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1260 AD: Josseran Sarrazini is a Templar Knight, trained for war. But as the Christian garrisons in the Holy Land begin to fall to the Saracen, he must embark upon a mission of peace: to the golden palaces at Xanadu, to seek an alliance with Kubilai Khan, ruler of the greatest empire in history and commander of the invincible Mongol horde. Josseran's task is formidable. To ride the treacherous Silk Road to the edge of the known world. To cheat hunger, thirst, and death. And to forge a crucial allegiance with a people who do not honor his cause, or his God. Blazing with adventure, epic in scope, and utterly compulsive, Silk Road weaves a spellbinding story of war, honor, and desire onto the vast tapestry of the medieval East.
En Bolivia, el 9 de abril de 1952, despus de tres das de combates los trabajadores derrotaron al ejrcito nacional, arrebataron el poder poltico a la oligarqua e impusieron un gobierno al servicio del pueblo. Naci la Revolucin Nacional, una de las tres ms grandes realizadas en Latinoamrica durante el Siglo XX. El ensayo La Novela Revolucionaria. Contribucin a la Crtica demuestra que novellas publicadas durante el perodo pre revolucionario, provocaron cambios ideolgicos en las conciencias de los lectores populares, y de ese modo contribuyeron a la Revolucin Nacional Boliviana. Otras novelas escritas durante los aos del gobierno revolucionario, procuraron crear una conciencia en favor de una revolucin socialista. Al hacerlo instauraron un nuevo subgnero novelstico: La novela revolucionaria boliviana. El ensayo est enfocado en el anlisis dialctico de dos categoras: Historia y novela. Ofrece referencias conceptuales formuladas por tericos (Karl Marx, Georg Lukcs, Gerald Genette y Robert Jauss) que privilegian una crtica literaria basada en las interconexiones entre el desarrollo social y la cosmovisin que se expresa en las novellas que refl ejan, de uno u otro modo, dicha realidad. El ensayo precisa que la novella boliviana posee la capacidad de tomar de la vida de los trabajadores sus experiencias ms esenciales, y las expresa artsticamente. Siendo lo ms relevante el propsito de ayudarles a convertirse de una clase en s a una clase para s. El mrito del ensayo del Dr. Guido J. Arze es haber sabido demostrar que las novellas revolucionarias bolivianas ayudaron a promover la lucha armada liberadora, usndolas como vehculos de concientizacin, y con ello consagraron un nuevo subgnero: La novella revolucionaria boliviana. Novela que difi ere en cuanto a su funcin de sus semejantes las novelas de la Revolucin Mexicana y de la Revolucin Cubana.
This work in the field of digital literary stylistics and computational literary studies is concerned with theoretical concerns of literary genre, with the design of a corpus of nineteenth-century Spanish-American novels, and with its empirical analysis in terms of subgenres of the novel. The digital text corpus consists of 256 Argentine, Cuban, and Mexican novels from the period between 1830 and 1910. It has been created with the goal to analyze thematic subgenres and literary currents that were represented in numerous novels in the nineteenth century by means of computational text categorization methods. To categorize the texts, statistical classification and a family resemblance analysis relying on network analysis are used with the aim to examine how the subgenres, which are understood as communicative, conventional phenomena, can be captured on the stylistic, textual level of the novels that participate in them.
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Quarterly accession lists; beginning with Apr. 1893, the bulletin is limited to "subject lists, special bibliographies, and reprints or facsimiles of original documents, prints and manuscripts in the Library," the accessions being recorded in a separate classified list, Jan.-Apr. 1893, a weekly bulletin Apr. 1893-Apr. 1894, as well as a classified list of later accessions in the last number published of the bulletin itself (Jan. 1896)
This volume collects the work of prominent art critics, art historians, and literary critics who study the art, lives, and times of the leading Mexican muralists José Clemente Orozco, Diego Rivera and, among other artists, David Alfaro Siqueiros. Written exclusively for this book in English or in Spanish, and with a full-length introduction (in English), the selected essays respond to a surging interest in Mexican mural art, bringing forth new interpretations and perspectives from the standpoint of the 21st century. The volume’s innovative and varied critical approaches will be of interest to a wide readership, including professors and students of Mexican muralism, as well as the speculative reader, public libraries, and art galleries around the world.