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Historical Archaeology in Africa is an inquiry into historical questions that count, proposing different ways of thinking about historical archaeology. Peter Schmidt challenges readers to expand their horizons . Confronting topics of oral traditions, the role of cultural landscapes in social memory, and historical misrepresentations of various cultures, Schmidt calls for a new pathway to an enriched, more nuanced, and more inclusive historical archaeology. Allowing Africa to speak for itself without colonial interpreters, Historical Archaeology in Africa will be of interest not only to historians and archaeologists, but to all concerned with Africa's past and present.
Archaeologists have been excavating in Africa for over 200 years. Contributors place the subject within the broader political, social and economic context. Not only have the attitudes and aspirations of both colonialism and nationalism been important influences on the development of African archaeology, but certain discoveries have also had considerable political impact. Contributors include J.D.Clark, Thurstan Shaw and Peter Shinnie, who have been at the forefront of African archaeology for 50 years.
The book explores three key groups: The Dutch East India Company, the free settlers, and the slaves, through a number of archaeological sites and contexts. With the archaeological evidence, the book examines how these different groups were enmeshed within racial, sexual, and class ideologies in the broader context of capitalism and colonialism, and draws extensively on current social theory, in particular post-colonialism, feminism, and Marxism.
In 1984, Perry went to Swaziland, in southern Africa, to do archaeological fieldwork on the emergence of the Swazi state. He concentrated on the unsanctioned realms of the recent history, the Mfecane/Difaqane period, and soon discovered that no archaeology had been undertaken and that the official r.
This volume provides new insights into the distinctive contributions that community archaeology and heritage make to the decolonization of archaeological practice. Using innovative approaches, the contributors explore important initiatives which have protected and revitalized local heritage, initiatives that involved archaeologists as co-producers rather than leaders. These case studies underline the need completely reshape archaeological practice, engaging local and indigenous communities in regular dialogue and recognizing their distinctive needs, in order to break away from the top-down power relationships that have previously characterized archaeology in Africa. Community Archaeology and Heritage in Africa reflects a determined effort to change how archaeology is taught to future generations. Through community-based participatory approaches, archaeologists and heritage professionals can benefit from shared resources and local knowledge; and by sharing decision-making with members of local communities, archaeological inquiry can enhance their way of life, ameliorate their human rights concerns, and meet their daily needs to build better futures. Exchanging traditional power structures for research design and implementation, the examples outlined in this volume demonstrate the discipline’s exciting capacity to move forward to achieve its potential as a broader, more accessible, and more inclusive field.
The case studies included in this collection range from the coast of Lagos State, through the Yoruba inland, once dominated by Oyo and Ibadan, to Benin City, seat of the great pre-colonial empire, north to Zungeru, seat of colonial administration under Lord Lugard, and the Jos Plateau, homeland of the Ron; and south again to the Niger Delta, where the Nigerian people first began their historic interaction with Portuguese explorers.
This book provides an archaeological synthesis of Southern Africa.
A comprehensive evaluation of how to read African history. Writing African History is an essential work for anyone who wants to write, or even seriously read, African history. It will replace Daniel McCall's classic Africa in Time Perspective as the introduction to African history for the next generation and as a reference for professional historians, interested readers, and anyone who wants to understand how African history is written. Africa in Time Perspective was written in the 1960s, when African history was a new field of research. This new book reflects the development of African history since then. It opens with a comprehensive introduction by Daniel McCall, followed by a chapter by the editor explainingwhat African history is [and is not] in the context of historical theory and the development of historical narrative, the humanities, and social sciences. The first half of the book focuses on sources of historical data while thesecond half examines different perspectives on history. The editor's final chapter explains how to combine various sorts of evidence into a coherent account of African history. Writing African History will become the most important guide to African history for the 21st century. Contributors: Bala Achi, Isaac Olawale Albert, Diedre L. Badéjo, Dorothea Bedigian, Barbara M. Cooper, Henry John Drewal, Christopher Ehret, Toyin Falola, David Henige, Joseph E. Holloway, John Hunwick, S. O. Y. Keita, William G. Martin, Daniel McCall, Susan Keech McIntosh, Donatien Dibwe Dia Mwembu, Kathleen Sheldon, John Thornton, and Masao Yoshida. John Edwards Philips is professor of international society, Hirosaki University, and author of Spurious Arabic: Hausa and Colonial Nigeria [Madison, University of Wisconsin African Studies Center, 2000].
This volume explores the range of interactions between the historical sources and archaeology that are available on the African continent. Written by a range of experts on different aspects of African archaeology, this book represents the first consideration of historical archaeology over the African continent as a whole. This seminal volume also explores Africa's place in global systems of thought and economic development and is of interest to historical archaeologists and historians.
Through interdisciplinary approaches to material culture, the dynamics of a comparative transatlantic archaeology is developed.