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This illustrated history portrays one of England’s finest cities - Leicester. Using photographs taken from the unique Historic England Archive.
James Stirling was one of the most influential architects of the late twentieth century. He established his world-wide reputation in the 1960s while still in partnership with James Gowan, and his strong personal style is first seen to emerge in the extraordinary Leicester University Engineering Building, the last project to be completed by the partnership. Its slender, almost transparent, tower rises above the projecting forms of its wedge-shaped auditoria. This constructivist inspired ensemble is juxtaposed with the industrial toughness of the engineering workshops whose saw-tooth factory glazing cuts across its roof at an acute angle, setting up a powerful and contradictory geometry.
Pevsner wrote that "Leicestershire is not a county of extremes" and agreed that "no other county in England surpasses Rutland for unspoiled quiet charm". The large and the small Midland counties possess a varied and rewarding range of buildings. Church architecture encompasses the classical Normanton, preserved in remote isolation from the flood of Rutland Water, to Market Harborough with its elegant medieval steeple, and a fine group of Victorian churches in Leicester. The major country houses include Belvoir Castle, Staunton Harold and Burley-on-the-Hill, while the more modest homes of the late nineteenth century include notable work by Ernest Gimson, Voysey and a garden city at Leicester by Parker & Unwin. Leicestershire also possesses fine modern buildings, from its architecturally progressive schools to the justly renowned buildings of Leicester University, dominated by Stirling & Gowan's Engineering Building.
View our feature on Sarah Gristwood’s Elizabeth & Leicester.Though the story has been told on film—and whispered in historic gossip—this is the first book in almost fifty years to solely explore the great queen’s attachment to her beloved Robert Dudley, the Earl of Leicester. Fueled by scandal and intrigue, their relationship set the explosive connection between public and private life in sixteenth-century England in bold relief. Why did they never marry? How much of what seemed a passionate obsession was actually political convenience? Elizabeth and Leicester reignites this 400- year-old love story in a book for anyone interested in Elizabethan literature.
This is the first major book to study English architecture between 1945 and 1975 in its entirety. Challenging previous scholarship on the subject and uncovering vast amounts of new material at the boundaries between architectural and social history, Elain Harwood structures the book around building types to reveal why the architecture takes the form it does. Buildings of all budgets and styles are examined, from major universities to the modest café. The book is illustrated with stunning new photography that reveals the logic, aspirations, and beauty of hundreds of buildings throughout England, at the point where many are disappearing or are being mutilated. Space, Hope, and Brutalism offers a convincing and lively overview of a subject and period that fascinates younger scholars and appeals to those who were witnesses to this history. Published for the Paul Mellon Centre for Studies in British Art
Since 1987 more than 300 buildings have been listed for their special architectural and historic interest. From humble prefabs to the colossal Park Hill, Sheffield, the range of listed buildings is staggering. This book lists all of them. Sir Albert Richardson's Bracken House, built for the Financial Times in 1955-59, was the first post-war building to be officially listed, when it was threatened with demolition. Listing led to its remodelling by Michael Hopkins in 1989-91, a demonstration of how the conservation process can inspire radical architectural interventions. Subsequent listings have been prompted by requests from the public when a building is threatened, or from detailed studies by building type. Buildings range from traditional works by Raymond Erith and Donald McMorran and many of the 'pop icons' of the 1960s such as Centre Point, to internationally outstanding modern works like Stirling and Gowans' Leicester Engineering Building and Foster Associates' offices for Willis Faber Dumas in Ipswich.