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This is the third book in the Domestic Discipline Quartet. When Wesley Spencer, Earl of Spencer, arrives in Bath, his first encounter with his new ward is out in the street, when she's supposed to be in his mother's home, where she's indecently dressed (to his mind) and obviously rushing to get home. His mother's letters had prepared him for a hoyden, what they hadn't prepared him for was the astonishingly beautiful and sensual young woman who surprised every one of his expectations once he'd disciplined her. Cynthia Bryant loves to be told what not to do, because it always gives her the best ideas for mischief. She knows better than to kiss rakes, flirt with gentleman, or touch herself between her legs (even in private), but she does all of those things anyway because they're so much fun. Unfortunately the Earl isn't quite as easily put off as his mother - it seems like he's always watching her - and Cynthia finds a whole new area of exploration when she has the most shocking reaction to his spankings. She's also delighted to meet his friends Lord and Lady Hyde. While in Bath, Edwin and Eleanor find themselves reconnecting in a way they couldn't in London, and their relationship takes a gentler, warmer turn. Unfortunately Edwin still hasn't declared his feelings for her by the time she makes a life-altering discovery. In London, Irene and Hugh have declared their love, but there's lingering tension with Lord Brooke, who seems to be on the verge of forcing a reconciliation with his estranged wife. Be Warned: This book contains explicit erotic scenes, spankings, and some sexy alpha males who take their duties very seriously.
The brooding Fire Lord of Ashmoor Manor receives an adorable, curvy human as his ward! I'm getting married today and I'm so freaking depressed. My bridal gown is exquisite. The ring is enormous. But my groom is evil personified and I'm being tricked into this doomed marriage. I'm seconds from breaking into a full-on ugly cry. And right then, as if by magic, the church doors burst open. Women scream and children scramble as a huge satanic-looking alien stomps down the aisle, flicking his tail, flashing flames and wreaking chaos in his wake. He's looking right at me. "Charlotte Cruz?" the devil questions. I give a jerky nod, shocked into silence. The monster grunts in response, sweeps me off my feet and carries me away from the altar.
From a strange, dark chapter in American political history comes the captivating story of Ted Kennedy's 1980 campaign for president against the incumbent Jimmy Carter, told in full for the first time. The Carter presidency was on life support. The Democrats, desperate to keep power and yearning to resurrect former glory, turned to Kennedy. And so, 1980 became a civil war. It was the last time an American president received a serious reelection challenge from inside his own party, the last contested convention, and the last all-out floor fight, where political combatants fought in real time to decide who would be the nominee. It was the last gasp of an outdated system, an insider's game that old Kennedy hands thought they had mastered, and the year that marked the unraveling of the Democratic Party as America had known it. Camelot's End details the incredible drama of Kennedy's challenge -- what led to it, how it unfolded, and its lasting effects -- with cinematic sweep. It is a story about what happened to the Democratic Party when the country's long string of successes, luck, and global dominance following World War II ran its course, and how, on a quest to recapture the magic of JFK, Democrats plunged themselves into an intra-party civil war. And, at its heart, Camelot's End is the tale of two extraordinary and deeply flawed men: Teddy Kennedy, one of the nation's greatest lawmakers, a man of flaws and of great character; and Jimmy Carter, a politically tenacious but frequently underestimated trailblazer. Comprehensive and nuanced, featuring new interviews with major party leaders and behind-the-scenes revelations from the time, Camelot's End presents both Kennedy and Carter in a new light, and takes readers deep inside a dark chapter in American political history.
In Good Evening, Friends, Houston's iconic Eyewitness news anchor Dave Ward shares his untold personal and professional stories. Known as "the most trusted voice in Houston," Ward first joined ABC's KTRK-Channel 13 in 1966 and today hosts "Dave Ward's Houston" on ABC13. His journey from a simple life as the son of an East Texas pastor to become a welcome daily presence in the homes of millions of Houstonians unfolds as if it were preordained. As his early love of music and passion for technological innovation combined with his skill for distilling a story to its essence, it became apparent that Ward not only had a gift as a broadcaster but also a talent for riding the waves of change in the industry and emerging ever more beloved by his audience. In these pages, Ward details a remarkable sixty-year career as a newsman that began before the JFK assassination. He takes readers behind the scenes of America's most successful local news team--revealing his personal history with Marvin Zindler, chronicling the growth and development of the U.S. space program, and providing fascinating play-by-play about life on the road with the Houston Oilers in the "Luv Ya Blue" era. Additionally, Ward details his instrumental role in establishing Houston Crime Stoppers, the city's top non-profit dedicated to public safety, and he opens up about his personal struggles and dramatic brushes with death. Whether he was covering wars in Vietnam and the Middle East or providing accurate and in-depth coverage of presidential elections and historic natural disasters, Ward has always provided his audience with a clear and unbiased understanding of the news. Now, this long-awaited book captures the spirit of Houston as it presents a candid look at the man who has faithfully investigated its problems and broadcast its stories through almost seventy years of constant change.
Reprint of the original, first published in 1875.
Jesus’ teaching has changed the world. Yet his sayings can often seem cryptic and hard to understand. In Love Is His Meaning, Keith Ward explores the various figures of speech and images that Jesus used, and finds they are all ways of expressing and evoking the self-giving love of God, manifested supremely in Jesus’ life. They communicate spiritual truths, often not in a literal but in a poetic way. They encourage us to take our own moral decisions with sensitivity and care for others. They show that God’s love will never abandon anyone, and that it extends to everyone in the world without exception. And they promise a fulfilment of our hopes for a just and peaceable world that surpasses anything we might describe or imagine. Putting aside literalist, authoritarian, legalistic, judgemental and divisive presentations of Jesus’ teachings, the author shows that what remains is the gospel of a divine love – a love stronger than death, and the only power that can and will redeem our disordered world.
A vampire and a scientist’s fates are passionately entwined in a race against time in this thrilling romance in the #1 New York Times bestselling “utterly absorbing and deliciously erotic” (Angela Knight, New York Times bestselling author) Black Dagger Brotherhood series. In the venerable history of the Black Dagger Brotherhood, only one male has ever been expelled—but Murhder’s insanity gave the Brothers no choice. Haunted by visions of a female he could not save, he nonetheless returns to Caldwell on a mission to right the wrong that ruined him. However, he is not prepared for what he must face in his quest for redemption. Dr. Sarah Watkins, researcher at a biomedical firm, is struggling with the loss of her fellow scientist fiancé. When the FBI starts asking about his death, she questions what really happened and soon learns the terrible truth: Her firm is conducting inhumane experiments in secret and the man she thought she knew and loved was involved in the torture. As Murhder and Sarah’s destinies become irrevocably entwined, desire ignites between them. But can they forge a future that spans the divide separating the two species? And as a new foe emerges in the war against the vampires, will Murhder return to his Brothers... or resume his lonely existence forevermore?
For over half a century, scholars have laboured to show that C. S. Lewis's famed but apparently disorganised Chronicles of Narnia have an underlying symbolic coherence, pointing to such possible unifying themes as the seven sacraments, the seven deadly sins, and the seven books of Spenser's Faerie Queene. None of these explanations has won general acceptance and the structure of Narnia's symbolism has remained a mystery. Michael Ward has finally solved the enigma. In Planet Narnia he demonstrates that medieval cosmology, a subject which fascinated Lewis throughout his life, provides the imaginative key to the seven novels. Drawing on the whole range of Lewis's writings (including previously unpublished drafts of the Chronicles), Ward reveals how the Narnia stories were designed to express the characteristics of the seven medieval planets - - Jupiter, Mars, Sol, Luna, Mercury, Venus, and Saturn - - planets which Lewis described as "spiritual symbols of permanent value" and "especially worthwhile in our own generation". Using these seven symbols, Lewis secretly constructed the Chronicles so that in each book the plot-line, the ornamental details, and, most important, the portrayal of the Christ-figure of Aslan, all serve to communicate the governing planetary personality. The cosmological theme of each Chronicle is what Lewis called 'the kappa element in romance', the atmospheric essence of a story, everywhere present but nowhere explicit. The reader inhabits this atmosphere and thus imaginatively gains connaître knowledge of the spiritual character which the tale was created to embody. Planet Narnia is a ground-breaking study that will provoke a major revaluation not only of the Chronicles, but of Lewis's whole literary and theological outlook. Ward uncovers a much subtler writer and thinker than has previously been recognized, whose central interests were hiddenness, immanence, and knowledge by acquaintance.
The grit of grimdark meets a police procedural in this rollicking debut fantasy series where two watchmen protect the streets of one of fantasy's most dangerous cities. A member of the Yenara City guard has gone missing. The culprit could be any of the usual suspects: drug-dealing orcs, mind-controlling elves, uncooperative mages, or humans being typical humans. It's up to two reluctant partners -- Rem, a miscreant who joins the Watch to pay off his bail, and Torval, a maul-wielding dwarf who's highly unimpressed with the untrained Rem -- to uncover the truth and catch the murderer loose in their fair city. "A brilliant premise, wonderfully told. A city that breathes, and heroes you can't help but root for." -- Nicholas Eames, author of Kings of the Wyld "A glorious tour through fantasy's seamier side. A wilder ride than Middle Earth, and you'll love every minute of it!" -- Jon Hollins, author of the Dragon Lords series