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This volume concentrates on the history of the acclaimed `New York Herald-Tribune' (1924 - 1966) and its two forerunners - the `New York Herald' (1835 - 1924) and the `New York Tribune' (1841 - 1924), and the Pulitzer Prizes won by them. In addition, a look is also given to the `International Herald-Tribune', the newspaper's European Edition, published in Paris. Heinz-Dietrich Fischer, EdD, PhD, is Professor Emeritus at the Ruhr-University of Bochum, Germany
This bilingual volume compares the various thematical and stylistical approaches of award-winning press articles in America and Germany. The presented materials are based on the International Reporting category of the Pulitzer Prizes and the Foreign Correspondence section of the Theodor Wolff Prizes during the Cold War period from the early 1960s until the early 1990s, the time of the German reunification.
This volume reconstructs the jury decisions during the annual selection processes leading to the Pulitzer Prize winners in International Reporting 1917 to 2017, representing about thirty American news organizations. Based on unpublished jury reports and award winning press materials located in the Pulitzer Prize Collection at Columbia University, New York, stories are covered from the following countries: Afghanistan, Bangladesh, Bosnia, Cambodia, Canada, China, Congo, Croatia, Cuba, Czechoslovakia, Egypt, Mexico, El Salvador, Ethiopia, France, Germany, Hungary, India, Indonesia, Iraq, Ireland, Israel, Italy, Japan, Jordan, Korea, Kuwait, Lebanon, Mali, Mexico, Myanmar, Pakistan, Philippines, Poland, Russia, Rwanda, South Africa, Switzerland, Thailand, Vietnam and Yugoslavia.
A History of the Theatre Costume Business is the first-ever comprehensive book on the subject, as related by award-winning actors and designers, and first hand by the drapers, tailors, and craftspeople who make the clothes that dazzle on stage. Readers will learn why stage clothes are made today, by whom, and how. They will also learn how today’s shops and ateliers arose from the shops and makers who founded the business. This never-before-told story shows that there is as much drama behind the scenes as there is in the performance: famous actors relate their intimate experiences in the fitting room, the glories of gorgeous costumes, and the mortification when things go wrong, while the costume makers explain how famous shows were created with toil, tears, and sweat, and sometimes even a little blood. This is history told by the people who were present at the creation – some of whom are no longer around to tell their own story. Based on original research and first-hand reporting, A History of the Theatre Costume Business is written for theatre professionals: actors, directors, producers, costume makers, and designers. It is also an excellent resource for all theatregoers who have marveled at the gorgeous dresses and fanciful costumes that create the magic on stage, as well as for the next generation of drapers and designers.
Aquest llibre d'assajos presenta una panoràmica del desenvolupament del teatre nord-americà des de principis del segle XIX fins a l'actualitat. Mostra els canvis que el teatre va reflectir a mesura que creixia el país i es modificava la societat. Amb cada dècada, una expressió més completa de la cultura nord-americana, amb la seva gran varietat, apareixia en obres de teatre, musicals i revistes. Els assajos analitzen els esforços de figures marginals -sobretot dramaturgs i productors no comercials, afro-americans i dones- per dur a terme una ampliació de l'espectre del teatre nord-americà quant a la dramatúrgia, disseny, representació i construcció dramàtica.
The Rock History Readeris a collection of primary source material that brings to life the often contentious issues, arguments, conflicts and creative tensions that have defined rock's momentous rise and spread. The readings range from the vivid autobiographical accounts of such rock icons as Chuck Berry, Ronnie Spector, and David Lee Roth and the writings of noted rock critics like Lester Bangs and Simon Reynolds to a variety of selections from media critics, musicologists, fanzine writers, legal experts, sociologists and prominent political figures. With numerous readings that delve into the often explosive issues surrounding censorship, copyright, race relations, feminism, youth subcultures and the meaning of musical value, The Rock History Readertells the history of rock as it has been received and explained as a social and musical practice through its five-decade history.
This is the first definitive study of the presidency of America's least understood and most under-appreciated Chief Executive. Combining government with private resources, Hoover became the first president to pit government action against the economic cycle, setting precedents and spawning ideas employed by his successor and all future presidents.
This edited collection of essays details a wide-ranging selection of some of the most sensationally successful theatre productions of the long Victorian era, the real "blockbusters" of the age. Ranging from the world of operetta and music hall to spectacular drama and sensational melodrama, the productions included provide the reader with definitive proof that the phenomenon of the "smash hit" show is not restricted to modern Broadway. This is a world that encompassed the ground-breaking stage technology of Ben Hur, the wide political impact of Uncle Tom's Cabin and the sheer creative originality of L'Enfant Prodigue. Supporting the "star" system, productions featured some of the greatest names of the period - Sir Henry Irving, Sir Johnston Forbes Robertson, James O'Neill and Dion Boucicault. This was the very dawning of a new media age, which saw many of the productions transfer to the new world of silent cinema for the very first time