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Daoism is the oldest indigenous philosophic-spiritual tradition of China and one of the most ancient of the world’s spiritual structures. The name Daoism comes from the term dao, which meansa “way” or a “road” through the field or woods to one’s village. It is also means the “way” to do something, such as how a master craftsman carves wood, makes a bell, or even butchers an ox. But dao is also a nominative in the history of Daoism, referring to the energizing process that permeates and animates all of reality and moves it along. However, both text and practice in this tradition insist that dao itself cannot be described in words; itis not God in the sense of Western philosophy or religion. Daoism has no supreme being, even if there is an extensive grammar about nominally self-conscious entities and powers for which the Chinese use the word “spirit” (shen). For example, the highest powers of Daoism are variously called Taishang Laojun (the deified Laozi), the Celestial Worthy of Primordial Beginning (Yuanshi tianzun), the Jade Emperor (Yuhuang Shangdi), or the Perfected Warrior (Zhenwu). But these are expressions of dao in specific shen; they are not identical to Dao, except in the most unique case—when Laozi, the putative founder of Daoism and author of its major work, Daodejing, is said to be one with the dao. Historical Dictionary of Daoism contains a chronology, an introduction, appendixes, an extensive bibliography, and more than 400 cross-referenced entries related to the Chinese belief and worldview known as Daoism, including dozens of Daoist terms, names, and practices. This book is an excellent resource for students, researchers, and anyone wanting to know more about Daoism.
Historical Dictionary of Daoism contains a chronology, an introduction, appendixes and an extensive bibliography. The dictionary section has over 400 cross-referenced entries on related to the Chinese belief and practice worldview known as Daoism including dozens of Daoist terms, names, and practices.
This reference book on Taoism, one of the major spiritual traditions of China, includes in its coverage both Taoist philosophy and Taoist religion. An introduction provides overall insight into Taoist development through the ages, while the dictionary itself is comprised of 275 entries that define Taoist concepts, scriptures, deities, practices, and personalities. Includes an extensive bibliography.
Historical Dictionary of Daoism contains a chronology, an introduction, appendixes and an extensive bibliography. The dictionary section has over 400 cross-referenced entries on related to the Chinese belief and practice worldview known as Daoism including dozens of Daoist terms, names, and practices.
This is an indispensable guide to the terminology, teachers, and traditions of this influential Chinese philosophy. Containing more than 300 entries, The Shambhala Dictionary of Taoism also includes illustrations, bibliography, and pronunciation tables.
'The way that can be told is not the eternal Way; the name that can be named is not the eternal Name.' So begins the first verse of the mysterious "Dao De Jing", foundation text of the ancient Chinese religion of Daoism. Often attributed to semi-mythical sage Laozi, the origins of this enigmatic document - which probably came into being in the third century BCE - are actually unknown. But the tenets of Daoism laid down in the "Dao De Jing", and in later texts like the "Yi Jing" (or "Book of Changes"), continue to exert considerable fascination, particularly in the West, where in recent years they have been popularized by writers such as the novelist Ursula K LeGuin. In this fresh and engaging introduction to Daoism, Ronnie L Littlejohn discusses the central facets of a tradition which can sometimes seem as elusive as the slippery notion of 'Dao' itself. The author shows that fundamental to Daoism is the notion of 'Wu-wei', or non-action: a paradoxical idea emphasizing alignment of the self with the harmony of the universe, a universe in continual flux and change. This flux is expressed by the famous symbol of Dao, the 'taiji' representing yin and yang eternally correlating in the form of a harmonious circle. Exploring the great subtleties of this ancient religion, Littlejohn traces its development and encounters with Buddhism; its expression in art and literature; its fight for survival during the Cultural Revolution; and its manifestations in modern-day China and beyond.
Historical Dictionary of Confucianismis devoted exclusively to Confucianism, the great Chinese tradition that has gathered around the teachings of Confucius (Kongzi) for more than 2,500 years. Confucianism encompasses a broad array of moral, social, philosophical and religious ideas, values and practices. It is an ancient and immense tradition of great subtlety and complexity. This work provides ready access to terms, personalities, movements, and texts of the tradition as it has made its trek throughout East Asia, especially Korea and Japan. This book contains a chronology, introduction, and extensive bibliography. The dictionary section has more than 700 cross-referenced entries on terms, personalities, movements, and texts of the tradition. Historical Dictionary of Confucianism is an excellent resource for students, researchers, and anyone wanting to know more about Confucianism.
Compiled by specialists from the University of Durham Department of East Asian Studies, this new reference work contains approximately 1500 entries covering Korean civilisation from early times to the present day. Subjects include history, politics, art, archaeology, literature, etc. The Dictionary is intended for students, teachers and researchers, and will also be of interest to the general reader. Entries provide factual information and contain suggestions for further reading. A name index and comprehensive cross-reference system make this an easy to use, multi-purpose guide for the student of Korea in the broadest sense.
There is a sense of timelessness in the Chinese theater: ever since its maturation, its format has not changed in any significant way. Chinese Theater matured into its final format in the 13th century and flourished during the Yuan, Ming, and Qing Dynasties. It is a unique, exclusive, and self-sufficient system, whose evolution has received little influence from the West and whose influence on Western theaters has been minimal and often misinterpreted. It is essentially a performer's theater; the actors attract the audience with splendid performances perfected through many years of rigorous training. This second edition of Historical Dictionary of Chinese Theater contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 1,500 cross-referenced entries on performers, directors, producers, designers, actors, theaters, dynasties, and emperors. This book is an excellent resource for students, researchers, and anyone wanting to know more about Chinese theater.