Download Free Hip Hop Hypocrisy Book in PDF and EPUB Free Download. You can read online Hip Hop Hypocrisy and write the review.

Hip Hop is a multi-billion dollar global industry, and commercialized gangsta rap has claimed its phat share. Coach Powell exposes the hoax and dirty tricks some in the industry use to seduce our children out of their money, their values, and their minds. Read Hip Hop Hypocrisy to discover the disturbing answers to these questions: What 15 social-historical behaviors do gangsta rappers and the KKK share? What seductive technique is used by both gangsta rappers and pedophiles to tease, titillate, and psychologically trap children? Could lyrical misogyny be a symptom of gender-bending and Prolonged Adolescent Syndrome? Why do gangsta rappers get more air time than socially conscious rappers? What satanic themes lurk behind Christian symbolism? Have "nigga," "bitch," and "pimp" been flipped to mean something positive? What 10 marketing commandments must gangsta rappers follow? How do some lyrics and music videos promote drug addiction, violence, misogyny, and bling consumerism/materialism? What is gangsta rap saying to the world about the African American community?
This book provides an enlightening, representative account of how rappers talk about God in their lyrics—and why a sense of religion plays an intrinsic role within hip hop culture. Why is the battle between good and evil a recurring theme in rap lyrics? What role does the devil play in hip hop? What exactly does it mean when rappers wear a diamond-encrusted "Jesus" around their necks? Why do rappers acknowledge God during award shows and frequently include prayers in their albums? Rap and Religion: Understanding the Gangsta's God tackles a sensitive and controversial topic: the juxtaposition—and seeming hypocrisy—of references to God within hip hop culture and rap music. This book provides a focused examination of the intersection of God and religion with hip hop and rap music. Author Ebony A. Utley, PhD, references selected rap lyrics and videos that span three decades of mainstream hip hop culture in America, representing the East Coast, the West Coast, and the South in order to account for how and why rappers talk about God. Utley also describes the complex urban environments that birthed rap music and sources interviews, award acceptance speeches, magazine and website content, and liner notes to further explain how God became entrenched in hip hop.
The sports world according to Michael Rapaport—actor, Top 50 podcaster, award-winning film maker, and sports fanatic—from the greatest and downright worst athletes, players, teams, and jerseys, but minus statistics, analytics, or anything else that isn’t pure hustle in this “hell of a book” (Shaquille O'Neal). In 1979, nine-year-old Michael Rapaport decided he was going to do whatever it took to be a pro baller. He practiced and practiced, but by the time he was fifteen, he realized there was no place for a slow, white Jewish kid in the NBA. So, he found another way to channel his obsession with sports: talking trash. In the “crazy, passionate, funny and intense” (Colin Cowherd) This Book Has Balls, Rapaport uses his signature smack-talk style and in-your-face humor to discuss everything from why LeBron will never be like Mike, that Tiger needs the ladies to get his golf game back, and how he once thought Mary Lou Retton was his true love. And, of course, why next year will be the year the New York Knicks win the championship. This book is a series of rants—some controversial, some affectionate, but all incredibly hilarious. “Something is wrong with Michael Rapaport but that’s what makes him right,” (Charlamagne tha God).
A pitch-perfect account of how hip-hop culture drew in the author and how his father drew him out again-with love, perseverance, and fifteen thousand books. Into Williams's childhood home-a one-story ranch house-his father crammed more books than the local library could hold. "Pappy" used some of these volumes to run an academic prep service; the rest he used in his unending pursuit of wisdom. His son's pursuits were quite different-"money, hoes, and clothes." The teenage Williams wore Medusa- faced Versace sunglasses and a hefty gold medallion, dumbed down and thugged up his speech, and did whatever else he could to fit into the intoxicating hip-hop culture that surrounded him. Like all his friends, he knew exactly where he was the day Biggie Smalls died, he could recite the lyrics to any Nas or Tupac song, and he kept his woman in line, with force if necessary. But Pappy, who grew up in the segregated South and hid in closets so he could read Aesop and Plato, had a different destiny in mind for his son. For years, Williams managed to juggle two disparate lifestyles- "keeping it real" in his friends' eyes and studying for the SATs under his father's strict tutelage. As college approached and the stakes of the thug lifestyle escalated, the revolving door between Williams's street life and home life threatened to spin out of control. Ultimately, Williams would have to decide between hip-hop and his future. Would he choose "street dreams" or a radically different dream- the one Martin Luther King spoke of or the one Pappy held out to him now? Williams is the first of his generation to measure the seductive power of hip-hop against its restrictive worldview, which ultimately leaves those who live it powerless. Losing My Cool portrays the allure and the danger of hip-hop culture like no book has before. Even more remarkably, Williams evokes the subtle salvation that literature offers and recounts with breathtaking clarity a burgeoning bond between father and son. Watch a Video
Three award-winning activists and novelists-Black Artemis, E-Fierce, and J-Love, join social justice educator Marcella Runell Hall and a diverse team of seasoned educators to develop this collection of engaging and timely standards-referenced lesson plans for 6-12 and beyond. These lessons explore the tools of oppression that keep us divided such as violence, patriarchy and racism. The lessons are based on the popular books: The Sista Hood: On the Mic, Picture Me Rollin' and That White Girl.
The bestselling commentator, hailed for his frank and fearless arguments on race, imparts a scathing look at the hypocrisy of hip-hop—and why its popularity proves that black America must overhaul its politics. One of the most outspoken voices in America’s cultural dialogues, John McWhorter can always be counted on to provide provocative viewpoints steeped in scholarly savvy. Now he turns his formidable intellect to the topic of hip-hop music and culture, smashing the claims that hip-hop is politically valuable because it delivers the only “real” portrayal of black society. In this measured, impassioned work, McWhorter delves into the rhythms of hip-hop, analyzing its content and celebrating its artistry and craftsmanship. But at the same time he points out that hip-hop is, at its core, simply music, and takes issue with those who celebrate hip-hop as the beginning of a new civil rights program and inflate the lyrics with a kind of radical chic. In a power vacuum, this often offensive and destructive music has become a leading voice of black America, and McWhorter stridently calls for a renewed sense of purpose and pride in black communities. Joining the ranks of Russell Simmons and others who have called for a deeper investigation of hip-hop’s role in black culture, McWhorter’s All About the Beat is a spectacular polemic that takes the debate in a seismically new direction.
The story of how hip-hop created, and came to dominate, the twenty-first century. In Dead Precedents, Roy Christopher traces the story of how hip-hop invented the twenty-first century. Emerging alongside cyberpunk in the 1980s, the hallmarks of hip-hop - allusion, self-reference, the use of new technologies, sampling, the cutting and splicing of language and sound - would come to define the culture of the new millennium. Taking in the groundbreaking work of DJs and MCs, alongside writers like Dick and Gibson, as well as graffiti and DIY culture, Dead Precedents is a counter-culture history of the twentieth century, showcasing hip-hop's role in the creation of the world we now live in.
A pioneering expert in the study of hip-hop explains why the music matters--and why the battles surrounding it are so very fierce.
Hip-hop culture is experiencing a sea change today that has implications for evangelism, worship, and spiritual practices. Yet Christians have often failed to interpret this culture with sensitivity. Sociologist, preacher, pop-culture expert, and DJ Ralph Watkins understands that while there is room for a critique of mainstream hip-hop and culture, by listening more intently to the music's story listeners can hear a prophet crying out, sharing the pain of a generation that feels as though it hasn't been heard. His accessible, balanced engagement reveals what is inherently good and redeeming in hip-hop and rap music and uses that culture as a lens to open up the power of the Bible for ministry to a generation.