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Excerpt from Hispano-Moresque Pottery: In the Collection of the Hispanic Society of America While it is undoubtedly true that the lustered pottery and tiles which we are considering have been found in abundance in Persia, all evidences point to the fact that they are not Of Persian conception. Our belief that tin was not employed as a glaze by the native Persian potters until introduced by foreign craftsmen is rather strengthened than weakened by the presence Of stanniferous wares which reveal in so unmistakable a manner outside influences, along with the glass-glazed products Of very decided Per sian character. Among the eight-pointed star-shaped examples we find paintings of antelopes, horses, pan thers, hares and other animals, also plant forms and arabesque traceries, all showing a strong Saracenic influence. The technique Of some Of these lustered designs bears a striking resemblance to that Of the lustered pottery found in the rubbish mounds Of Fostat, near Old Cairo, Egypt. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
In this richly illustrated volume, Oliver Watson presents a comprehensive history of ceramics from Islamic lands. Clear and informative essays examine the art, archaeology and collecting of Islamic pottery, ceramic families and technical traditions, and Islamic pottery over five centuries. This is an important book that provides a whole new framework for the understanding and study of Islamic ceramics, and will be of great interest to the general reader as well as being an invaluable reference work for the student and specialist.