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Text and pictures provide a close look at the land, people, history, government, and economy of this South American nation.
GUYANA, S.AMER. 1971-1976 ART BLACK AND WHITE PHOTOGRAPHS OF JIMMIE MANNAS.
Guyana Diaries narrates the life histories of members of the Red Thread Development Corporation, a group of women activists in the Caribbean. Kimberly Nettles, an African American researcher, explores the impact of their work on these women’s lives and, in the process, discovers differences of class and nation that overshadow the gender and race she shares with her subjects. Blending feminist ethnography, critical autobiography, and literary narratives, Nettles examines both the collective and her own experiences in studying its members, producing an illuminating, evocative work of self and other. It should be of interest to those in race and ethnic studies, gender studies, Caribbean studies, development studies, and qualitative research.
This new third edition of Bradt's Guyana remains the only guidebook available to this South American gem, a jungle-clad country teeming with exotic wildlife. Thoroughly researched, easy to use and interesting to read, Bradt's Guyana is written and updated by writers who have lived in and promoted Guyana for many years and is an ideal companion for all travellers, from wildlife watchers to fishermen, anthropologists to conservationists and 'voluntourists'. Guyana is a destination on the rise, described - justifiably - by the tourist board as 'South America Undiscovered'. This new edition of Bradt's Guyana has been updated to include all the latest developments, ranging from how to see harpy eagles at Warapoka to new culinary experiences, local tour operators, 4x4 self-drive and new hotels. Truly off the beaten track, Guyana is one of the most fascinating and least-known countries in the Americas. It is also the only English-speaking country in South America. The jewel in its crown is the mouth-droppingly beautiful Kaieteur Falls, which is nearly five times the height of Niagara and the world's tallest single-drop waterfall. Culturally Caribbean, its capital Georgetown is a curious melting-pot of quaint Dutch and British colonial architecture, steel drums, boisterous nightlife, rum shops with world-class rum, cricket and tropical sea breezes. It is also the gateway to the lush interior which is full to the brim with fascinating flora and fauna including monkeys, black caiman, harpy eagles, giant anteaters, otters and the mighty jaguar. With Bradt's Guyana, discover all of this, plus where to stay in community lodges and see the rainforest through the eyes of Amerindian guides, where to watch turtles nesting on the beach, how to explore the moody Essequibo river (the largest between the Orinoco and the Amazon), and how to visit the million-acre rainforest reserve of Iwokrama for the ultimate authentic wildlife experience. This third edition of Bradt's Guyana is the key book to plan an expedition into its densely forested lush interior, often accessible only by boat or small aircraft, before taking some 'time to lime' in a hammock in one of its tropical waterfront resorts.
The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the Black diaspora. Living and working on both sides of the Atlantic, as these scholars, curators and practitioners demonstrate, African diasporic artists adopt radical and revisionist practices by which to confront the difficult aesthetic and political realities surrounding the social and cultural legacies let alone national and mythical memories of Transatlantic Slavery and the international Slave Trade. Adopting a comparative perspective, this book investigates the diverse body of works produced by black artists as these contributors come to grips with the ways in which their neglected and repeatedly unexamined similarities and differences bear witness to the existence of an African diasporic visual arts tradition. As in-depth investigations into the diverse resistance strategies at work within these artists' vast bodies of work testify, theirs is an ongoing fight for the right to art for art's sake as they challenge mainstream tendencies towards examining their works solely for their sociological and political dimensions. This book adopts a cross- cultural perspective to draw together artists, curators, academics, and public researchers in order to provide an interdisciplinary examination into the eclectic and experimental oeuvre produced by black artists working within the United States, the United Kingdom and across the African diaspora. The overall aim of this book is to re-examine complex yet under-researched theoretical paradigms vis-à-vis the patterns of influence and cross-cultural exchange across both America and a black diasporic visual arts tradition, a vastly neglected field of study.
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Lavishly illustrated with over 400 photographs with accompanying text, Guyana is a spectacular insight into a little-known corner of the Commonwealth. It reflects the many aspects of life in this vibrant nation and provides a window into the many unexplored treasures of El Dorado.