Download Free Historia De La Arquitectura Contemporanea Volumen 1 Book in PDF and EPUB Free Download. You can read online Historia De La Arquitectura Contemporanea Volumen 1 and write the review.

El presente volumen refleja una teoría de la arquitectura y una metodología historiográfica dirigida a los estudiantes y a todos aquellos que se acercan por vez primera a la historia de la arquitectura de nuestro tiempo, es decir, desde la segunda mitad del siglo XIX hasta hoy; así pues, su objetivo es casi exclusivamente didáctico. El principio historiográfico no es ni más ni menos que el de la contemporaneidad de la historia, por lo que nos ocupamos de la historia desde una postura crítica actual, y porque apreciamos en ella valores e intereses que responden a las exigencias prácticas de hoy. La intención operativa está íntimamente ligada a dicho principio: estudiamos la historia de la arquitectura contemporánea (y la del pasado reciente y remoto) a través del entendimiento crítico de la situación actual, para enriquecer el conocimiento analítico de las obras que se van produciendo continuamente y para identificar un código, un lenguaje arquitectónico adaptable, también, a los edificios que estamos proyectando.
Análisis histórico de los rasgos de la arquitectura contemporánea desde sus nuevas tipologías (cuarteles, escuela, orfanatos, estaciones de trenes y de policía,...) y desde su debate fundamental, reconstituido dentro del acercamiento entre Malevich y Adolf Loos.
The wars of the twentieth century uprooted people on a previously unimaginable scale to the extent that being a refugee became an increasingly widespread experience. With the arrival of refugees, governments of host countries had to mediate between divided national populations: some wished to welcome those arriving in search of refuge; others preferred a strategy of exclusion or even expulsion. At the same time, refugees had to manage conflicts of the self as they responded to the loss of nationhood, families, socio-political networks, material goods, and arguably also a sense of belonging or home. While return migration was usually perceived by governments and refugees alike as the best solution to the dilemmas of forced displacement, consensus about the timing and dynamics of how this would actually occur was very difficult to achieve. In practice, the return of refugees to their countries of origin rarely, if ever, produced a wholly satisfactory outcome. Conflicts clearly resulted in forced displacement, but it is equally true that forced displacement created conflicts. The complex inter-relationship of conflict, return migration and the sometimes chimerical, but still compelling, search for a sense of home is the central preoccupation of the contributors to the two volumes of the Coming Home? series. Scholars from history, literature, cultural studies and sociology explore the tensions between nation-states and migrants as they have anticipated, implemented or challenged the process of return migration during the twentieth and twenty-first centuries. This book begins with Western Europe and progresses to Central and Eastern Europe from the period of the Spanish Civil War to the Cold War era, whilst the second volume – Coming home? Vol. 2: Conflict and Postcolonial Return Migration in the Context of France and North Africa – shifts the focus to the colonial and post-colonial framework of the French-North African nexus. What emerges from the two volumes of essays is that, as ambiguous and sometimes ambivalent as home could appear, it was nonetheless central to migrants’ preoccupations about returning.
An investigation of the influences and evolution of modern Spain’s underappreciated, but foundational, architecture. Spain’s remarkable twentieth-century architecture evolved against a turbulent background of revolution, civil war, dictatorship, and transition to democracy. Architecture played a key role in Spain’s struggle out of poverty and isolation, and its search for identity in the modern world. This book examines Spanish architecture from the roots of Modernism in the eighteenth and nineteenth centuries to the present, analyzing significant figures and their works in relation to their political, social, and cultural contexts, as well as their contributions to architecture as a whole. From the austere, local Modernism of the 1920s, the influence of international trends in the ’30s, the renewed, “Organicist” Modernism of the ’50s and ’60s, to the flourishing public architecture of the late twentieth century and beyond, Spain provides a penetrating account of the country’s rich and varied built environment.
Building Knowledge, Constructing Histories brings together the papers presented at the Sixth International Congress on Construction History (6ICCH, Brussels, Belgium, 9-13 July 2018). The contributions present the latest research in the field of construction history, covering themes such as: - Building actors - Building materials - The process of building - Structural theory and analysis - Building services and techniques - Socio-cultural aspects - Knowledge transfer - The discipline of Construction History The papers cover various types of buildings and structures, from ancient times to the 21st century, from all over the world. In addition, thematic papers address specific themes and highlight new directions in construction history research, fostering transnational and interdisciplinary collaboration. Building Knowledge, Constructing Histories is a must-have for academics, scientists, building conservators, architects, historians, engineers, designers, contractors and other professionals involved or interested in the field of construction history. This is volume 1 of the book set.
History of Construction Cultures Volume 1 contains papers presented at the 7ICCH – Seventh International Congress on Construction History, held at the Lisbon School of Architecture, Portugal, from 12 to 16 July, 2021. The conference has been organized by the Lisbon School of Architecture (FAUL), NOVA School of Social Sciences and Humanities, the Portuguese Society for Construction History Studies and the University of the Azores. The contributions cover the wide interdisciplinary spectrum of Construction History and consist on the most recent advances in theory and practical case studies analysis, following themes such as: - epistemological issues; - building actors; - building materials; - building machines, tools and equipment; - construction processes; - building services and techniques ; -structural theory and analysis ; - political, social and economic aspects; - knowledge transfer and cultural translation of construction cultures. Furthermore, papers presented at thematic sessions aim at covering important problematics, historical periods and different regions of the globe, opening new directions for Construction History research. We are what we build and how we build; thus, the study of Construction History is now more than ever at the centre of current debates as to the shape of a sustainable future for humankind. Therefore, History of Construction Cultures is a critical and indispensable work to expand our understanding of the ways in which everyday building activities have been perceived and experienced in different cultures, from ancient times to our century and all over the world.
Since the mid 1970s, there has been an extraordinary renewal of interest in early modern architecture, both as a way of gaining insight into contemporary architectural culture and as a reaction to neoconservative postmodernism. This book undertakes a critical reappraisal of the notion of modernity in Mexican architecture and its influence on a generation of Mexican architects whose works spanned the 1920s through the 1960s. Nine essays by noted architects and architectural historians cover a range of topics from broad-based critical commentaries to discussions of individual architects and buildings. Among the latter are the architects Enrique del Moral, Juan O'Gorman, Carlos Obregón Santacilia, Juan Segura, Mario Pani, and the campus and stadium of the Ciudad Universitaria in Mexico City. Relatively little has been published in English regarding this era in Mexican architecture. Thus, Modernity and the Architecture of Mexico will play a groundbreaking role in making the underlying assumptions, ideological and political constructs, and specific architect's agendas known to a wide audience in the humanities. Likewise, it should inspire greater appreciation for this undervalued body of works as an important contribution to the modern movement.