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In this freewheeling account of rock & roll's place in our national subconsciousness, prizewinning music journalist and novelist Bruce Pollock assembles a personal soundtrack album to the unmade movie musical biography of the baby boom. Pollock's unconventional recollections, ruminations, and digressions are laced with exclusive quotes from more than two dozen of rock's most fascinating characters, from Bo Diddley to Bruce Springsteen, and informed by his unique slant on more than 2,000 of the best - and best known - rock & roll songs.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
A writer for the local newspaper for tiny Haines, Alaska, provides a series of colorful portraits of the inhabitants, festivals, and activities of this close-knit but remote village, offering reflections on the life and death of local eccentric Speedy Joe who never took off his hat, the Chilkat Bald Eagle Festival, and neighbors, both human and animal.
(Book). The Beatles came up in the rock and-and-roll era, when Chuck Berry, Little Richard, and Elvis Presley defined cool. Their early shows were big beat bacchanals, the Brit interpretation of that crazy American sound. But it wasn't long before they were absorbing and creating more and more music from folk to experimental, to psychedelia and hard rock, quite literally changing music forever and influencing hundreds of great bands in the process. This is the first book for music lovers that begins with the simple premise, "If you like the Beatles...," and takes off from there, digging into their influences and everything that came after them, opening up new doors for listeners looking for no-risk discs to expand their collection. Beginning with the Beatles' lesser-known roots in rockabilly and Tin Pan Alley, and working through American R&B, the British Invasion, California folk, and the Summer of Love, and to the great pop and rock bands of the '80s, '90s, and the 21st century, this is a must-have for anyone who likes the Beatles, which is...everyone.
“A powerful story of punk-rock inspiration and a great rock bio” (Rolling Stone), now in paperback. When the Ramones recorded their debut album in 1976, it heralded the true birth of punk rock. Unforgettable front man Joey Ramone gave voice to the disaffected youth of the seventies and eighties, and the band influenced the counterculture for decades to come. With honesty, humor, and grace, Joey’s brother, Mickey Leigh, shares a fascinating, intimate look at the turbulent life of one of America’s greatest—and unlikeliest—music icons. While the music lives on for new generations to discover, I Slept with Joey Ramone is the enduring portrait of a man who struggled to find his voice and of the brother who loved him.
In Songbooks, critic and scholar Eric Weisbard offers a critical guide to books on American popular music from William Billings's 1770 New-England Psalm-Singer to Jay-Z's 2010 memoir Decoded. Drawing on his background editing the Village Voice music section, coediting the Journal of Popular Music Studies, and organizing the Pop Conference, Weisbard connects American music writing from memoirs, biographies, and song compilations to blues novels, magazine essays, and academic studies. The authors of these works are as diverse as the music itself: women, people of color, queer writers, self-educated scholars, poets, musicians, and elites discarding their social norms. Whether analyzing books on Louis Armstrong, the Beatles, and Madonna; the novels of Theodore Dreiser, Gayl Jones, and Jennifer Egan; or varying takes on blackface minstrelsy, Weisbard charts an alternative history of American music as told through its writing. As Weisbard demonstrates, the most enduring work pursues questions that linger across time period and genre—cultural studies in the form of notes on the fly, on sounds that never cease to change meaning.
The Vietnam War affected nearly every aspect of American life. It altered the economy, challenged citizens to reassess their values, and played a key roll in the downfall of two presidential administrations. However, most people's attention remained focused on their daily lives—including the latest movie, the baseball score, and the new group on American Bandstand. But those elements were not immune from the war's effects. American popular culture changed dramatically during the Vietnam era—from Leave it To Beaver to All in the Family and from Bobby Darin to Bob Dylan. In Crossroads, historian Mitchell K. Hall explores the popular culture that shaped the baby boomers and the transformation that generation wrought in movies, television, sports, and music. As he traces the evolution of American culture, Hall looks at the ways in which these cultural elements not only underwent radical structural changes, but also reflected the upheaval and unrest in Vietnam era America.
With gentle humor, Hammond presents readers with the charms, aggravations, quirks, and disappointments of small-town life and frustrates any expectation that the past's deepest lessons are simple. In Ohio States: A Twentieth-Century Midwestern, Jeffrey Hammond asserts the quiet mysteries of an ordinary life. More than simply a glimpse of lie in the Midwest in the 1950s, this collection of well-crafted, touching narratives finds the author recalling his childhood and youth with a mixture of affection and alarm. Jeffrey Hammond is the George B. and Willma Reeves Distinguished Professor in the Liberal Arts and professor of English at St. Mary's College in Maryland. He has published Small Comforts: Essays at Middle Age (Kent State University Press, 2008) as well as numerous prize-winning essays in magazines and literary journals.
Child characters are surprisingly common in horror, fantasy, and science fiction literature and films. Children represent innocence and virtue and symbolize the classic question of fantastic literature: What is the future of the human race, and how will science and society improve or impair that future? This collection of essays explores the roles of children in the literature and film of the fantastic. The works vary in critical approach from textual analyses to psychological, historical, and gender- and ethnicity-based interpretations and draw their subject matter from contemporary and classic literary and film pieces. "The Triumph of Teen Prop: Terminator II and the End of History" is a playful discussion of teen propaganda movies and social issues. "E.T. as Fairy Tale" examines how Stephen Spielberg's combination of science fiction, fantasy, and fairy tale elements blends logic and childhood magic. Howard M. Lenhoff connects mythical creatures with biology in "A Real-World Source for the 'Little People': A Comparison of Fairies to Individuals with Williams Syndrome." The literary selection ranges from Alida Allison's study of childhood in Isaac Bashevis Singer's writings to Bud Foote's interpretation of childhood roles in the characters of selected Stephen King works. Other essays consider Henry James's The Turn of the Screw, Anne Rice's The Witching Hour, and the childhood classic Peter Pan.
David Amram has been described as "the Renaissance man of American Music." His musical career has spanned participating with Jack Kerouac in the original jazz-poetry reading in 1957 in Greenwich Village to being honored as the first Composer-in-Residence for the New York Philharmonic and to playing in Farm Aid concerts. He's performed with an incredible variety of musical greats, such as Dizzy Gillespie, Thelonius Monk, Willie Nelson, and and Tito Puente, and he continues to compose and tour nationally. Now available in paperback, following the 50th anniversary of the publication of Kerouac's classic On The Road, Offbeat is the rollicking story of this legendary musician and his adventures with his close friend Jack Kerouac. Amram and Kerouac shared a relationship based on creativity, respect, and fun, and Offbeat offers the reader a full share of each. This wonderful memoir takes the reader from the coffee houses of New York to the San Francisco Opera House and into the making of the now-classic film Pull My Daisy. Offbeat is Amram's energetic and heartfelt account of Kerouac and the creative community of artists-including Allen Ginsberg, Gregory Corso, Langston Hughes, and Neal and Carolyn Cassady-that courageously explored their creative potential and, in doing so, changed American culture forever.