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This book traces the origins of a faith--perhaps the faith of the century. Modern revolutionaries are believers, no less committed and intense than were Christians or Muslims of an earlier era. What is new is the belief that a perfect secular order will emerge from forcible overthrow of traditional authority. This inherently implausible idea energized Europe in the nineteenth century, and became the most pronounced ideological export of the West to the rest of the world in the twentieth century. Billington is interested in revolutionaries--the innovative creators of a new tradition. His historical frame extends from the waning of the French Revolution in the late eighteenth century to the beginnings of the Russian Revolution in the early twentieth century. The theater was Europe of the industrial era; the main stage was the journalistic offices within great cities such as Paris, Berlin, London, and St. Petersburg. Billington claims with considerable evidence that revolutionary ideologies were shaped as much by the occultism and proto-romanticism of Germany as the critical rationalism of the French Enlightenment. The conversion of social theory to political practice was essentially the work of three Russian revolutions: in 1905, March 1917, and November 1917. Events in the outer rim of the European world brought discussions about revolution out of the school rooms and press rooms of Paris and Berlin into the halls of power. Despite his hard realism about the adverse practical consequences of revolutionary dogma, Billington appreciates the identity of its best sponsors, people who preached social justice transcending traditional national, ethnic, and gender boundaries. When this book originally appeared The New Republic hailed it as "remarkable, learned and lively," while The New Yorker noted that Billington "pays great attention to the lives and emotions of individuals and this makes his book absorbing." It is an invaluable work of history and contribution to our understanding of political life.
As the first complete narrative in English of the Haitian Revolution, Marcus Rainsford's An Historical Account of the Black Empire of Hayti was highly influential in establishing nineteenth-century world opinion of this momentous event. This new edition is the first to appear since the original publication in 1805. Rainsford, a career officer in the British army, went to Haiti to recruit black soldiers for the British. By publishing his observations of the prowess of black troops, and recounting his meetings with Toussaint Louverture, Rainsford offered eyewitness testimonial that acknowledged the intelligence and effectiveness of the Haitian rebels. Although not an abolitionist, Rainsford nonetheless was supportive of the independent state of Haiti, which he argued posed no threat to British colonial interests in the West Indies, an extremely unusual stance at the time. Rainsford's account made an immediate impact upon publication; it was widely reviewed, and translated twice in its first year. Paul Youngquist's and Grégory Pierrot's critical introduction to this new edition provides contextual and historical details, as well as new biographical information about Rainsford. Of particular interest is a newly discovered miniature painting of Louverture attributed to Rainsford, which is reproduced along with the twelve engravings that accompanied his original account.
L’Écriture est la peinture de la voix honours and celebrates the inestimable contributions that Professor Nicholas Cronk has made to our understanding of the Enlightenment. As director of the University of Oxford’s Voltaire Foundation, he has played a decisive role in eighteenth-century studies. In particular he has shaped our knowledge of Voltaire as a writer, celebrity and era-defining figure whose influence has continued to be felt through the centuries. Comprising essays by a host of internationally eminent scholars, this volume is a fitting tribute to the esteem and affection in which Nicholas Cronk is held as a colleague, teacher and mentor. These sixteen essays reflect his varied research interests, exploring questions central to the eighteenth century, such as the writing process, justice, revolution, as well as the legacy of the Enlightenment, and focussing on the central figure in Nicholas Cronk’s research: Voltaire. In sections devoted to Voltaire’s writing practices, to his involvement in political, literary and religious polemics, and finally to his legacy, the essays build on Nicholas Cronk’s scholarship and editorial achievements, opening up a new chapter in research on Voltaire. This volume is complemented by an online collection of essays which speak to other topics central to Nicholas Cronk’s interests, such as authorial identities, correspondence and aesthetics. Visit the MLO site for the other half of this festschrift project, https://modernlanguagesopen.org/collections/lecriture-nicholas-cronk
A wide-ranging collection of essays exploring the question 'How did the French Revolution become thinkable?'.
Political parties are taken for granted today, but how was the idea of party viewed in the eighteenth century, when core components of modern, representative politics were trialled? From Bolingbroke to Burke, political thinkers regarded party as a fundamental concept of politics, especially in the parliamentary system of Great Britain. The paradox of party was best formulated by David Hume: while parties often threatened the total dissolution of the government, they were also the source of life and vigour in modern politics. In the eighteenth century, party was usually understood as a set of flexible and evolving principles, associated with names and traditions, which categorised and managed political actors, voters, and commentators. Max Skjönsberg thus demonstrates that the idea of party as ideological unity is not purely a nineteenth- or twentieth-century phenomenon but can be traced to the eighteenth century.
These essays examine the thought and works of a series of writers on political thought, religion, historiography and literature, from the 16th century to the 19th. Throughout, the author is concerned to situate individual thinkers in the context of their times and, in many of the essays, to illuminate the links between intellectual currents in France and England. Particular topics include Gallicanism, Neostoicism, the historical novel, and constitutionalism, while the figures dealt with range from Bodin and Hotman in the Renaissance, to Descartes and La Rochefoucauld in the Grand Siècle and Condorcet and Diderot in the Enlightenment. Less familiar figures include the Oxford historian, Degory Wheare, and the French constitutional theorist, Henrion de Pansey. Among the topics treated in the Romantic era are comparisons between the French and English revolutions, and the French obsession with Oliver Cromwell.