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Hip hop the last religion by The Simpsons writer Formerly of 23rd a HISTORY OF RAP BY THE FIRST RAPPER WHO REGISTER A INDUSTRY CALLED RAP MUSIC WITH A PAL T LA ROCK and a couple of other Good fellas who original rap Flow ryme style that scanned to soft ware at the start was not touched for years No Original flow was Developed Big Daddy Kane and RAKIM got Big Scans Cig s got a Quarter scan skipped in a verse 1 time I'm alway with them . But how 16 flow rhymes style generated over 6 hundred trillion each and 1% and 2 % from every artist generate over hundreds of trillions also Explained in a Adapted interview audio to book by Simpons TV show original writers . BIG DADDY KANE RAKIM AND SEVERAL OTHER HAVE INTERVIEWS ALSO .
This is the story of DJ Kool Herc and how he invented a new kind of music that would change the world.
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To access a free edition of the book cover, please click here: [https://drive.google.com/file/d/11pY4hdPe0IWITLLMVX_Gacy5E6NR6tV1/view?usp=drivesdk] For media inquiries, please contact: [Contact Information] Royalcommission.simdif.com [email protected] 718-952-8062 ### About America King: America King is an acclaimed author, political analyst, and advocate for governmental reform. With a passion for creating positive change, King's works have been influential in shaping political discourse and reimagining governmental systems. With a focus on innovation and progress, America King continues to be a leading voice in the field of political science. 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From the school yards of the South Bronx to the tops of the "Billboard" charts, rap has emerged as one of the most influential cultural forces of our time. This pioneering anthology brings together more than 300 lyrics written over 30 years, from the "old school" to the present day.
Fonte: Wikipedia. Pagine: 68. Capitoli: The Notorious B.I.G., Run DMC, 50 Cent, Lil' Kim, Talib Kweli, Lloyd Banks, Jeru the Damaja, LL Cool J, Jay-Z, Public Enemy, Rakim, Sean Combs, Method Man, Chuck D, Cam'ron, Afrika Bambaataa, DMX, Jadakiss, Mobb Deep, Fabolous, KRS-One, Fat Joe, Prodigy, Gang Starr, Kool G Rap, RZA, Lumidee, Big L, Ja Rule, Big Daddy Kane, Pete Rock, Busta Rhymes, 88-Keys, Tony Yayo, Papoose, Ma$e, Inspectah Deck, Mos Def, M.O.P., Styles P, Slick Rick, Big Noyd, Ghostface Killah, Swizz Beatz, Raekwon, Ol' Dirty Bastard, Big Punisher, AZ, Kool Keith, Kurtis Blow, Fatman Scoop, Terror Squad, Cuban Link, Large Professor, U-God, Juelz Santana, Lil' Mo, D-Block, Masta Killa, Q-Tip, Nyce, 40 Cal., Hell Rell, Lil' Cease, N.O.R.E., A+, Onyx. Estratto: Christopher George Latore Wallace III, meglio conosciuto con gli pseudonimi di The Notorious B.I.G. o piu semplicemente Notorious B.I.G. (Business Instead of Game, cioe affari al posto del gioco), Biggie Smalls, Big Poppa e Frank White (New York, 21 maggio 1972 - Los Angeles, 9 marzo 1997), e stato un rapper statunitense. Cresciuto nel quartiere newyorkese di Brooklyn negli anni ottanta, periodo in cui il consumo di crack ha il suo picco massimo, Wallace inizia a spacciare droga fin dalla giovane eta. Quando pubblica il suo primo album, Ready to Die sotto Bad Boy Records, e gia una delle piu importanti figure della scena hip hop dell'East Coast, e ha il merito di dare maggiore visibilita a New York in un periodo in cui la scena e dominata dagli artisti della West Coast. L'anno successivo porta al successo i suoi amici d'infanzia con cui forma il gruppo Junior M.A.F.I.A.. Durante la registrazione del suo secondo album viene fortemente coinvolto nella faida tra East Coast e West Coast, che domina la scena del momento. Il 9 marzo 1997 viene assassinato in una sparatoria automobilistica a Los Angeles. Il doppio disco Life After Death viene pubblicato 15 giorni dopo la sua morte, arrivando...
Sweeping in its scope, The Legends of Hip Hop is an intimate look at the visionaries, the movers and the shakers, and the pioneers who have helped shape the world of hip hop. Groundbreaking artist Justin Bua profiles and paints fifty key figures, including everyone from Afrika Bambaataa and Grandmaster Flash to President Obama and Jay-Z, providing a portrait of each legend in a style reminiscent of the great masters. The artwork is accompanied by an engaging autobiographical narrative that contextualizes the impact each icon has had on Bua’s personal life and on the hip-hop culture at large. With a foreword by Chuck D, this landmark volume is more than a celebration of hip hop; it is the definitive word on the subject as told by Bua, one of hip hop’s leading artists and a legend in his own right.
This Companion covers the hip-hop elements, methods of studying hip-hop, and case studies from Nerdcore to Turkish-German and Japanese hip-hop.
The son of first-generation Tongan immigrants, Hau drew on the legacy of his name (meaning ‘King’) to become one of the nation’s most influential musical artists. But the best stories often come from the humblest beginnings. A promising junior rugby player, Hau decided in his teens to trade in the footy boots for Hammer pants, soaking up every bar and breakbeat of the new sound and culture exploding out of urban America: DJ Kool Herc and LL Cool J, mix-tapes and graffiti, velour Kangols and Beat Street. Determined to be more innovator than imitator, the rhymes that eventually burst from his volumes of notebooks and epic freestyle sessions with friends and co-conspirators would express what was happening in his backyard, in his community, in his voice. Along with DJ Danielsan, Hau would form Koolism, one of the seminal acts in Australian hip hop and winner of the ARIA’s inaugural Best Urban Release award in 2004. This bolt from the blue began a professional journey that would evolve over decades and play out over iconic albums, reflecting the simple joys of life, the love of family, the loss of faith and the tragedy of lives cut short. When Hau decided to pass the mic, it also announced his next incarnation – acting as mentor and producer for a new generation of up-and-coming Australian artists, including the gritty drill-rap phenomenon out of Mount Druitt: OneFour.
Spanning 25 years of serious writing on hip-hop by noted scholars and mainstream journalists, this comprehensive anthology includes observations and critiques on groundbreaking hip-hop recordings.
If asked to list the greatest innovators of modern American poetry, few of us would think to include Jay-Z or Eminem in their number. And yet hip hop is the source of some of the most exciting developments in verse today. The media uproar in response to its controversial lyrical content has obscured hip hop's revolution of poetic craft and experience: Only in rap music can the beat of a song render poetic meter audible, allowing an MC's wordplay to move a club-full of eager listeners. Examining rap history's most memorable lyricists and their inimitable techniques, literary scholar Adam Bradley argues that we must understand rap as poetry or miss the vanguard of poetry today. Book of Rhymes explores America's least understood poets, unpacking their surprisingly complex craft, and according rap poetry the respect it deserves.