Download Free Hip Hop Raised Me Book in PDF and EPUB Free Download. You can read online Hip Hop Raised Me and write the review.

The definitive volume on the massive and enduring impact of hip hop over the last forty years, now in a compact paperback edition. In 2008, with help from Jay-Z and Puff, Barack Obama got the hip hop vote, and became the first African American to be elected president. For a brief moment, the “Audacity of Hope” seemed attainable. The 2014 Ferguson riots signaled the end of that hope, and in 2016 the hip hop community had to grapple with the election of Donald J. Trump as Obama’s successor. Now more than ever, hip hop artists such as J. Cole and Kendrick Lamar are the voice of the voiceless. In the new, updated compact edition of Hip Hop Raised Me., DJ Semtex examines the crucial role of hip hop in society and reflects on the positive influence it has had on his own life, and the lives of disaffected youths from generation after generation. Featuring specially commissioned photography and seminal interviews he conducted with key artists such as Jay-Z, Kanye West, Eminem, Drake, Nicki Minaj, and Nas, Semtex traces the course of hip hop from its origins in the early 1970s through its breakthrough to the mainstream and the advent of gangsta rap in the late 1980s to the global industry that it has become today.
The mother of rap superstar Kanye West shares her experiences on being a single mother raising a celebrity. As the mother of hip-hop superstar Kanye West, Donda West has watched her son grow from a brilliant baby boy with all the intimations of fame and fortune to one of the hottest rappers on the music scene. And she has every right to be proud: she raised her son with strong moral values, teaching him right from wrong and helping him become the man he is today. In Raising Kanye, Donda not only pays homage to her famous son but reflects on all the things she learned about being his mother along the way. Featuring never-before-seen photos and compelling personal anecdotes, Donda's powerful and inspiring memoir reveals everything from the difficulties she faced as a single mother in the African American community to her later experiences as Kanye's manager as he rose to superstardom. Speaking frankly about her son's reputation as a "Mama's Boy," and his memorable public outbursts about gay rights and President George W. Bush, Donda supports her son without exception, and here she shares the invaluable wisdom she has taken away from each experience—passion, tolerance, patience, and above all, always telling the truth. Ultimately, she not only expresses what her famously talented son has meant to her but what he has meant to music and an entire generation.
Traces how the "tanning" phenomenon raised a generation of black, Hispanic, white, and Asian consumers who have the same "mental complexion" based on shared experiences and values. This consumer is a mindset-not a race or age-that responds to shared values and experiences, rather than the increasingly irrelevant demographic boxes that have been used to a fault by corporate America."--
Can't Stop Won't Stop is a powerful cultural and social history of the end of the American century, and a provocative look into the new world that the hip-hop generation created. Forged in the fires of the Bronx and Kingston, Jamaica, hip-hop became the Esperanto of youth rebellion and a generation-defining movement. In a post-civil rights era defined by deindustrialization and globalization, hip-hop crystallized a multiracial, polycultural generation's worldview, and transformed American politics and culture. But that epic story has never been told with this kind of breadth, insight, and style. Based on original interviews with DJs, b-boys, rappers, graffiti writers, activists, and gang members, with unforgettable portraits of many of hip-hop's forebears, founders, and mavericks, including DJ Kool Herc, Afrika Bambaataa, Chuck D, and Ice Cube, Can't Stop Won't Stop chronicles the events, the ideas, the music, and the art that marked the hip-hop generation's rise from the ashes of the 60's into the new millennium.
Filled with more than 250 images of artists including Ice Cube, The Notorious B.I.G., LL Cool J, Naughty by Nature, Public Enemy, 50 Cent, N.W.A, Snoop Dogg, Lil' Kim, Flavor Flav, Lauren Hill, Queen Latifah, TLC, many that have never before been published, this book is set to become the new hip-hop photography bible With exclusive, behind-the-scenes access, preeminent photographer Brother Ernie captures the last four decades of the evolution of hip-hop--the styles that grew from it, and the artists who shaped it. Complete with Brother Ernie's personal anecdotes of time spent with subjects, and stories behind the photographs, Hip-Hop at the End of the World shares intimate moments from the most important era of hip-hop. After picking up a camera in the 1973 to document the graffiti art that dominated New York City, Ernest Paniccioli started his journey of whole-heartedly capturing the scene during the most fertile years of hip-hop. Always armed with a 35mm camera, he successfully photographed nearly every rapper of note since the genre's inception, making him the go-to photographer for magazines like Word Up and Rap Masters. Hip Hop at the End of the World is a carefully curated selection of photographs from Brother Ernie's extensive archives, celebrating over 40 years of swag in one of the most complete records of the most crucial movements in American music.
I was a 7-year-old Chicago kid when Hip Hop was born in the Bronx, NY projects. .it had been around for some years getting its legs under it before I got a taste of it around junior high school...being from Chicago, my foundation is house music, but when I heard the Ultramagnetic MCs, I was sold...Hip Hop is a part of my being, I was raised on it, and it has been the soundtrack for some of the best moments/years of my life. .'til death do us part. .Hip Hop married lyricism, djing, graffiti art, breakdancing, and later, KNOwledge of Self. .every component equally as essential to the vibe. .over the years, as with other music forms created by African people, we've witnessed Hip Hop being compromised, coopted, and commercialized. .it has been whittled down gradually to something that is unrecognizable to its beginnings. .the profit motive has crept in along with the overarching agendas that anchor Black people to that bottom rung on that capitalist/classist ladder. .rich or poor, we are all being targeted with WAR. .one of our great ancestors, Fela Anikulapo Kuti, put it best, "music is the weapon". .Hip Hop was OUR weapon. .today though, Hip Hop is no longer a tool our creative linguists use to teach and reach us. .the consciousness has been evaporated and the messages have drastically changed. .from Black culture, Hip Hop is somewhat estranged. .I still LOVE her. .WE still LOVE her. .WE still want Hip Hop to return to us WHOLE. .food for US. .with a SOUL. .
Over the last quarter-century hip-hop has grown from an esoteric form of African-American expression to become the dominant form of American popular culture. This is not the first time that black music has been appreciated, adopted, and adapted by white a