence.Superbly illustrated with 180 colour illustrations.Anthony Connolly is a professional portrait painter and won the prestigious Prince of Wales Award for Portrait Drawing in 2004.