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"Here lyes Buried the Body of MARTHA PERONNEAU...Departed This Life December Ye 14th 1746 Aged 13 Years." Such an inscription was typical of 18th century grave markers in Charleston, South Carolina. Many epitaphs went on to reveal much more about the deceased: personality, religious beliefs, career accomplishments and social position. Attention to social matters was a natural part of life in Charleston, where descendants of the city's 17th century British founders sought to recreate the class-conscious culture of aristocratic England. The merging of this culture with influences from French Huguenots, German Lutherans, Scottish Presbyterians and Spanish Jews led to funeral practices unique in the American colonies. Focusing on pieces created between 1695 and 1802, this volume offers a detailed examination of the tombstones and grave markers from 18th century Charleston. It discusses not only the general trends and the symbolism of the period's gravestone art--such as skulls, portraits, ascending souls and stylized vegetation--but also examines specific instances of these popular motifs. Tombstones from Charleston's oldest and most significant churches, including the Circular Congregational Church, St. Philip's Anglican Church, the French Huguenot Church and the First (Scots) Presbyterian Church, are explored in detail. The work looks at how Charleston gravestones differed from funerary art elsewhere in the American colonies and reveals them to be some of the earliest examples of American sculpture. A guide to colonial gravestone symbols and a glossary of relevant Latin terms are also included.
Life in colonial Charles Towne was dangerous--epidemic diseases, primitive medical practices, and a harsh environment led to the early demise of rich and poor alike. When Charleston's founders moved their settlement across the Ashley River to the peninsula in 1680, they hoped for protection from pirate and Native American attacks, as well as increased trade and healthier living conditions. While they were able to secure more protection for the residents and improve trade, health conditions rapidly declined. The graveyards and public burial grounds quickly filled, and today, Charleston's historic cemeteries are almost as common a sight downtown as the churches that define the city. These tree-shrouded glades invite tourists and residents to explore the resting places of Charleston's most illustrious and interesting personalities. Charleston's Historic Cemeteries offers a guided pictorial tour of the elaborate gravestones and elegant inscriptions dedicated to Charleston's famous and infamous alike, including William Rhett and the pirate Stede Bonnet, Rhett's adversary. With dozens of illustrated stories about the transformation of funerals, tombstones, and mourning customs in America over the past 300 years, this collection details how Charleston became the home of a historically unique, city-wide gallery of mortuary sculpture.
Photographs Across Time: Studies in Urban Landscapes presents a record of urban environments in Britain, including Oxford, York, Scarborough, Dunbar, Edinburgh, and Inverness. It is a unique demonstration of how digital photography bridges urban landscape studies with archaeology and heritage studies. The book revisits several landscape and weathering studies in churchyards throughout England and Scotland in the UK. The book explains cross temporal and archival applications of digital photography and explores the archaeological use of photographs. Readers can also learn about issues related to creating and maintaining digital records as well as issues relevant to heritage sustainability. Researchers, landscape experts and professional photographers as well archivists will find Photographs Across Time as a handy reference for quantitative geomorphological studies on English heritage sites and the qualitative realm of historical archaeology.
Providing a comprehensive set of guidance to assist researchers wishing to carry out, curate and disseminate field research at a historic burial ground, chapters offer up to date methods for surface and subsurface survey and for the recording and archiving of burial monument data. Divided into three parts considering documentary research and recording of mortuary landscapes, reflections on memorial recording projects, and archiving and wider dissemination of data and interpretations. Also included is the archaeological potential of pet cemeteries and other pet memorials. Discussions therefore include how methodologies may or may not be applicable to both human and animal subjects.
The tranquility of the magnificently restored Saint Andrews Parish Church, surrounded by stately oaks and ancient gravestones, belies a tumultuous past. If its walls could talk, they would tell a story as old as the human condition. Founded in the forest of a new colony, this simple Anglican church served planters and their slaves during the heyday of rice and indigo. Before the Civil War, ministry shifted to the slaves, and afterward to freed men and women. Following years of decline and neglect, Saint Andrews rose like the phoenix. The history of the oldest surviving church south of Virginia and the only remaining colonial cruciform church in South Carolina is one of wealth and poverty, acclaim and anonymity, slavery and freedom, war and peace, quarrelling and cooperation, failure and achievement. It is the story of a church that has refused to die, against all odds.