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No story in United States history is more compelling than the exploration and settlement of the American West, and the tales of those who blazed the trails will forever enthrall Americans yet unborn. In Historic Photos of Heroes of the Old West, the dauntless adventurers who gave us the legend come alive together in profile. Herein are the early pathfinders Zebulon Pike and Lewis and Clark, James Marshall and men of the gold rush, the lawmen Wyatt Earp and Wild Bill Hickok. George Armstrong Custer returns to the Little Big Horn and John Wesley Powell revisits the Colorado River. And Mark Twain, Buffalo Bill, and Charles Russell breathe the legend to life. A sagely written brush with the lore and romance of the Old West, this roundup of the most famous frontiersmen includes nearly 200 photographs, reproduced vividly in black-and-white, with captions and introductions by author and historian Mike Cox. Here are the fables and the faces of Americans double-tough, for every adventurer seeking an encounter with the great American West.
The word cowboy conjures up vivid images of rugged men on saddled horses—men lassoing cattle, riding bulls, or brandishing guns in a shoot-out. White men, as Hollywood remembers them. What is woefully missing from these scenes is their counterparts: the black cowboys who made up one-fourth of the wranglers and rodeo riders. This book tells their story. When the Civil War ended, black men left the Old South in large numbers to seek a living in the Old West—industrious men resolved to carve out a life for themselves on the wild, roaming plains. Some had experience working cattle from their time as slaves; others simply sought a freedom they had never known before. The lucky travelled on horseback; the rest, by foot. Over dirt roads they went from Alabama and South Carolina to present-day Texas and California up north through Kansas to Montana. The Old West was a land of opportunity for these adventurous wranglers and future rodeo champions. A long overdue testament to the courage and skill of black cowboys, Black Cowboys of the Old West finally gives these courageous men their rightful place in history. Praise for an earlier book by the same author: “Whether you are a history enthusiast or a lover of adventure stories, African American Women of the Old Westpresents the reader with fascinating accounts of ten extraordinary, generally unrecognized, African Americans. Tricia Martineau Wagner takes these remarkable women from the footnotes of history and brings them to life.” —Ed Diaz, President of the Association for African American Historical Research and Preservation
Black Frontiers chronicles the life and times of black men and women who settled the West from 1865 to the early 1900s. In this striking book, you'll meet many of these brave individuals face-to-face, through rare vintage photographs and a fascinating account of their real-life history.
The history of law enforcement in the Lone Star State goes back well before photography, dating to Texas's days as part of the Spanish empire. After that Texas became a province of Mexico and for nearly a decade stood among the nations as an independent republic before becoming the 28th state in the Union in 1845. Beyond the contribution to law and order made by constables, sheriffs, town marshals, city police officers, and federal lawmen, Texas is the birthplace of a law enforcement institution unique in the world, the legendary Texas Rangers. Historic Photos of Texas Lawmen features close to 200 images of Texas lawmen, bad men (and a few bad women), assorted characters with a law enforcement connection like the legendary Judge Roy Bean, and shots of the places they did their work--for good or bad. Each photograph has a story to tell. Some of the images in this volume, coming from the author's personal collection, are published here for the first time. But all of the images command attention, many as attention-getting as the business end of a Texas Ranger's .45.
From Buffalo Bill to Wild Bill and from Chief Joseph to Geronimo, the most famous guns in the West and the history behind them More than a few of the actual guns once in the hands of the heroes and villains of America’s Old West still exist, housed in a dozen museums across the country—from the Model 1866 .44-40 that Chief Joseph famously surrendered to General Miles to Wild Bill Hickok’s Colt Model 1851 revolvers; from Buffalo Bill’s .50 caliber breechloading needlegun nicknamed “Lucrezia Borgia” to John Wesley Hardin’s 1860 model .44 SA revolvers. Famous Firearms of the Old West follows the life stories of a dozen actual pistols, rifles, and shotguns instrumental in shaping America’s history—using them as entrées into the lives of the shooters themselves. This is a vivid portrait of famous Western characters, paired with the guns they used to make themselves famous or, as the case may be, infamous. It is a must for anyone interested in the history and lore of the Wild West, gun hobbyists, and tourists seeking a museum experience with a difference.
Re-explore the Wild West, where America's legends and myths were made, for the first time with fully colorized images by best-selling author and cinematographer John Guntzelman. The lure of the Wild West has been a driving force in the American experience. Originally the stuff of dreams, dime novels, and Wild West shows, the fascination continued in motion pictures such as The Great Train Robbery, High Noon, The Magnificent Seven, the so-called spaghetti westerns of Clint Eastwood, and hundreds more. Whether through the appeal of wide-open spaces, the control of our own destiny, or just the desire for a better life, the Wild West still strikes a chord that resonates within. Following the Civil War and Reconstruction, the country expanded westward ready to grow--and grow it did. The evocative landscapes of these unexplored lands were recorded by a number of excellent photographers: John C. H. Grabill; Edward S. Curtis; John K. Hillers; and Timothy O'Sullivan, the famed Civil War photographer. Many of their striking images survive and continue to inspire us today. These iconic and incredibly evocative photographs from another era capture the reality and immediacy of that time and only require the careful addition of color to make them far more accessible, believable, and meaningful to present-day readers. The Wild West in Color includes over 200 of the best black-and-white photographs from that time, fully colorized to bring this lost world back to life! It offers a new glimpse into a period of the American experience that has inspired countless books, motion pictures, and stories--a time that continues to resonate and inspire us to the present day.
For several hundred years, the West had been the land of dreams, an extraordinary region of hope, expansion and opportunity where European countries—and then the young USA itself—sent their finest explorers to plant seeds in a seemingly untapped, open landscape. This spirit captured the popular imagination in the Wild West, those raucous 30 years between the end of the Civil War and the beginning of a new century. Within these pages, readers will explore true tales of rebels and heroes such as General George Custer, Buffalo Bill, Billy the Kid, Jesse James, Annie Oakley, and Sitting Bull, among others. The Wild West was the American Dream on steroids. It was an age of gunfights and gold rushes, cowboys and Comanches, with the likes of Buffalo Bill, Jesse James and Billy the Kid making their names. It forged extraordinary legends and even bigger lies, with everything fueled by dime novels written back East that encouraged folks to grab their share of a promise that was difficult for this hard land to keep. This book looks at all these mythical characters, the start of the railroad across the nation, the cost it all dealt to the Native Americans whose land was lost, and the way Hollywood still keeps the dream alive. As historian Richard White says, “People could go west and no matter their failures elsewhere, they had an opportunity to remake themselves. It’s a symbol for a kind of individualism that actually doesn’t exist in the West, but mythically it does.”
The American West, as we know it, is defined by the movies, and the Western is the oldest film genre. When the movies were born, it was not that long after Promontory Point and the Civil War, so those memories were still there in the minds of the very first movie audiences as they watched The Great Train Robbery. And the myth-making is as important as the brutal truths of history. As the reporter tells Jimmy Stewart in Ford's The Man Who Shot Liberty Valance, "This is the West, sir. When the legend becomes fact, print the legend." Rendered in rare, evocative tones reminiscent of Edward Sheriff Curtis's immortal photographs, Western Portraits provides readers with a collection of stylized portraits that capture the allure and mystique of the Old West, complete with authentic costuming, weaponry and settings. From the epic feature film to the TV series and serial, this coffee table book will put the story of character actors and the significance of their memorable roles into an entertaining perspective. The subjects include such popular, recognizable actors as Karl Malden, David Carradine, Denver Pyle, R. G. Armstrong, L. Q. Jones, Horst Buchholz, Henry Silva, Ruta Lee, Morgan Woodward, Bo Hopkins, Clu Gulager and 72 others. The market for this book will include lovers of classic cinema, Western history aficionados, writers, scholars and collectors of nostalgia and fine art photography. It will awaken movie memories in people's hearts, introduce others to the amazing work of these acting artists and serve as a record of the best of the Hollywood Western. THE PHOTOGRAPHS: R. G. Armstrong, John Beck, Crispian Belfrage, Bruce Boxleitner, Tom Bower, Horst Buchholz, R. D. Call, John "Bud" Cardos, David Carradine, Robert Carradine, Johnny Crawford, Rick Dano, Michael Dante, Robert Davi, Bruce Davison, Lee de Broux, Fred Dryer, Robert Evans, Ed Faulkner, Al Fleming, Robert Forster, Rosemary Forsyth, Gray Frederickson, Max Gail, Bruce Glover, Billy Green Bush, Clu Gulager, Buddy Hackett, George Hamilton, Gregory Harrison, Richard Harrison, Richard Herd, Louis Herthum, Darby Hinton, Bo Hopkins, John Dennis Johnston, L. Q. Jones, Leon Isaac Kennedy, Terry Kiser, Jeff Kober, Paul Koslo, Marty Kove, Art LaFleur, Ruta Lee, Ken Luckey, Barbara Luna, Karl Malden, Ray "Boom Boom" Mancini, Monte Markham, Ken Medlock, Dick Miller, Chris Mulkey, Jan Murray, Louis Nye, Hugh O'Brian, Michael Par , Michael Parks, Denver Pyle, Richard Roundtree, Peter Mark Richman, Jorge Rivero, Stefanie Powers, Mitchell Ryan, John Savage, John Schneider, Jacqueline Scott, Henry Silva, Tom Sizemore, Paul L. Smith, William Smith, Phil Spangenberger, Bo Svenson, Tim Thomerson, Jan-Michael Vincent, Jesse Vint, Hunter von Leer, Kateri Walker, Fred "The Hammer" Williamson, Lana Wood, Robert Wood, Morgan Woodward, Rob Word, Harris Yulin; with photographs in book's back section of Steve Carver, C. Courtney Joyner, Robert Zinner, Danny Chuchian
From our earliest history, Americans have had an uneasy affection for our outlaws, especially those from the romantic period of the Old West. Whether it is the fearlessness and freedom they represent or some other psychological need, we often overlook the misdeeds of these people in our fascination with them. This book is about their photographs. Some of the mythology is perpetuated in the captions and some new truths put forth as well. Viewing these photographs allows us to look these fellows in the eye and assess their character—something we probably wouldn’t have been allowed to do in real life and live to tell about it. Historic Photos of Outlaws of the Old West includes nearly 200 photographs, reproduced in vivid black-and-white, with captions and introductions by writer and historian Larry Johnson. Here are the most legendary outlaws and many of the less infamous characters whose lives found a place in the story of the American West.
The only child of wealthy parents, Irmagard Friedrich is determined to become famous as Liberty Belle, trick rider for Buffalo Bill's Wild West. Irma's fiercely controlling mother is just as determined to stop her. But then Irma gets the chance to live her dream when her father arranges an audition with his old friend, William F. (Buffalo Bill) Cody. As Liberty Belle, Irma enters the magical world of the Wild West. Friendship awaits-and so does Shep Sterling, the King of the Cowboys. Unbeknownst to Irma, her parents' marriage has been on the verge of imploding for years, and disagreement over their only child's future may prove to be the very thing that destroys it. What will Liberty Belle-and others-be forced to sacrifice so that she can live her dream?