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Satisfied with her life as an adjunct film professor, Casey Beck finds things unraveling when she discovers that her boyfriend is having a relationship with his ex-girlfriend, which prompts Casey to face her insecurity and possessiveness. Reprint.
Falsely accused of domestic violence by his estranged celebrity wife, Vaughn Ellison sets forth to clear his name, a quest that leads him to his hometown of Flint, where an old flame and new revelations await. Meanwhile back in Atlanta, danger awaits, compliments of his former best friend, his ex’s jealous lover, who plots to drive him to destruction through ties with organized crime. While uncovering that twisted scheme, Vaughn finds allies in friends both old and new; a curious younger woman with amber eyes and hidden motives; his best friend, a comedian with a dark, violent past; that old flame, a rival of his ex who craves her own payback; and a mysterious young private investigator with vast resources and shocking ties to it all. As danger closes in, old hate boils while new love beckons. Vaughn must face painful revelations about his past in the face of an uncertain future. Which will run out first…his enemies’ time, or his luck?
What do you do when you discover that your insignificant other is becoming more significant than your spouse? Richard Rossi works in HR at a Boston-based software company and prides himself on his understanding of the foibles and fictions we all use to get through the day. Too bad he’s not as good at spotting such behavior in himself. What else could explain his passionate affair with Benjamin, a very unavailable married man? Richard suggests birthday presents for Benjamin's wife and vacation plans for his kids, meets him for "lunch" at a sublet apartment, and would never think about calling him after business hours. Since Richard is not entirely available himself—there's Conrad, his adorable if maddening partner to contend with—it all seems perfect. But when cosmopolitan Conrad starts spending a suspicious amount of time in Ohio, and economic uncertainty challenges Richard's chances for promotion, he realizes his priorities might be a little skewed. With a cast of sharply drawn friends, frenemies, colleagues, and personal trainers, Insignificant Others is classic McCauley—a hilarious and ultimately haunting social satire about life in the United States at the bitter end of the boom years, when clinging to significant people and pursuits has never been more important—if only one could figure out what they are.
Vols. 227-230, no. 2 include: Stuff and nonsense, v. 5-6, no. 8, Jan. 1929-Aug. 1930.
“Aven is a perky, hilarious, and inspiring protagonist whose attitude and humor will linger even after the last page has turned.” —School Library Journal (Starred review) Aven Green loves to tell people that she lost her arms in an alligator wrestling match, or a wildfire in Tanzania, but the truth is she was born without them. And when her parents take a job running Stagecoach Pass, a rundown western theme park in Arizona, Aven moves with them across the country knowing that she’ll have to answer the question over and over again. Her new life takes an unexpected turn when she bonds with Connor, a classmate who also feels isolated because of his own disability, and they discover a room at Stagecoach Pass that holds bigger secrets than Aven ever could have imagined. It’s hard to solve a mystery, help a friend, and face your worst fears. But Aven’s about to discover she can do it all . . . even without arms. Autumn 2017 Kids’ Indie Next Pick Junior Library Guild Selection Library of Congress's 52 Great Reads List 2018
People can become stuck in many ways and for a wide variety of reasons, explains the author of Fatal Pauses, that rare book that both clinicians and general readers can benefit from and enjoy. Novelistic in its depictions of composite patients but clear-eyed in its analysis, the book offers a "3-D method" of addressing "stuck"-ness, which is defined as "not stopping something that is bad for us" or "not starting and staying with something that is good for us." The process of discovering why one is stuck, deciding to become unstuck, and then asserting the discipline required to do so is brought to vivid life by one of the most respected psychiatrists of our day. The book's structure is logical and engaging: The Am I Stuck? Scale can be self-administered by general readers or administered by clinicians to their patients. This first chapter sets the stage for what follows. The 3-D method of getting unstuck is presented in a systematic, easy-to-comprehend manner that begins with a brief overview and proceeds to more detailed instructions and insights. Riveting case examples make up the heart of the book. They are not mere summaries but consist of thorough and detailed clinical descriptions that provide context, in addition to extensive dialogue and analysis. Several of these cases are divided into multiple chapters, providing a comprehensive clinical picture to help both mental health professionals and lay readers increase their understanding of being "stuck." A range of categories or "stuck"-ness is addressed, including being trapped by career choices, limited by obesity, paralyzed by an unsatisfying marriage, incapacitated by addiction, and imprisoned by the need to please. Of special note is the case example of a young man whose interpersonal relationships have gradually, but progressively, become reduced to computer-based encounters. The author's examination of this individual's fixation on video games and virtual realities and his escape from this cyberprison through treatment is both timely and compelling. Finally, the author provides an evolutionary and neurobiological overview of how we become "stuck," which helps the reader grasp the underpinnings of this behavior and learn how to become "unstuck." Written in a warm and disarming style, Fatal Pauses will find a home in clinicians' libraries,waiting rooms, and on family room bookshelves.
Beginning with 1978, articles on microfiche are enclosed with some issues.
“High School. Two words that struck fear into the heart of every armless middle schooler I knew. Which was me. And like two people online.” The sequel to the critically acclaimed Insignificant Events in the Life of a Cactus follows Aven Green as she confronts yet another challenge: high school. “Those preparing to ‘slay the sucktastic beast known as high school’ will particularly appreciate this spirited read.” —Kirkus (Starred review) Just as Aven starts to feel comfortable in Stagecoach Pass, with her friends and schoolmates accustomed to her lack of “armage,” everything changes once again. She’s about to begin high school . . . with 3,000 new kids to stare at her. And no matter how much Aven tries to play it cool, nothing prepares her for the reality. In a year filled with confusion, humiliation, and just maybe love, can Aven manage to stay true to herself?