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Significant changes in New York City's Latino community have occurred since the first edition of Latinos in New York: Communities in Transition was published in 1996. The Latino population in metropolitan New York has increased from 1.7 million in the 1990s to over 2.4 million, constituting a third of the population spread over five boroughs. Puerto Ricans remain the largest subgroup, followed by Dominicans and Mexicans; however, Puerto Ricans are no longer the majority of New York's Latinos as they were throughout most of the twentieth century. Latinos in New York: Communities in Transition, second edition, is the most comprehensive reader available on the experience of New York City's diverse Latino population. The essays in Part I examine the historical and sociocultural context of Latinos in New York. Part II looks at the diversity comprising Latino New York. Contributors focus on specific national origin groups, including Ecuadorians, Colombians, and Central Americans, and examine the factors that prompted emigration from the country of origin, the socioeconomic status of the emigrants, the extent of transnational ties with the home country, and the immigrants' interaction with other Latino groups in New York. Essays in Part III focus on politics and policy issues affecting New York's Latinos. The book brings together leading social analysts and community advocates on the Latino experience to address issues that have been largely neglected in the literature on New York City. These include the role of race, culture and identity, health, the criminal justice system, the media, and higher education, subjects that require greater attention both from academic as well as policy perspectives. Contributors: Sherrie Baver, Juan Cartagena, Javier Castaño, Ana María Díaz-Stevens, Angelo Falcón, Juan Flores, Gabriel Haslip-Viera, Ramona Hernández, Luz Yadira Herrera, Gilbert Marzán, Ed Morales, Pedro A. Noguera, Rosalía Reyes, Clara E. Rodríguez, José Ramón Sánchez, Walker Simon, Robert Courtney Smith, Andrés Torres, and Silvio Torres-Saillant.
'Mexican New York' offers an intimate view of globalization as it is lived by Mexican immigrants & their children in New York & in Mexico.
Consists of questions and answers about Latinos, revealing the common history which unites them while also showing how they differ depending upon their country of origin.
Stories about the experiences of Puerto Ricans in New York.
Archer M. Huntington (1870-1955), son of one of the wealthiest men in America, decided that his passion for Spain had to be reflected by creating a museum and a library that would make his knowledge of Spanish art and culture available to his compatriots and that is how he founded in 1904 The Hispanic Society of America in New York. A section of more than two hundred of these treasures is being presented at important museums, such as the Museo del Prado (Madrid), el Palacio de Bellas Artes (Mexico City), and the Albuquerque, Cincinnati and Houston museums in the United States. This volume gathers the content of this great exhibition including a detailed file of each piece and an introductory essay telling the story of the Hispanic Society's creation and the scope of its collections.
Arranged alphabetically from Eduardo Abela to Francisco Zuniga, this volume provides biographical and career information, as well as critical essays, on prominent Hispanic artists.
Named one of the Best Books of the Year by NPR An NPR Best Book of the Year, exploring the impact of Latinos’ new collective racial identity on the way Americans understand race, with a new afterword by the author Who are Latinos and where do they fit in America’s racial order? In this “timely and important examination of Latinx identity” (Ms.), Laura E. Gómez, a leading critical race scholar, argues that it is only recently that Mexican Americans, Puerto Ricans, Cubans, Dominicans, Central Americans, and others are seeing themselves (and being seen by others) under the banner of a cohesive racial identity. And the catalyst for this emergent identity, she argues, has been the ferocity of anti-Latino racism. In what Booklist calls “an incisive study of history, complex interrogation of racial construction, and sophisticated legal argument,” Gómez “packs a knockout punch” (Publishers Weekly), illuminating for readers the fascinating race-making, unmaking, and re-making processes that Latinos have undergone over time, indelibly changing the way race functions in this country. Building on the “insightful and well-researched” (Kirkus Reviews) material of the original, the paperback features a new afterword in which the author analyzes results of the 2020 Census, providing brilliant, timely insight about how Latinos have come to self-identify.
Over the past few decades, a wave of immigration has turned New York into a microcosm of the Americas and enhanced its role as the crossroads of the English- and Spanish-speaking worlds. Yet far from being an alien group within a "mainstream" and supposedly pure "Anglo" America, people referred to as Hispanics or Latinos have been part and parcel of New York since the beginning of the city's history. They represent what Walt Whitman once celebrated as "the Spanish element of our nationality." Hispanic New York is the first anthology to offer a comprehensive view of this multifaceted heritage. Combining familiar materials with other selections that are either out of print or not easily accessible, Claudio Iván Remeseira makes a compelling case for New York as a paradigm of the country's Latinoization. His anthology mixes primary sources with scholarly and journalistic essays on history, demography, racial and ethnic studies, music, art history, literature, linguistics, and religion, and the authors range from historical figures, such as José Martí, Bernardo Vega, or Whitman himself, to contemporary writers, such as Paul Berman, Ed Morales, Virginia Sánchez Korrol, Roberto Suro, and Ana Celia Zentella. This unique volume treats the reader to both the New York and the American experience, as reflected and transformed by its Hispanic and Latino components.
A sweeping saga of the Spanish history and influence in North America over five centuries, from the acclaimed author of Empire’s Crossroads. Because of our shared English language, as well as the celebrated origin tales of the Mayflower and the rebellion of the British colonies, the United States has prized its Anglo heritage above all others. However, as Carrie Gibson explains with great depth and clarity in El Norte, the nation has much older Spanish roots?ones that have long been unacknowledged or marginalized. The Hispanic past of the United States predates the arrival of the Pilgrims by a century, and has been every bit as important in shaping the nation as it exists today. El Norte chronicles the dramatic history of Hispanic North America from the arrival of the Spanish in the early 16th century to the present?from Ponce de Leon’s initial landing in Florida in 1513 to Spanish control of the vast Louisiana territory in 1762 to the Mexican-American War in 1846 and up to the more recent tragedy of post-hurricane Puerto Rico and the ongoing border acrimony with Mexico. Interwoven in this narrative of events and people are cultural issues that have been there from the start but which are unresolved to this day: language, belonging, community, race, and nationality. Seeing them play out over centuries provides vital perspective at a time when it is urgently needed. In 1883, Walt Whitman meditated on his country’s Spanish past: “We Americans have yet to really learn our own antecedents, and sort them, to unify them,” predicting that “to that composite American identity of the future, Spanish character will supply some of the most needed parts.” That future is here, and El Norte, a stirring and eventful history in its own right, will make a powerful impact on our national understanding. “This history debunks the myth of American exceptionalism by revisiting a past that is not British and Protestant but Hispanic and Catholic. Gibson begins with the arrival of Spaniards in La Florida, in 1513, discusses Mexico’s ceding of territory to the U.S., in 1848, and concludes with Trump’s nativist fixations. Along the way, she explains how California came to be named after a fictional island in a book by a Castilian Renaissance writer and asks why we ignore a chapter of our history that began long before the Pilgrims arrived. At a time when the building of walls occupies so much attention, Gibson makes a case for the blurring of boundaries.” —New Yorker “A sweeping and accessible survey of the Hispanic history of the U.S. that illuminates the integral impact of the Spanish and their descendants on the U.S.’s social and cultural development. . . . This unusual and insightful work provides a welcome and thought-provoking angle on the country’s history, and should be widely appreciated.” —Publishers Weekly, starred review, PW Pick
RECIPIENT OF THE PURA BELPRÉ HONOR * A Today Show's Best Kids' Books of 2019 * Indie Next List Pick * Junior Library Guild Selection * “An appealing tribute and successful remedy to the lack of titles about the groundbreaking librarian...a must-have for all libraries.” —School Library Journal (starred review) An inspiring picture book biography of storyteller, puppeteer, and New York City’s first Puerto Rican librarian, who championed bilingual literature. When she came to America in 1921, Pura Belpré carried the cuentos folklóricos of her Puerto Rican homeland. Finding a new home at the New York Public Library as a bilingual assistant, she turned her popular retellings into libros and spread story seeds across the land. Today, these seeds have grown into a lush landscape as generations of children and storytellers continue to share her tales and celebrate Pura’s legacy. Brought to colorful life by Paola Escobar’s elegant and exuberant illustrations and Anika Aldamuy Denise’s lyrical text, this gorgeous book is perfect for the pioneers in your life. Informative backmatter and suggested further reading included. A Spanish-language edition, Sembrando historias: Pura Belpré: bibliotecaria y narradora de cuentos, is also available. “Anika Aldamuy Denise’s intimate telling captures the magical, folk-tale feeling of Belpré’s own stories. Her lyrical text, sprinkled like fairy dust with Spanish words, begs to be read aloud, while Paola Escobar’s stylishly detailed and warmly expressive illustrations capture the joy of sharing stories.” —New York Times Book Review