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Excerpt from Historia del Arte, Vol. 2: El Arte al Traves de la Historia Figs. 6 y 7. Cripta de los Papas. Cafammáar de San Culixlo. Row. (55m actual y restauración, por Rossi.) About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Historia del Arte, Vol. 3: El Arte al Traves de la Historia Fig. 7. Pulpito de la catedral de Siena, obra de Nicolás de Puglia y sus discípulos pisanos. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Historia del Arte, Vol. 2: El Arte al Través de la Historia Es natural, pues, que cuando las persecuciones arreciaron, las cofradías de ñeles sintieran más aún la necesidad de poseer un lugar seguro donde depositar las preciosas reliquias de sus innumerables mártires, confesores dela nueva fe. Para esto aprovecharon admirablemente, en los alrededores de Roma, las antiguas galerias subterráneas, de las que se extraía la piedra caliza esponjosa, llamada ¡mza lana. Que servia para fabricar el cemento. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Historia del Arte, Vol. 1: El Arte al Través de la Historia P°r fin, el Extrem° Oriente, que hasta hace p°c°s añ°s p°dia dejarse á un lad°, c°m° un mund° exótic°, independiente de nuestr° arte y nuestra civilización °ccidental, h°y, gracias a las m°dernas investigaci°nes, se halla dentr° de la órbita del arte eur°peo, p°r las indudables relaci°nes del arte búdico (que se infiltra p°r t°da el Asia) c°n las escuelas helénicas y alejandrinas. El camp° de influencia del arte greco - romano se ensancha p°r Oriente, c°n sor presas inesperadas; la cr°n°l°gía de l°s m°nument°s ha cambiad° p°r c°mplet°; seria ign°rancia imperd°nable tratar hoy de la an tigúedad del arte indi° c°m° se hacia sól° hace diez añ°s. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Historia General del Arte, Vol. 2: Escrita e Ilustrada en Vista de los Monumentos y de las Mejores Obras Publicadas Hasta el Dia; Arquitectura La Fenicia no fué una nación parecida a ninguna otra de las orientales. Entre sus habitantes existía el poderoso lazo de la comunidad de raza, lengua e intereses; pero cuando un peligro común no obligaba a sus ciudades a aunar sus esfuerzos, éstas vivían disgregadas, _ teniendo cada una su constitución parti cular ó municipal y su dinastía local. Parece que su estado político y social debió asemejarse al de las ciudades anseóticas ó al de las Repúblicas italianas de la Edad media. Como en ellas, los que realmente tenían el poder eran los poseedores de grandes fortunas, oligarquía efectiva que dejaba a la asamblea popular, a los reyes hereditarios ó electivos, ó a los magistrados temporales ó vitalicios las apariencias de poder. Como de Cartago dijo Aristóteles (i) ((se pensaba que el que quiere ejercer una función pública debe tener no Sólo grandes cualidades, sino más aún grandes riquezas, se creía que el hombre sin fortuna no tenía la aptitud necesaria/ para desempeñar bien el mando. En F en...icia aparece la libertad municipal, y de ella brota lo que aún no se había conocido en los imperios de Oriente, el ciudadano apasionado por la independencia desu patria, a la que ama como a sí mismo y deñende con el heroísmo que demuestran los celebérrimos sitios de Tiro. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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