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This volume is the first of a five-volume series. It covers introductory materials that the teacher will need for the early period of teaching a new student. The volume explains the main principles of modern organ technique based on legato touch (Romantic and Contemporary periods) and early organ technique based on "Ordinary Touch" (Renaissance and Baroque periods). Each technique is demonstrated by videos and illustrated with examples from the organ literature.
This volume offers valuable guidance for teaching music from the Romantic/Modern and Pre-Classical periods, with a focus on seamlessly integrating students' technical and musical growth. Each piece is analyzed from a pedagogical perspective, highlighting key concepts. The book provides clear, step-by-step instructions supported by videos and scores, on how to achieve specific goals by incorporating effective practice techniques. Additionally, readers can explore related volumes in the series that examine relevant topics such as registration and ornamentation practices.
The scholar Robin A. Leaver holds a unique place in sacred music scholarship because of his training in both music and theology. He has written widely, bringing acute insights on a variety of musical repertories and topics related to Martin Luther, sixteenth-century psalmody, hymnody, and the sacred music of Johann Sebastian Bach. In Music and Theology, twelve scholars influenced by Leaver's work contribute essays in diverse areas of sacred music history and philosophy, focusing on the intersection of music and theology. Ranging chronologically from the twelfth-century writer and composer Hildegard of Bingen (1098-1179) to present-day considerations of American church music and worship, the volume provides thought-provoking new work for all who study church music. Reflecting the prominent emphasis in Leaver's own scholarship, eight chapters deal with the music of Johann Sebastian Bach, including his organ music, sacred cantatas, and passion settings. A final chapter provides a chronological listing of Leaver's own voluminous writings on music and theology.
Covers every aspect of the harpsichord and its music, including composers, genres, national styles, tuning, and the art of harpsichord building.