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During the 1800s, dance and etiquette manuals provided ordinary men and women with the keys to becoming gentlemen and ladies--and thus advancing in society. Why dance? To the insecure and status-oriented upper middle class, the ballroom embodied the perfect setting in which to demonstrate one's fitness for membership in genteel society. From the Ballroom to Hell collects over 100 little-known excerpts from dance, etiquette, beauty, and fashion manuals from the nineteenth century. Included are instructions for performing various dances, as well as musical scores, costume patterns, and the proper way to hold one's posture, fork, gloves, and fan. While of particular interest to dancers, dance historians, and choreographers, anyone fascinated by the ways and mores of the period will find From the Ballroom to Hell an endearing and informative glimpse of America's past.
Originally published in the mid-1800s, this guidebook offers an entertaining look at Victorian social norms and customs. With practical tips on manners, formal attire, and social interactions, Charles William Day's book is a fascinating window into the world of high society. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
“A scholarly guide to etiquette as entertaining and amusing as a work of fiction” (Jane Austen’s Regency World Magazine). Have you ever wondered what it would have been like to live in the nineteenth century? How would you have gotten a partner in a ballroom? What would you have done with a letter of introduction? And where would you have sat in a carriage? Covering all these nineteenth-century dilemmas and more, this book is your must-have guide to the etiquette of our well-heeled forebears. As it takes you through the intricacies of rank, the niceties of the street, the good conduct that was desired in the ballroom, and the awkward blunders that a lady or gentleman would have wanted to avoid, you will discover an abundance of etiquette advice from across the century, and a lively, occasionally tongue-in-cheek, and thoroughly detailed history of nineteenth-century manners and conduct. This well-researched book is enjoyable, compelling reading for anyone with an interest in this period. In exploring the expectations of behavior and etiquette, it brings the world of the nineteenth century to life.
This book is a groundbreaking study of etiquette in the nineteenth century when the success of etiquette books reached unprecedented heights in Britain, France, Italy, the Netherlands, and the United States. It positions etiquette as a fully-fledged theoretical concept within the fields of politeness studies and historical pragmatics. After tracing the origin of etiquette back to Spanish court protocol, the analysis takes a novel approach to key aspects of etiquette: its highly coercive and intricate scripts; the liminal rituals of social gatekeeping; the fear for blunders; the obsession with precedence. Interrogating the complex relationship between historical etiquette and adjacent notions of politeness, conduct, morality, convention, and ritual, the study prompts questions on gender stereotyping and class privilege surrounding the present-day etiquette revival. Through adopting a unique comparative approach and a corpus-based methodology this study seeks to revitalise our understandings of etiquette. This book will be of interest to scholars of historical linguistics and pragmatics, as well as those in neighbouring fields such as literary criticism, gender studies and family life, domestic and urban spaces.