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New Mexico's theatrical ties span over one hundred years. The Fountain Theatre, once a Civil War hospital and headquarters, produced plays, opera and vaudeville performances until 1929, when the venue started airing talkies. Today, it holds the title of oldest operating theatre in New Mexico. Albuquerque drive-in attendees enjoyed personal screens for each car at the Circle Autoscope. And Rio Grande Theater operated for over seventy years before showing its final screening of U.S. Marshals in 1998. Author Jeff Berg details the Land of Enchantment's iconic movie houses.
The first projected moving pictures were shown in Las Cruces 110 years ago. Who exhibited those movies? What movies were shown? Since projected moving pictures were invented in 1896, why did it take ten years for the first movie exhibition to reach Las Cruces? Who opened the first theater in town? Where was it located? These questions began the history of moving pictures in Las Cruces, and they are answered in this book. But so are the events and stories that follow. First movie shown in Las Cruces First theater in Las Cruces First talkie shown in Las Cruces Invention of drive-in theater in Las Cruces Opening of Rio Grande Theater Impact of Great Depression on business Raffle of six-week-old baby girl at Mission Theater World premiere of first BILLY THE KID movie Second world premiere of a BILLY THE KID movie Arrival of Organ, Rocket, Fiesta, and Aggie Drive-Ins Shooting of Clint Eastwood's HANG 'EM HIGH There have been 21 movie theaters in Las Cruces - all but three or four are forgotten. They are unremembered no longer. And one, especially, the Airdome Theater which opened in 1914, deserves to be known by all movie historians - it was an automobile drive-in theater, the invention of the concept, two decades before movie history declares the drive-in was invented. To supplement this history are 102 photos and illustrations. These include ephemeral documents such as the 4-page flyer for Las Cruces' third movie exhibition, at the Rink Theater; historic photos of theaters; aerial photos of drive-ins; and never-before-published photos of the shooting of HANG 'EM HIGH. Cover: Depicts the 1930 world premiere of BILLY THE KID, starring John Mack Brown as Billy, at the Rio Grande Theater in Las Cruces.
A well-illustrated history of movies made in New Mexico, the actors, directors, and producers involved; the dramatic scenery, and even the architecture of historic movie theatres.
Following on the heels of their incredibly successful The Ruins of Detroit, this major new project by the prolific French photographer duo Marchand/Meffre, poignantly eulogizes and celebrates the tattered remains of hundreds of movie theaters across America. They are in every American city and town—grandiose movie palaces, constructed during the heyday of the entertainment industry, that now stand abandoned, empty, decaying, or repurposed. Since 2005, the acclaimed photographic duo Marchand/Meffre have been traveling across the US to visit these early 20th-century relics. In hundreds of lushly colored images, they have captured the rich architectural diversity of the theaters’ exteriors, from neo renaissance to neo-Gothic, art nouveau to Bauhaus, and neo-Byzantine to Jugendstill. They have also stepped inside to capture the commonalities of a dying culture— crumbling plaster, rows of broken crushed-velvet seats, peeling paint, defunct equipment, and abandoned concession stands—as well as their transformation into bingo halls, warehouses, fitness centers, flea markets, parking lots, and grocery stores. Using a large format camera, the photographers’ carefully composed images range from landscape exteriors to starkly beautiful closeups. Presented here in a gorgeous oversized format, exquisitely printed with superior inks and spot varnish, this illustrated eulogy for the American movie palace is certain to become a modern-day classic.
A Guide to New Mexico Film Locations offers a ""call sheet"" to explore many of the Land of Enchantment's most iconic film locales. From alpine forests to sand dunes, from spaceports to historic ranches, New Mexico's movie backdrops showcase the most dramatic and stunning parts of the state.
A desperate alliance. A struggle for survival. And a marriage of convenience with an epic twist of fate come together in Jeffe Kennedy's The Fiery Crown. Perfect for fans of Sarah J. Maas, the lush romantic fantasy world of the Forgotten Empires series will sweep you away. WILL THEIR LOVE STAND THE TEST OF TIME Queen Euthalia has reigned over her island kingdom of Calanthe with determination, grace, and her magical, undying orchid ring. After she defied an empire to wed Conrí, the former Crown Prince of Oriel—a man of disgraced origins with vengeance in his heart—Lia expected the wizard’s prophecy to come true: Claim the hand that wears the ring and the empire falls. But Lia’s dangerous bid to save her realm doesn’t lead to immediate victory. Instead, destiny hurls her and Conrí towards a future neither could predict... OR TEAR THEIR WHOLE WORLD APART? Con has never healed after the death of his family and destruction of his kingdom—he’s been carefully plotting his revenge against his greatest enemy, Emperor Anure, waiting for the perfect opportunity to strike. When Lia’s spies gather intelligence suggesting that Anure is planning an attack against Calanthe, Con faces an agonizing choice: Can he sacrifice Lia and all she holds dear to destroy the empire? Or does his true loyalty exist in the arms of his beguiling, passionate wife—’til death do they part? The Forgotten Empire series is: “Captivating...engrossing.” —Romance Reviews Today “Sensual fantasy romance you won’t want to miss!”—Amanda Bouchet, USA Today bestselling author of The Kingmaker Chronicles “Action-packed...sexy...highly recommend.”—Harlequin Junkie (Top Pick)
This history and catalog of the movie theaters of Illinois follows their evolution from the early opera houses, to the storefront nickelodeons, to the awe-inspiring movie palaces, to the post--World War II theaters and the advent of the multiplex. Each theater has its own story, and together these stories make up a fascinating history of cinema viewing in Illinois. This richly illustrated book--the first dealing exclusively with Illinois theatres-- contains nearly 3,000 descriptions of historic movie houses, from the early 1880s to 1960. The alphabetically arranged entries, which include such information as the theater's name, location, number of seats, and the dates it opened and closed, cover cities and towns from Abingdon to Zion, including Chicago and its surrounding suburbs. The book opens with a history of the movie house, beginning with silent movies shown on walls and ending with the multiplex era. It also includes a chapter on television's impact and information on renovated historic theatres in the state. Appendices include lists of Illinois-operated movie theatre circuits, theatre websites and include a bibliography.
The Rough Guide to Southwest USA is the ultimate travel guide to the fabled American West. Explore ancient Native American cliff dwellings and pueblos in Canyon de Chelly and Mesa Verde, delve into the region's Hispanic past in the adobe-lined streets of Santa Fe and mission churches around Tucson, and follow in the footsteps of Wyatt Earp in Tombstone, the Wild West town "Too Tough to Die." Spectacular national parks like Zion, Bryce and the Grand Canyon - as well as Monument Valley and its iconic red rock buttes - are illustrated in their full colour glory, and the guide is packed with easy-to-read maps, along with suggested itineraries and authoritative, up-to-the-minute restaurant, bar, hotel and nightlife reviews. Whether you want to drive Route 66, hit the Strip in Las Vegas or visit modern day trading posts to buy Navajo rugs or Hopi kachinas, make the most of your holiday with The Rough Guide to Southwest USA.
The Drive-In meaningfully contributes to the complex picture of outdoor cinema that has been central to American culture and to a history of US cinema based on diverse viewing experiences rather than a select number of films. Drive-in cinemas flourished in 1950s America, in some summer weeks to the extent that there were more cinemagoers outdoors than indoors. Often associated with teenagers interested in the drive-in as a 'passion pit' or a venue for exploitation films, accounts of the 1950s American drive-in tend to emphasise their popularity with families with young children, downplaying the importance of a film programme apparently limited to old, low-budget or independent films and characterising drive-in operators as industry outsiders. They retain a hold on the popular imagination. The Drive-In identifies the mix of generations in the drive-in audience as well as accounts that articulate individual experiences, from the drive-in as a dating venue to a segregated space. Through detailed analysis of the film industry trade press, local newspapers and a range of other primary sources including archival records on cinemas and cinema circuits in Arkansas, California, New York State and Texas, this book examines how drive-ins were integrated into local communities and the film industry and reveals the importance and range of drive-in programmes that were often close to that of their indoor neighbours.