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Take in the full history of the Bible with a detailed account that focuses on its major empires, events and personalities. Written by a religious scholar who has taught at high school, college and adult levels, this historical exploration is organized around the major civilizations and epochs of the ancient world, beginning with Sumer and ending with Rome. Author Bruce W. Gore provides a thorough overview of major empires, such as the Assyrians or Babylonians, as well as more modest civilizations, such as the Phoenicians or Hittites. Learn how Cyrus the Persian, Alexander the Great, Julius Caesar, and others changed the course of Christianity. In the course of historical exploration, this account also examines questions that may have puzzled readers of the Bible in the past: * Who was Sennacherib? * To which Assyrian king did Jonah preach, and did this make any difference in history? * What did the eight night visions of Zechariah mean in light of the rule of Darius the Persian? Study the Bible with an eye on its ancient setting and develop an understanding of its key people, places and civilizations with Historical and Chronological Context of the Bible.
Modern readers often assume that Genesis 1 depicts the creation of the earth and sky as we know it. Yet in an appeal for textual honesty, Steven DiMattei shows that such beliefs are more representative of modern views about this ancient text than the actual claims and beliefs of its author. Through a culturally contextualized and objective reading of the texts of Genesis 1 and 2, this study not only introduces readers to the textual data that convincingly demonstrate that Genesis' two creation accounts were penned by different authors who held contradictory views and beliefs about the origin of the world and of man and woman, but also establishes on textual grounds that what the author of Genesis 1 portrayed God creating was the world as its author and culture perceived and experienced it--not the objective world, but a subjective world, subject to the culturally conditioned views and beliefs of its author. In the end, this book clearly illustrates that the Bible's ancient texts do in fact represent the beliefs and worldviews of ancient peoples and cultures--not those of God, not those of later readers, and especially not those of modern-day Creationists.
Photographs, maps, timelines, and text all work together to help students of the Bible come to a new level of historical and spiritual understanding in their faith. Hardcover, 320 pages.
Excerpt from The Graphic and Historical Illustrator: An Original Miscellany of Literary, Antiquarian, and Topographical Information, Embellished With One Hundred and Fifty Woodcuts In the Prospectus originally issued for this Work, the purposes for which it was undertaken, were thus expressed. - "That Antiquarian and Topographical Studies may be rendered far more popular than they have hitherto been - more attractive and interesting to the uninitiated, without becoming in such form unworthy the attention of those who have long pursued them - there can be no doubt. Graphic Illustration has a charm for almost every one; and many who have, at first, been attracted by that alone, have insensibly acquired a relish for investigating and inquiring into the subjects thus introduced to them. From careless and casual inspection, they have been led on to make themselves acquainted with the history of the buildings and places they were shewn - to compare their former with their present state, to learn who were their founders or occupiers, and what events or traditions are connected with them; and, afterwards, to study whatever relates to the architecture, the state of art and literature, the manners, the habits, and the costume of former periods, - taking the term costume in its most liberal and comprehensive sense. Such collateral inquiries, if not indispensably necessary to the study of History, in the popular import of the word, are undoubtedly of extensive assistance, while they impart to it an additional charm, and confer on its scenes and actors that reality and those vivid colours, without which History itself either sinks into a dry chronological register of events, or imperceptibly transforms itself into philosophical discussion. "Our National Antiquities will, of course, occupy a considerable portion of attention, and furnish the chief subjects of our embellishments, comprising Buildings, Monuments, Dress, Arms, Sports, and Amusements, &c. &c.; while the Historical department will embrace Biography, Genealogy, Family History, Traditions, Anecdotes, Letters, &c., with Portraits of distinguished and remarkable individuals, from monuments and other authentic documents; fac-similes of their autographs, and other illustrations. - But we shall not confine ourselves to the Antiquities and History of our own country: - those of other nations, of such especially, as have been most connected with England, and where the progress of society has been nearly parallel with our own, will obtain our notice. Neither shall we scruple to introduce, as opportunity may offer, subjects of modern Architecture and Topography, feeling assured that they will materially add to the interest of the Illustrator, and tend to render it more generally attractive and popular than it could otherwise expect to be." Such was the comprehensive design under which this Publication was commenced. In engaging to superintend it, I had the farther object in view of trying whether even a Cheap periodical might not be so conducted as to diffuse a more general taste for the higher stages of literary pursuits and research, than had before been prevalent. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Combines essays, bibliographical descriptions, and 295 illustrations to chronicle a golden era in the art of the illustrated book. Artists range from Blake, Turner, Rowlandson, and Morris to Caldecott, Greenaway, Beardsley, and Rackham.
Detailed plates from the Bible: the Creation scenes, Adam and Eve, horrifying visions of the Flood, the battle sequences with their monumental crowds, depictions of the life of Jesus, 241 plates in all.