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His Heir, Her Honour Royal and a doctor, Carlos Medina knew he couldn’t have children.
There was no way he had fathered her baby! Carlos Medina knew he couldn't have children. But Lilah Anderson insisted their night together had resulted in her pregnancy. And when she refused to back down, his princely honor demanded he acknowledge his heir. Doctor, dignitary…Lilah didn't give a hoot about Carlos's royal pedigree! The mom-to-be had never cheated on her lover; she had given him her heart, asking nothing in return. Now, he wanted to marry her—for the sake of their child. Was she asking too much by insisting he give her his love and his ring?
There was no way he had fathered her baby! Carlos Medina knew he couldn't have children. But Lilah Anderson insisted their night together had resulted in her pregnancy. And when she refused to back down, his princely honor demanded he acknowledge his heir. Doctor, dignitary…Lilah didn't give a hoot about Carlos's royal pedigree! The mom-to-be had never cheated on her lover; she had given him her heart, asking nothing in return. Now, he wanted to marry her—for the sake of their child. Was she asking too much by insisting he give her his love and his ring?
After his exile, Carlos of the San Renaldo royal family became a surgeon in the US. But his relationship with Laila, longtime friend and hospital lawyer, became strained after a one-night affair—their dreamlike moment of passion had serious consequences. When Laila told Carlos of her pregnancy, he insulted her by telling her that in order for the child to inherit his title, its paternity must be certain. Offended, Laila resolved to raise the child alone. A few days later, however, Carlos suddenly appeared and, while they awaited the results of the child’s parentage, invited Laila on a weeklong vacation to repair their relationship.
Three years after her wedding day, Vanessa remains a virgin. Her sickly, cruel husband, the Duke of Tarrick demands she produces an heir with a man of his choosing. Vanessa’s choices are narrowing every day. To refuse leaves her penniless and alone for when the cruel Duke dies his estate passes elsewhere. To submit would see her honor surrendered to the new stablehand Fitz. His sparkling green eyes might match her husband, but his cocky, arrogant attitude riles her. He sees no value in her titles and riches, seeking only to enjoy life’s opportunities. Including sleeping with a famously beautiful Duchess. The added risk of snooping on servants and family scandal suggests Vanessa should stick to her husband's strict rules and simply endure what has been arranged. But what if giving away her honor to such a casual rogue is the spark that makes her bland world finally explode into life?
Focusing on Mary Sidney Herbert and Mary Sidney Wroth’s use of the figures of origin, descent, and inheritance in their poetry and prose, this book examines how these central women writers situated themselves in terms of early modern England’s rich ancestral cultures, employing these and other genealogical concepts to talk about authorship, family, selfhood, and memory. In turn, both Sidney Herbert and Sidney Wroth also shaped their works in relation to the ways in which writers within their familial communities and literary coteries constructed them as Sidneys, heirs, descendants, and future ancestors, in genres ranging from the patronage dedication and pastoral eclogue to mythographic genealogia and georgic poetry. In the intersection of ancestry, death, sexuality, and reproduction, the book contends that Sidney Herbert and Sidney Wroth develop their authorship within the simultaneous rigidity and flexibility of their world’s genealogical discourses.