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I can't marry you. You don't love me. Two sentences, that's all Gabrielle Harper left Vito D'Ascensio when she vanished the night before their wedding. If he wants his bride back, he's going to have to hunt her down and prove his love. But when he searches for Gabrielle, he finds Gabby instead; it seems his perfect bride is nothing but a fantasy. After six months, Gabby presumes it's over, an episode in her life she's totally ashamed of. But now Vito is back. He's the one man she can never have, but as desire explodes between them, she has a tough time remembering why they shouldn't be together. Oh, right, her family hates him, and he's done terrible things. Or has he? But it doesn't matter. When he finds out the truth about who she really is...he'll never want to see her again. Each book in the Things to do Before You Die series is a standalone, full-length story that can be enjoyed out of order. Series Order: Book #1 His Fantasy Girl Book #2 Her Fantasy Husband Book #3 His Fantasy Bride
There’s nothing like a near death experience to make a guy reassess his life. And that’s exactly what Logan McCabe decides to do, starting with looking up the girl he spent one wild night with eleven years ago, right before his life turned to crap. He spent a year fantasizing about her. Now he’s ready to see how reality matches up. Abigail Parker is a perfectionist. She’s only strayed from the straight and narrow once in her life, on her eighteenth birthday. It was supposed to be one wild night with a totally unsuitable man before she settled into her sensible future. Instead it changed her life forever. Logan might still be the sexiest man Abigail has ever seen, but a dirty-talking, tattooed, night club owner with a criminal record is the last thing she needs in her perfect life. He claims she’s his fantasy girl, but what he doesn’t know is she’s also the mother of his ten-year-old daughter... Each book in the Things to do Before You Die series is STANDALONE: * His Fantasy Girl * Her Fantasy Husband * His Fantasy Bride
Welcome to Nocturne Falls, the town where Halloween is celebrated 365 days a year. The tourists think it's all a show: the vampires, the werewolves, the witches, the occasional gargoyle flying through the sky. But the supernaturals populating the town know better. Living in Nocturne Falls means being yourself. Fangs, fur, and all. After seeing her maybe-mobster boss murder a guy, Delaney James assumes a new identity and pretends to be a mail order bride. She finds her groom-to-be living in a town that celebrates Halloween every day. Weird. But not as weird as what she doesn't know. Her groom-to-be is a 400-year-old vampire. Hugh Ellingham has only agreed to the arranged set up to make his overbearing grandmother happy. In thirty days, whatever bridezilla shows up at his door will be escorted right back out. His past means love is no longer an option. Not if the woman's going to have a future. Except he never counted on Delaney and falling in love for real. Too bad both of them are keeping some mighty big secrets...
He leaned down, taking my chin in his hand, forcing me to look up into his blood-red eyes. His fangs were showing, dripping with the blood of my boyfriend who lay on the ground, lifeless."You are mine, Bast. You'd do well to remember that." He purred, as he licked the blood off his lips. "No other man make take your innocence, but me." he said, looking down at my nearly naked form, the lust in his eyes making me squirm."Yes, Damien." I whispered in response, covering myself in the sheet, and looking over at the body of Jacob with a whimper.______________________________________________My name is Bast, I'm seventeen years old, soon to be eighteen. When I was twelve, my parents sold me to the devil. On my eighteenth birthday, he will come back for me.
Whether you are a new member of a multiracial/interfaith family, the father of a same-sex bride, or the mother of an adopted daughter from China, Norine Dresser offers suggestions for mixed families in avoiding social pitfalls at holidays and rituals for birth, coming of age, marriage, death, and other significant life events.
The myths of the Gimi, a people of the Eastern Highlands of Papua New Guinea, attribute the origin of death and misery to the incestuous desires of the first woman or man, as if one sex or the other were guilty of the very first misdeed. Working for years among the Gimi, speaking their language, anthropologist Gillian Gillison gained rare insight into these myths and their pervasive influence in the organization of social life. Hers is a fascinating account of relations between the sexes and the role of myth in the transition between unconscious fantasy and cultural forms. Gillison shows how the themes expressed in Gimi myths—especially sexual hostility and an obsession with menstrual blood—are dramatized in the elaborate public rituals that accompany marriage, death, and other life crises. The separate myths of Gimi women and men seem to speak to one another, to protest, alter, and enlarge upon myths of the other sex. The sexes cast blame in the veiled imagery of myth and then play out their debate in joint rituals, cooperating in shows of conflict and resolution that leave men undefeated and accord women the greater blame for misfortune.
In 1846, Edgar Allen Poe wrote that 'the death of a beautiful woman is, unquestionably, the most poetic topic in the world'. The conjuction of death, art and femininity forms a rich and disturbing strata of Western culture, explored here in fascinating detail by Elisabeth Bronfen. Her examples range from Carmen to Little Nell, from Wuthering Heights to Vertigo, from Snow White to Frankenstein. The text is richly illustrated throughout with thirty-seven paintings and photographs.
The Big Book of Fairytales & Fantasy Classics offers readers an unparalleled journey into the labyrinth of the imagination, assembling a remarkable array of tales from the quills of some of history's most influential and pioneering authors. This collection spans a myriad of literary styles, from the grotesque and Gothic to the whimsical and whimsical, showcasing the richness and diversity of fantasy literature. Among its pages, readers will find seminal works that have shaped the genre, bridging the gap between ancient folklore traditions and modern fantasy storytelling. The anthology captures the essence of fantasy as a space for exploring the human condition, morality, and the complexities of the magical and the mundane. The contributors to this volume are a veritable who's who of literary history, each bringing their unique voice and perspective to the genre. From the surreal escapades in Lewis Carroll's wonderlands to the moral allegories in Oscar Wilde's writings, and the dark, cautionary tales of the Brothers Grimm, these authors collectively embody the spirit and evolution of fantasy literature. Their works reflect significant cultural and historical movements, from Romanticism to Victorian morality tales, offering readers a window into the sociopolitical landscapes of their times. This anthology is a treasure trove for aficionados of fantasy and fairy tales, students of literature, and anyone seeking to immerse themselves in the boundless realms of the imagination. It presents an extraordinary opportunity to explore the depths of fantasy literature through a tapestry of tales that challenge, entertain, and inspire. The Big Book of Fairytales & Fantasy Classics is not just a collection of stories; it is an invitation to wanderlust and wonder, encouraging readers to ponder the limitless potentials of the fantastical world. A rich educational resource and a compelling read, it promises to awaken a sense of awe and an appreciation for the craft of storytelling.
Six-hundred-year-old tales with modern relevance. This stunning full-colour edition from the bestselling Cambridge School Chaucer series explores the complete text of The Merchant's Prologue and Tale through a wide range of classroom-tested activities and illustrated information, including a map of the Canterbury pilgrimage, a running synopsis of the action, an explanation of unfamiliar words and suggestions for study. Cambridge School Chaucer makes medieval life and language more accessible, helping students appreciate Chaucer's brilliant characters, his wit, sense of irony and love of controversy.
No one is more conscious of the faults of this work than the author. Therefore some self -criticism should be woven into this foreward. There are two possible methodologically pure solutions to this book's theme: a de scriptive catalog of the pictures couched in the language of natural science and accom panied by a clinical and psychopathological description of the patients, or a completely metaphysically based investigation of the process of pictorial composition. According to the latter, these unusual works, explained psychologically, and the exceptional circum stances on which they are based would be integrated as a playful variation of human expression into a total picture of the ego under the concept of an inborn creative urge, behind which we would then only have to discover a universal need for expression as an instinctive foundation. In brief, such an investigation would remain in the realm of phenomenologically observed existential forms, completely independent of psychiatry and aesthetics. The compromise between these two pure solutions must necessarily be piecework and must constantly defend itself against the dangers of fragmentation. We are in danger of being satisfied with pure description, the novelistic expansion of details and questions of principle; pitfalls would be very easy to avoid if we had the use of a clearly outlined method. But the problems of a new, or at least never seriously worked, field defy the methodology of every established subject.