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For the first time in an English language edition published outside Japan, all 55 prints of Hiroshige’s ‘Fifty-three Stages of the Tokaido’ are reproduced in full colour, supporting a detailed and intriguing account of the author's rediscovery on foot of the historic 303-mile road from Edo (Tokyo) to Kyoto. Remarkably, the Old Tokaido can still be found in many locations and photographs of the modern parallel the old.
This was the most popular print series ever made in Japan. It was even more popular series ever made in Japan. It was even more popular than the Hokusai series Thirty-six Views of Mount Fuji, which had been recently published and which had influenced Hiroshige tremendously (ISBN 9783756844104). There were 53 post stations along this important road, apart from the start and terminus, in all 55 prints, which are all here in the order from Edo to Kyoto, as in the Hoeido edition (1833-34).
The Aritaya Fifty Three Stations of the Tokaido Road is one of the most beautiful of Hiroshiges huge production of landscape print series in spite of its small size. It is only abt 10 x 15 cm (with variations), Yotsugiri yokoban (quarter oban). It is also unusual in that it is a veritable full course and manual in landscape print design. It is a very rewarding study. All the way through Hiroshige follows certain design principles of proportion of elements, arranging elements and views by diagonals and parallels and balancing of color elements. Compared to most of his other Tokaido series Hiroshige in Aritaya focus on letting the landscape tell the story instead of letting people or legend do that, although this is not followed through completely.
Exquisite depictions of romantically idealized landscapes from woodcut master's superb Fifty-three Stages on the Tokaido. Reproduced from the Collection of the Elvehjem Museum of Art. Includes The Bridge on the Toyo River, The Ferryboat at Rokugo, The Junction of the Pilgrims' Road and Mt. Fuji in the Morning from Hara.
The Fifty-Three Stations of the Tōkaidō (東海道五十三次 Tōkaidō Gojūsan-tsugi), in the Hōeidō edition (1833-1834), is a series of ukiyo-e woodcut prints created by Utagawa Hiroshige after his first travel along the Tōkaidō in 1832. It was published just after Hokusai's Thirty-six Views of Mount Fuji series.
"Presented alongside Hiroshige's prints, with descriptions and context, Delord's work offers an absorbing contemplation of Japan's past and present via one legendary travel route, and shows how thoroughly upended our surroundings have been in what was, in wider perspective, only a short time." -- The New York Times Journey along the famed Tokaido Road--an ancient thoroughfare with a modern twist. The Fifty-Three Stations of the Tokaido is the best-known work of the great 19th century Japanese woodblock artist Utagawa Hiroshige. The series of 53 masterful woodblock prints depicts stops along the ancient Tokaido Road--which, from the eleventh to the nineteenth century, was the main thoroughfare between Tokyo and Kyoto. Though the road itself is now submerged under Japan's twenty-first-century urban landscape, French artist Philippe Delord set out to see if he could find the original locations, with just a moped, sketchbook, watercolors and a book of Hiroshige's prints. Hiroshige's Japan allows readers to make the journey alongside Delord, venturing from Tokyo and Mount Fuji to mountain passes and rugged coastlines. Inside are all 53 original scenery prints made by Hiroshige, alongside their modern-day equivalent by Delord. A lively commentary about his experiences as he tries to locate each of the 53 scenes (without speaking Japanese!) offers readers an insightful, and often humorous, look into both modern and historical Japan. Part travelogue, part work of art, this book is sure to delight armchair travelers, history buffs, art enthusiasts and Japanophiles alike!
Utagawa Hiroshige (1797-1858) designed a series of seventy landscapes depicting the provinces of Japan between 1854 and 1856. It was the first in a number of sets from the highly productive years of his later life. The designs comprising "Famous Places in the 60-Odd Provinces (Rokuju yoshu meisho zue) are taken from all corners of Japan, thus representing an enormous innovation in the choice of subject matter. Large sets published before this had depicted the famous routes between Edo and Kyoto, the Tokaido and the Kisokaido, but Hiroshige had never before ventured beyond these well-known themes/ The Japanese countryside was already depicted in graphic art, but mostly in travelers' guidebooks and not as full color prints. With this set, Hiroshige brought the Japanese countryside closer to the urban population. It evidently met with high acclaim: the publisher Koshimuraya Heisuke produced a large number of impressions. In this study, the author Marije Jansen briefly discusses Hiroshige's life and the formal aspects of this series. Jansen takes as her point of departure the set in possession of the German collector Gerhard Pulverer, which is generally acknowledged to be a superb example of a first edition, and compares this series to a number of other sets in public and private collections. The detectable printing variations in each design are carefully analyzed, making this an indispensable tool for collectors.
The official title for this work is "Pictures from the Famous Places of the Fifty-three Stations". Hiroshige produced these prints in 1855 more than 20 years after his first horizontal Hoeido series published 1833-34, which is included as thumbnails for comparison. It is instructive to see Hiroshiges use of his now mature experience as he develops the vertical format for the narrative. He does designs as he would do a photograph. He set the standard for landscape photography, without a camera. The Tokaido series was the most popular print series ever made in Japan. Hiroshige returned to this theme again and again, with delightful results. It is possible to travel the same road today and some villages are still looking quite like they did back then. The postal stations were constructed between 1601 and 1624.
The reader may already be acquainted with the Hoeidō series (1833-34) of The Fifty-Three Stations of the Tōkaidō, author’s ISBN 978-1-956215-09-0. This was the most popular print series ever made in Japan. In this Kyōka series (a different publisher, 1838) we follow Hiroshige on the same journey from Edo, modern day Tokyo, to Kyoto, when he travelled the road to participate in an important procession in 1832. There were 53 post stations along this important road, apart from the start and terminus, in all 55 prints, which are all here in the order from Edo to Kyoto. The reader experiences the same journey with a completely different set of prints and can compare to the Hoeidō series. It is possible to travel the same road today and some villages are still looking quite like they did back then. The postal stations were constructed between 1601 and 1624.
Come on the journey from Edo, modern day Tokyo, to Kyoto, as experienced by Utagawa Hiroshige in, when he travelled the road to participate in an important procession in 1832. There were 53 post stations along this important road, apart from the start and terminus, in all 55 prints, which are all here in the order from Edo to Kyoto, In the Hoeido edition (1833-34). This was the most popular print series ever made in Japan. It was even more popular than Hokusai series Thirty-six Views of Mount Fuji, which had been recently published and which had influenced Hiroshige tremendously (ISBN ES 978-8-411-744-935). It is possible to travel the same road today and some villages are still looking quite like they did back then. The postal stations were constructed between 1601 and 1624.