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Culled from the records of the National Register of Historic Places, a roster of all types of significant properties across the United States, African American Historic Places includes over 800 places in 42 states and two U.S. territories that have played a role in black American history. Banks, cemeteries, clubs, colleges, forts, homes, hospitals, schools, and shops are but a few of the types of sites explored in this volume, which is an invaluable reference guide for researchers, historians, preservationists, and anyone interested in African American culture. Also included are eight insightful essays on the African American experience, from migration to the role of women, from the Harlem Renaissance to the Civil Rights Movement. The authors represent academia, museums, historic preservation, and politics, and utilize the listed properties to vividly illustrate the role of communities and women, the forces of migration, the influence of the arts and heritage preservation, and the struggles for freedom and civil rights. Together they lead to a better understanding of the contributions of African Americans to American history. They illustrate the events and people, the designs and achievements that define African American history. And they pay powerful tribute to the spirit of black America.
In Landmarks of African American History, James Oliver Horton chooses thirteen historic sites to explore the struggles and triumphs of African Americans and how they helped shape the rich and varied history of the United States. Horton begins with the first Africans brought to Jamestown, Virginia, and the start of slavery in the colonies that became the United States. Boston's Old State House provides the backdrop to the martyrdom of Crispus Attucks, the former slave killed in the Boston Massacre, the confrontation with British troops that led to the American Revolution. After the Civil War, former slaves settled the desolate area of Nicodemus, Kansas, and turned it into a thriving community. The USS Arizona Memorial in Pearl Harbor, Hawaii, and Boston's Old State House illustrate African American contributions to the defense of their country and reveal racial tensions within the military. And the black students who demanded service at Woolworth's racially segregated lunch counter in Greensboro, North Carolina, launched the sit-in movement and advanced the fight for civil rights. Horton brings together a wide variety of African American historical sites to tell of the glory and hardship, of the great achievement and determination, of the people and events that have shaped the values, ideals, and dreams of our nation.
You may think you know the South for its food, its people, its past, and its stories, but if there’s one thing that’s certain, it’s that the region tells far more than one tale. It is ever-evolving, open to interpretation, steeped in history and tradition, yet defined differently based on who you ask. This Is My South inspires the reader to explore the Southern States––Georgia, Kentucky, Louisiana, Mississippi, North Carolina, South Carolina, Tennessee, Virginia––like never before. No other guide pulls together these states into one book in quite this way with a fresh perspective on can’t-miss landmarks, off the beaten path gems, tours for every interest, unique places to sleep, and classic restaurants. So come see for yourself and create your own experiences along the way!
What can local histories of interracial conflict and collaboration teach us about the potential for urban equity and social justice in the future? Courtney Elizabeth Knapp chronicles the politics of gentrification and culture-based development in Chattanooga, Tennessee, by tracing the roots of racism, spatial segregation, and mainstream "cosmopolitanism" back to the earliest encounters between the Cherokee, African Americans, and white settlers. For more than three centuries, Chattanooga has been a site for multiracial interaction and community building; yet today public leaders have simultaneously restricted and appropriated many contributions of working-class communities of color within the city, exacerbating inequality and distrust between neighbors and public officials. Knapp suggests that "diasporic placemaking"—defined as the everyday practices through which uprooted people create new communities of security and belonging—is a useful analytical frame for understanding how multiracial interactions drive planning and urban development in diverse cities over time. By weaving together archival, ethnographic, and participatory action research techniques, she reveals the political complexities of a city characterized by centuries of ordinary resistance to racial segregation and uneven geographic development.
The cultural and industrial reconstruction of the South, explored through a major figure in early black music
Within 20 years of the end of the Civil War, Chattanooga was becoming the "Dynamo of Dixie." Entrepreneurs and capital from the North were welcomed to the city. New railroads made the area a transportation hub. Fortunes were made in finance, industry, and tourism. Located at the foot of Lookout Mountain, St. Elmo was Chattanooga's first suburb. The founder of the then-independent town, A. M. Johnson and other community leaders chartered the Forest Hills Cemetery in the late 1870s. Many Chattanooga-area families obtained sites within the cemetery, now on the National Register of Historic Places. A rarity for the Reconstruction South, these families included a number of African Americans. From the famous to the infamous, from the remembered to the nearly forgotten, Images of America: Chattanooga's Forest Hills Cemetery highlights a number of Chattanoogans interred in this picturesque historic cemetery.
A book that details aspects of slavery in Tennessee and its relationship with the economy, newspapers and the government. Based largely on newspaper advertisements and first-person accounts, this book is full of revelations that prove that slavery was a much bigger part of Tennessee's culture than people realize today.
This second edition of Historical Dictionary of African American Theater reflects the rich history and representation of the black aesthetic and the significance of African American theater’s history, fleeting present, and promise to the future. It celebrates nearly 200 years of black theater in the United States and the thousands of black theater artists across the country—identifying representative black theaters, playwrights, plays, actors, directors, and designers and chronicling their contributions to the field from the birth of black theater in 1816 to the present. This second edition of Historical Dictionary of African American Theater, Second Edition contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 700 cross-referenced entries on actors, playwrights, plays, musicals, theatres, -directors, and designers. This book is an excellent resource for students, researchers, and anyone wanting to know and more about African American Theater.
This multi-functional reference is a useful tool to find information about history-related organizations and programs and to contact those working in history across the country.
A Companion to African American History is a collection oforiginal and authoritative essays arranged thematically andtopically, covering a wide range of subjects from the seventeenthcentury to the present day. Analyzes the major sources and the most influential books andarticles in the field Includes discussions of globalization, region, migration,gender, class and social forces that make up the broad culturalfabric of African American history